20 10 has worked in the music department of art college of inner Mongolia university so far. Published monographs "hultsch: the rapper and his music in Horqin local tradition" (Shanghai Conservatory of Music Press, 2007), "Appreciation of Mongolian classic folk songs" (edited by Mongolian, Inner Mongolia University Press, 2007) and "Dian's Ci and Qu Integration" (edited by Mongolian, Inner Mongolia People's Publishing House, 2009); In academic journals such as National Art, China Musicology, journal of the central conservatory of music, People's Music, China Music, Inner Mongolia Social Sciences, Journal of Inner Mongolia Normal University, Journal of Shenyang Conservatory of Music, Journal of Art College of Inner Mongolia University, Published in Mongolian and Chinese languages: Mongolian Banquet Ceremony and Singing Custom, Singing and Accompaniment in hultsch's Dictation, Three Layers of Folk Music, Blending of Epic and History-Traditional Spirit and Style in Yong Rubu's Musical Works, a brief introduction of Ren Hu Wuligeer Style School,/kloc-Meirigengegen, a Mongolian musician in the 8th century, etc. Editor-in-chief of the textbook Appreciation of Chinese Folk Music (Mongolian). He is now in charge of the annual project of the national art discipline "Rescue, Protection and Theoretical Research of Mongolian Heroic Epic Music" and the research project of Shanghai Education Commission "Transformation and Reconstruction-Social Transformation and Mongolian Traditional Music Resources". He presided over the 11th Five-Year Plan of the National Arts and Sciences, the key project of the Ministry of Culture in 2006, the pilot project of the national national folk culture protection project, and the sub-project of the investigation on the present situation of China opera, folk dance and folk music funded by the Ministry of Finance, and presided over the "Mongolian language curriculum resource construction project of the Ministry of Education: Mongolian folk songs". He has participated in many national scientific research projects such as Mongolian Encyclopedia Art Volume, Mongolian Modern Music History, Comparison and Development Trend of Traditional Music of Mongolian, Daur, Ewenki and Oroqen in Inner Mongolia, presided over Mongolian Folk Music Research, and participated in many school-level scientific research projects such as Ren Hu Wuligeer Music Research. He has taught such courses as Appreciation of National Folk Music, Contemporary Music in Inner Mongolia, Impromptu Accompaniment and Solfeggio in Mongolian. He now teaches undergraduate courses such as Mongolian traditional music, an introduction to China traditional music, and postgraduate courses such as ethnomusicology. He used to be the expert judge of the first batch of intangible cultural heritage list evaluation group in Inner Mongolia Autonomous Region (2007), the expert judge of the fourth batch of intangible cultural heritage representative inheritors evaluation group in Inner Mongolia Autonomous Region (2007), the expert judge of the evaluation group of the hometown of folk culture and art in Inner Mongolia Autonomous Region (2007), and the expert judge of outstanding papers in the Mongolian long-tune folk song international forum. He was invited to give keynote speeches at international and domestic conferences, such as China International Symposium on Humai Art in Mongolia (2008), Ulaanbaatar International Symposium on Humai Art in Mongolia (2009), Annual Meeting of Chinese Traditional Music Society (2008), and National Seminar on Music Protection and Music Education for Ethnic Minorities (2008). He sang more than 300 songs for more than 20 albums, arranged and produced music accompaniment, and participated in the music production of various parties in the autonomous region many times. Organize Mongolian music concerts and seminars in China Conservatory of Music, Shanghai Conservatory of Music and Tianjin Normal University.