Professor Biography of Peking University, a famous contemporary writer, was born in the countryside of Yancheng City, Jiangsu Province. 65438-0974 studied in Chinese Department of Peking University, and now he is a professor and doctoral supervisor in Chinese Department of Peking University.

Wenxuan Cao

Member of National Committee of Chinese Writers Association, Vice Chairman of Beijing Writers Association, Professor Peking University, Doctoral Supervisor of Modern and Contemporary Literature, Director of Contemporary Literature Teaching and Research Section, Member of Children's Literature Committee, Visiting Professor of Lu Xun College of Literature of Chinese Writers Association. China is an active advocate and promoter of juvenile writing. His main works include the Melancholy Pastoral, Red Gourd, Rose Valley, Following Eternity, Triangle Land and other literary works. Novels: Little House Buried under Snow, Goats Don't Eat Paradise Grass, Straw House, Gone with the Wind, Red Tile, Root Bird, polished rice, Bronze Sunflower, The Book of the King, etc. The main academic works are Research on China Literature Phenomenon in 1980s, The Second World-Philosophical Interpretation of Literature and Art, Research on China Literature Phenomenon at the End of 20th Century, Novel Gate, etc. In 2003, Collected Works of Cao Wenxuan (9 volumes) was published by Writers Publishing House. A large number of works have been translated and introduced to foreign countries. Red tiles and black tiles, Straw House and some short stories have been translated into English, French, Japanese and Korean respectively. Won more than 30 academic awards and literary awards at or above the provincial and ministerial levels. Among them are Soong Ching Ling Literature Gold Award, Bing Xin Literature Award, National Book Award, Golden Rooster Award for Best Screenplay Award, China Film Watch Award, Teheran International Film Festival "Golden Butterfly" Award, Beijing Literature and Art Award, China Taiwan Province China Times Annual Open Book Award, and Best Novel of the Year "Good Book for Everyone" Award. In 2004, he was nominated for the International Andersen Award. He has given many speeches in various places. Publication chronology1February, 983 Hornless Cow (novella) Children's Publishing House

Cao Wenxuan's works

1985 ancient fence in may (novel) Jiangsu people's publishing house 1986 castle in the clouds in February (short story) Chongqing publishing house 1986 12 dumb cow (short story) children's publishing house in February1986 38+ September 0988 Cabin Buried under Snow (Novelette) Guangxi People's Publishing House 65438+ October 0988 165438 Ancestral Temple shrouded in twilight (Novelette) China Children's Publishing House 65438+ June 0989 65438+ October Melancholy Pastoral (Novelette Thinking Theory (Monograph) Shanghai Literature and Art Publishing House/. 65438+ February Goats Don't Eat Paradise Grass (March 1994 "There is a City Underwater" (in cooperation with Zuo Shandan) (short stories) Heilongjiang Children's Publishing House July 1994 "Goats Don't Eat Paradise Grass (Novel)" People's Livelihood in Taiwan Province Province.

Wenxuan Cao

Newspaper 1994 July Red Hulu (short stories) Taiwan Province Minsheng Newspaper 1994 Second In the snow's Cabin (short stories) Taiwan Province International Youth Village 1996 July Teenager (Prose) Taiwan Province Minsheng Newspaper 1996. 8+0997 Cao Wenxuan Literature Collection 2 1 Century Publishing House 1997 Hongwa (Novel) Beijing October Literature and Art Publishing House 1997 Triangle (Short Stories Collection) Taiwan Province Minsheng Publishing House 1997 Follow Eternity (Prose Collection) Peking University Publishing House 1997. Kloc-0/999 Taishan Publishing House 65499 Chunfeng Literature and Art Publishing House 2000 Red Roof (Novel) Taiwan Province Lu Xiao Publishing House 2005 Polished Rice (Novel) Jiangsu Children's Publishing House 2005 Wild Windmill (Collection of Short Stories) Jiangsu Children's Publishing House 2005 Bronze Sunflower (Novel) Jiangsu Children's Publishing House.

