Editor-in-chief of Foreign Postmodern Drama Movies, Tianjin People's Publishing House, published in 2002.
Editor-in-chief, Classic Movies and Dramas of Western Postmodern Art, Tianjin People's Publishing House, 2003.
Monograph "Hard Carnival", Shanghai Sanlian Publishing House, 2004.
Genre film course, Fudan University Press, 20 1 1 year.
This book studies the literary phenomenon of genre films and the concrete forms of some important film types, and makes an innovative analysis, elaboration and explanation of a series of concepts.
Inception in Hollywood, Hunan Literature and Art Publishing House, 20 13.
This book is a collection of film reviews by Hao Jian, a famous teacher of Beijing Film Academy. It has selected some excellent Chinese and foreign films, such as Lola Run, Inception, Bonnie and Clyde, Tragedy on the Nile, Once upon a time in America, Slumdog Millionaire and so on. Guide readers to have a more professional and profound understanding of the film beyond their own understanding. Published more than 200 papers and comments. Among them, the ratio is more influential:
Unexpected Mirror Language in Schindler's List
The groan of boxing sickness
The topic of Oscar
Where are the old dreams at sea?
Jing Ke protects the king of Qin.
WTO is not the natural killer of China movies.
Interpretation of Oscar —— Public Space and Game Machine Design
Violence in Aesthetics and Violence Aesthetics
Anti-globalization with China characteristics
Heroes cover faces.
On the aesthetics of film zoom lens, Film Art No.4, 1984.
The collapse of traditional cultural consciousness, Shanghai Culture and Art News, March 1986, June 14.
Discussion: Film as a commodity, Bayi Film 1986 10.
Discussion on Chinese Film Theory, Contemporary Film, No.2, 1987.
On the Innovative Consciousness of China's Films, Film Creation, No.5, 1987.
Translation: Elements of Film, Chapter 7, Film Review, No.7, 1987.
Garden of Creation and Kingdom of Theory, Film Creation, No.2, 1988.
Film in industrial society, film art, No.2, 1988.
Discussion: Choice: Aristocracy or Democratization. Film Creation, No.9, 1988
Genre Film and Popular Psychological Model, Contemporary Film, No.4, 1988.
Film Art Features and Economic Mechanism Guangming Daily 1988 1 1.3.
A lame man jumps three feet —— Comment on Stubbornness, China Film Weekly 1989 65438+ 10/2.
Into the language, China Film Weekly 1989 65438+ 10/9.
Translation: Two Narratives in bertolucci's Films, Journal of Beijing Film Academy,No. 1989,No. 1.
Translation: "Once upon a time in America" screenplay, Contemporary Film, No.6, 1989.
The film industry is the same as * * *, Contemporary Film, No.6, 1989.
Invincible Suffering: A Journey to the South, China Film Weekly127 September 990.
False Illusion of Lyric Literature, China Film Weekly1February 992 13.
Summary of Ling Zifeng's Film Art Seminar, Film Art, No.5, 1992.
The adaptation and the third transcendence of Ling Zifeng, Film Art, No.5, 1992.
More than Children's Summer, Wen Hui Film Times1March 7, 992.
Voice and Thought Remain in the World, Wen Hui Film Times1991June 15.
Zhang Yimou carrying fruit, Wen Hui Film Times19921June 17.
The Price of Love and the True Nature of Money, Wen Hui Film Times16 August 994.
BLACKPINK's Color Maid, Wen Hui Film Times1August 6, 994.
Consumer Culture and Consumer Culture, International Advertising, No.6, 1995.
The unexpected mirror language of Schindler's List, Film Art 1996 1.
Marginal narration and marginal life in the misty rain, China Film Weekly199665438+1October1.
Approval or Rejection —— Discussion on the Introduction of "Top Ten Blocks", Germination 1996 1.
Tv soap opera: window or black hole, Sanlian life weekly1February 996 15.
"Where is Heaven", Drama Film1March, 996 15.
The groan of the boxer movement, Reading, No.3, 1996.
Above Heaven: Reflection in Applause, Hua Sheng Monthly, No.4, 1996.
Random thoughts on heaven, Wen Hui Film Times, May 1996, June 16.
Popular Culture Waiting for Media Criticism, Modern Communication, Journal of Guang Bei, No.2, 1996.
"What do we need a myth for?" Beijing Youth Daily1May 28th, 996, 6th edition.
Long-standing Myth and Today's Spiritual Home, China Film Weekly1June 27, 996.
Shanghai Past: Significance and Interest, Wen Hui Film Times1June 29, 996.
Wu Zetian and appreciation of sexy historical drama, Beijing TV Station No.7 1996.
Pulp Fiction Studies, Contemporary Film, No.4, 1996.
National Nostalgia and Prospect —— On the old Shanghai movies, Watson Monthly, No.8, 1996.
Pulp Fiction's Plays, Contemporary Movies, No.4, 1996.
Wu Zetian and appreciation of sexy historical drama, Beijing TV Station, No.7, 1996.
Meditation on Historical Drama, Contemporary Movies,No. 1997,No. 1.
Popular culture has culture, Drama Film1997 65438+1October 30th.
Jackie Chan, a troubled youth, Drama Film1997 65438+1October 23rd.
Ambush in a little anecdote, The New Craftsman, China Screen, April 1997.
Watch the end of the TV soap opera again, drama movie news1May 8, 997.
Film genre and film genre, film research, Volume I China Radio and Television Press 1997 July Film: crash landing, produced by Shanghai Film Studio in 2000.
Movie: The screenwriter of Dangerous Snowy Night was shot by the Palace Film Company in 2003.
TV series: 20 episodes of "Motor City" TV series, written by writers, filmed by Shanghai Film Studio and China TV Center, and broadcast by CCTV.
TV series: 20 episodes of TV series "A Record of Love in Vacuum" are planned and written by the general manager and broadcast in Shanghai and sctv.
Tv series: The five episodes of TV series "Maid in the Mansion" were planned and directed, and aired by CCTV in July. 1995.
Advertisement: Lenovo group image advertisement, creative and directed, broadcast by CCTV in June 1995 1 1.
Advertisement: Creative Director of Golden Frog Agricultural Vehicle Product Advertising, broadcast by central and provincial TV stations in March, 1993.
Literary Script: The movie script "Blackout Night in a Snowstorm" includes the new movie 1997, No.6..