Cao Wenxuan's works

In 2007, the Book of the King was carefully conceived by Cao Wenxuan, which lasted for eight years. It is Cao Wenxuan's most thoughtful and important work so far. Fantasy and literature are integrated, which not only has the author's consistent aesthetic style, but also has novel and unique content and is full of exploration. At present, the first yellow glass and the second red gauze lamp have been published by Relay Press. Rain on a Dog's Tooth in 2008 (Short Stories Collection) My Son Pickup in 2009 by Jiangsu Children's Publishing House (* * 16 volumes, 6 volumes have been published first) 2 1 Century Publishing House "Cao Wenxuan Pure Beauty Novel Series" is a set of famous classic books published by Jiangsu Children's Publishing House in the spring of 2005. This series includes eight outstanding works by Cao Wenxuan, a famous children's literature writer. There are poetic titles: bronze sunflower, wild windmill, goat not eating paradise grass, straw house, red tile and black tile, root bird, polished rice, dog tooth rain. Editor-in-chief's book series of trendy children's literature (8 volumes), 2 1 Century Publishing House, 1989 Introduction to Modern Famous Articles (4 volumes), Shanxi Education Publishing House, 1994 The Red Gate of the Sunset-Selected Novels in Fifty Years (Volumes 1 and 2).

Bronze sunflower

Guide to Foreign Children's Literature (5 volumes), Guangxi Education Publishing House, Selected Works of China Literature at the End of 20th Century (4 volumes), Peking University Publishing House, 200 1 year honors and awards were included in the "Hundred Talents Plan" of Beijing's cross-century literary talents. Selected as "cross-century talent training plan for humanities and social sciences of the Ministry of Education". To undertake the research project "Art of Fiction" of the Eighth Five-Year Plan of the State Education Commission and the key research project "Research on China Literature Phenomenon at the End of 20th Century" of the Ninth Five-Year Plan of the State. China's Study on Literary Phenomena in the 1980s won the first prize of the first outstanding achievement award of Peking University, China's Study on Literary Phenomena in the 1980s 1998 won the second literary criticism and scientific research award of China Contemporary Literature Research Association, and Goats Don't Eat Paradise Grass 1994 won the third Soong Ching Ling Literature Award and the "Five One Projects" award of Publicity Department of the Communist Party of China. The Blue Flower (short story) and The Straw House won the Bing Xin Literature Award. The collection of short stories "Red Hulu" won the 1994 Top Ten Excellent Reading Awards of China Times. The short story Goodbye, My Little Star and the novel Goats Don't Eat Paradise Grass and Grass.

Tianpiao

House won the first, second and fourth children's literature awards of the Chinese Writers Association. The collection of short stories Red Gourd, Triangle Land and the novel Goat Don't Eat Paradise Grass and Straw House won the Best Reading Award jointly awarded by Taiwan Province Provincial Cultural Construction Committee, Minsheng Daily and Guoyu Daily in 2008. Caotang won the 4th National Book Award (1999), the "Five One Projects" Award in Publicity Department of the Communist Party of China (1999), Bing Xin Children's Literature Award and the 5th Soong Ching Ling Children's Literature Gold Award. "polished rice" won the sixth national outstanding children's literature prize. The film "Grass House" won the Best Screenplay Award in the 9th Golden Rooster Award, the China Film Observation Award in 1998, the 4th Cowboy Award and Film Critics Award, and the "Golden Butterfly" Award, the special award of the jury in the 4th Teheran International Film Festival. Red Tile won the 4th National Book Award and Beijing Book Award (1999). In 2000, he was awarded the Literature and Art Award by the Beijing Municipal Government. Bronze Sunflower won the National Excellent Children's Literature Award of the 7th Chinese Writers Association, the "Five-One Project" Award, the National Book Award, the 2005 Top Ten Books of China Times in Taiwan Province Province and the Bingxin Literature Award. The Straw House is a novel for teenagers by Cao Wenxuan. Cao Wenxuan's own works.

milled rice

According to my childhood, I wrote a boy named Sang Sang. The novel tells the stories and experiences of Sang Sang in Yau Ma Tei Primary School for six years. He witnessed or directly participated in a series of seemingly ordinary but tear-jerking and touching stories: innocent feelings between boys and girls, sad elegance of unfortunate teenagers fighting against bad luck, persistent insistence of disabled teenagers on dignity, glorious personality of the elderly at the last moment, profound and beautiful understanding of life in the experience of death, complex and poetic emotional entanglements between adults ... When we approached the thatched house built for us by Cao Wenxuan, we were really filled with such an atmosphere. With beautiful writing, the author wrote down the primary school life that has left us. This seemingly ordinary life is not simple, perhaps we have never experienced it in our time, but there is no doubt that we can all understand the innocent story between boys and girls who have not yet grown up but want to grow up. There are many moves, but they are inevitable. The unforgettable experience of boy Sang Sang, the sadness of unfortunate teenagers fighting against bad luck, the persistence of disabled teenagers in dignity, etc., are all staged in this actually small hut, giving people a touching feeling and sometimes even making people cry. "Bronze Sunflower" Sunflower, a city girl, lives with her father in a village called Barley Field. Lonely, she met Bronze, a country boy who can't speak. The unexpected death of his father made Sunflower a helpless orphan. The poor and kind bronze family claimed her, and sunflower and bronze became friends of brothers and sisters. They lived and grew up together. In simple life, the family tried their best to raise sunflowers, and bronze silently cared for sunflowers and gave her almost everything: bronze gave up the dream of going to school for sunflowers; In order to take a photo of sunflower, bronze even sold reed shoes on its feet in the cold winter. In order to do homework for sunflowers at night, the clever bronze caught fireflies and made ten pumpkin lanterns; In order to let the sunflower watch the circus, bronze stood silently with the sunflower all night. In order to avoid sunflower being scolded, bronze bravely took the blame for his sister; For the beauty of sunflower curtains, bronze skillfully made a string of shiny ice necklaces ... In the years full of natural and man-made disasters, the bronze family, Qi Xin, old and young, worked together to lead a hard but happy life, calmly and stubbornly coping with all the sufferings such as floods and locusts. 12 years old, fate recalled the girl sunflower to her city. The pain of losing her sister made bronze cry to the sky. He shouted a name from the bottom of his heart-"sunflower"! The shouts shook everyone's heart. This book is the latest masterpiece written by Cao Wenxuan in 2005. The characters in the works are unique and vivid, the narrative is concise and smooth, the words are pure and beautiful, the artistic conception is elegant and clear, the feelings are sincere and profound, and the lines are full of touching and shocking human feelings, all of which shine with the brilliance of humanitarianism. The works describe suffering-great suffering, and write suffering to a profound place; Works write beauty-great beauty, and write beauty to the extreme; Love, a work about love, is full of vitality and affection. This delicate description and chanting of suffering, true feelings and beautiful human nature is like a warm and clear spring, which will moisten and purify the eyes and souls of every reader and lead us to pursue the truth, goodness and beauty in life forever. Foreign Academic Activities 1992 10 was invited by NHK TV in Japan to be interviewed and give a speech on literary creation. June1993-April 1995 was invited to teach at the University of Tokyo, Japan. 1999165438+10, at the invitation of the Japan foundation for international exchange, attended the seminar on "China Film" and delivered a speech. 1999 12 at the invitation of the Japanese Dramatists Association, he participated in the seminar on "Movie Script Creation" and delivered a speech. The main courses taught are Contemporary Literature in China, Art of Fiction, Ten Novels, Thinking Theory-Philosophical Interpretation of Literature, Research on Literary Phenomena in China in 1980s, Research on Literary Phenomena in China at the End of 20th Century, and Analysis on Hot Topics of Contemporary Literature in China. People in different eras have different requirements for female beauty, but I don't believe in two eras.

Wenxuan Cao

Dai's idea of beauty and ugliness will be completely reversed. People's basic views on female beauty have not changed for a long time, but they just like the difference between this beauty and that beauty. In the Tang Dynasty, being fat was a beauty, but Yang Guifei was a beauty first, and she must not be obese. Han's bone feeling is very beautiful, but it is also that kind of healthy thinness. I think we really pay more attention to body shape than in ancient times, and we tend to like women with better lines, thinner bodies and slimmer bodies. But different people always like different beauty. In the era when most people regard thinness as beauty, there are still many people who like plump women like Yang Guifei. The difference lies in the different proportions. Thin beauty is the mainstream, and "fat" beauty is a minority. I think about nine men in China 10 will like reserved and gentle women, and 1 will like passionate and wild women. The women I like are the ones I often write in my novels. They are all the same-kind, weak, talented and spiritual. I think men always want to protect those weak women and show their strength. I think if a woman wants to look beautiful, there is one quality that can never be changed, and that is simplicity. As long as I find a girl is very complicated and thoughtful, I will immediately dislike her. In appearance, a woman's figure is more important than her appearance. Of course, I like her slender figure best, and I hope this girl has bright eyes, pure eyes, fair skin, quiet and beautiful (laughs). Of course, there are many other factors that make you feel good and like someone. For example, Chris Lee, the idol sought after by everyone, is not because of her beauty, but because of her performance, her personality and her talent. But I found that all the people who like her are young people. I don't think young people are old enough to pay attention to gender differences. An indispensable description of natural scenery Description of natural scenery is a major feature of Cao Wenxuan's works. To this end,

Wenxuan Cao

Cao Wenxuan unambiguously affirmed it, and even had the impulse to brand his own works. "My work is my work because one of the most important elements is the landscape element. From the perspective of writing, it is very painful and almost impossible to describe me without the scenery. " When talking about the serious lack of description of natural scenery in some children's literature works, including other literary works, Cao Wenxuan talked about his own views on why there are not too many descriptions of scenery in many works today: "Description of scenery can best reflect writing skills. It is very difficult to describe the natural scenery in an unconventional way and integrate it with the artistic conception, atmosphere and characters' situation of the works. When I was a child, I copied a lot of clips describing natural scenery, which benefited my writing today. The benefits I got from it can't be expressed in words. Without these implants, my work today would never be so different. Nature is so vast that it constitutes an Upanishads. Natural scenery is nature and an important part of my works. I think it is very bad for children to read works without scenery. "At present, the disadvantages of the profound dimension of literature extend from the topic of the loss of landscape description in literary works to the evaluation criteria of literature. Cao Wenxuan believes that the evaluation standard of contemporary literary works is single, and China's classical standards are seriously lacking, so there is a phenomenon that literary creation does not pay enough attention to literariness and artistry. " What we emphasize today is more the profound content and thought of a work. Almost become or have been.

Cao Wenxuan's works

Classics become the only dimension of literary works. This dimension is given by western culture, not developed by our culture since ancient times. For example, our value system is elegance, artistic conception and so on. We ancients have always attached great importance to art forms, and deep thinking is not our standard. At the same time, there is an illogical logical relationship hidden in profundity, which is not based on beauty, but on ugliness and evil. Nowadays, works like to write evil because they take profundity as the standard. Form such a logical inference between ugliness and profundity. "Cao Wenxuan deeply regrets the lack of a single, classical and traditional literary evaluation standard. He hopes that contemporary literature can inherit the classical things and make the evaluation criteria of literature more literary care and humanistic consciousness. Cao Wenxuan's famous saying [1] Most of the books children read today are not helpful to their growth and writing. Humor is a realm. Reading is a religion. The power of beauty is greater than the power of thought; No matter how profound the thought is, it will become outdated or common sense, but beauty is eternal. Beauty is the foundation of literature, the reason for our existence and the driving force for our sublimation. Three words for Peking University students: gratitude, sentiment and carefulness. The first sentence is to be grateful in the face of suffering. The second point I want to say is that a life without emotional appeal is a low-quality life. The third sentence for everyone, the world belongs only to careful people. Woman, your name is literature! Help each other in bad luck, help each other in difficulties, understand in loneliness, be warm in indifference, and love each other in sincerity ... What moves us is the power of morality, emotion and wisdom, all of which are with the sun and the moon. -Excerpted from "Red Tiles and Black Tiles" Su Shao's version is as beautiful as the power of thought. No matter how profound the thought is, it may become common sense. There is only one thing that will never grow old, and that is beauty. -Excerpt from "Straw House" When I was a teenager, I had an attitude towards pain. When I grow up, I'm likely to be a strong person. I like water-water-based, the most powerful substance in the world is not weight and rigidity, but light.

Cao Wenxuan and Ling Lang.

Softly. -Excerpt from "Dog Tooth Rain" Su Shao Edition Many people ask, why is there no Andersen and no Green in China? When Andersen was alive, no one thought he was great. On the contrary, he is very reluctant to be called a children's literature writer. I think this topic will be tested by time. A true writer does not care about the object of writing, but about the content of writing. I prefer people to say that I have written books that children can read. Everyone who knows me knows what I write. Either I write first or others write much better. I think I have to write my own understanding. I wrote a humorous book, My Son Pickup, based on my son. My understanding of humor is not loquacious, but humor that can stand translation, and its meaning must be ridiculous. Social Evaluation (1) As a representative writer of the fourth generation of children's literature, Cao Wenxuan has "melancholy and compassionate humanistic care ... His works transcend the theme of children's life, enter the field of people's essential life, and shine with the burning of life personality. He repeatedly asked, "How to touch the children now? "... put forward this proposition, we have a sense of historical solemnity and heaviness. ..... what can move them is nothing more than those things ── parting, wandering in dispersion, sympathy, mutual assistance in bad luck, mutual assistance in trouble, understanding in loneliness, warmth and love in indifference ... What should move them is the power of morality, emotion, wisdom and beauty, and all these are eternal. Cao Wenxuan expressed his concern about children's living conditions and spiritual world in his bildungsroman, and wrote for children in the spirit of promoting humanistic care.

Cao Wenxuan's works

Cao Wenxuan, a professor at Peking University with childhood memories of a water town, has dual identities as a writer and a scholar. In his words, he said, "Academics has given me a quiet and sacred reason, which is what I need for my life and writing. Creation is my academic research, but I still maintain a necessary feeling of turning stone into gold and an interest necessary for being a man. " His literary creation and theoretical discourse have formed a positive and effective interaction. His humanistic care and profound academic skills have made his children's literature creation have a deeper foundation and become a dazzling star among contemporary children's literature writers. (2) Looking at Cao Wenxuan's works, from the literary collections Ancestral Temple under Twilight, Red Gourd and Rose Valley to the novels Goats Don't Eat Paradise Grass, Straw House, Red Tile and Root Bird, they are all "drinking the past". Some critics call it children's literature, but it seems inappropriate. When a children's literature contains eternal literary emotion and aesthetic value, it may touch not only children, but all of us. His works, with solemn and melancholy style, poetic artistic conception and agile narrative style, present us with an artistic world of truth, goodness and beauty-mutual help in adversity, help in adversity, understanding in loneliness, tenderness and affection in indifference ... These contents, under the care of childhood feelings, radiate spiritual light, touch all people living in this world and shock our hearts. Edit this paragraph. The former chief physician of Nanning Second People's Hospital was born in 1926. He is an Anguo from Hebei Province, the chief physician, and the former director of the Otolaryngology Department of the Second People's Hospital of Nanning, Guangxi. 1944 participated in the revolution and served in the third column field hospital and the fourth rear hospital in North China. Won many meritorious service awards. 195 1 graduated from the former First Military Medical University and stayed in the Clinical College. 1954 transferred to the third o 3 hospital to serve the wounded and sick in Vietnam. Later, he led the medical team to the countryside many times and achieved remarkable results. It was praised by the local people and commended by the Guangxi Military Region. After the Cultural Revolution, he worked in Qinzhou People's Hospital, director of Nanning Medical Association and head of ophthalmology group. Always love their jobs, be loyal to their duties, study hard, and be enthusiastic and responsible. He took the lead in developing fundus fluorescein angiography in Guangxi and won the Nanning Science and Technology Progress Award and the Excellent Paper Award of the Autonomous Region Medical Association. Engaged in ophthalmology for more than 40 years, thousands of blind people have recovered their sight. Since 1950s, he has published more than 40 papers and translations in national professional journals. Such as "Diagnostic Significance of Pupil Changes in Closed Brain Injury", "Correction of Eyelid Inversion Transfer and Suture", "Xueshuantong Treatment of Retinal Hemorrhage" and "Effect of Meng Xiao Tablet on Trace Elements in Human Body". There are "Geriatrics Ophthalmology" and "Eye Microsurgery". 1988 After retirement, he was employed by Nanzhu Eye Hospital and continued to serve patients with eye diseases.