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Seeking the Literary Criticism of Qian Zhongshu's A Prejudice
A prejudice has six natural paragraphs. In the first paragraph, he begins with a clear meaning, and first talks about "what is prejudice?" The next two meanings will expand his understanding of "prejudice" from two angles: the opposite-some correct axioms are prejudice; Positive-some prejudices reveal the true laws of nature. In the second paragraph, we also talk about the aversion to "human voice" from two aspects: first, we talk about what is "natural voice" with symmetry, parallelism and meticulous narrative language, and then we compare what is "human voice" and its disadvantages. Due to the contrast between "nature and human voice", the main content of prose becomes full.

In the third, fourth and fifth paragraphs, this writing idea is still the same: nature is a foil to silence, not aggressive; And human voice is the destruction of silence, annoying. The sixth paragraph is a dialectical view of human beings from another angle, and it is also a summary and sublimation of the full text: although human beings are hated, it may be the root of philosopher's prejudice.

In this way, Qian Zhongshu's biased writing concept is very dialectical. He expounded his unique understanding of "human" disgust and prejudice from positive or negative or other angles. The author thinks not from a straight line, but from multiple angles, which makes his understanding of life dialectical, mature and acceptable. At the same time, it also makes the structure of the article look plump and exquisite.

Qian Zhongshu's plump writing style is also reflected in the rich use of materials. After the formation of a keyword, he immediately naturally skillfully brought out one, two, or more than three ancient and modern Chinese and foreign literature and history materials. For example, after describing in concrete language that nature sets off silence, he incidentally listed the materials of The Book of Songs, Yan Jiaxun, Shelley's poems, Coleridge's poems and people's daily life metaphors. The coherent narration of five kinds of materials at all times and all over the world makes the prose full of meaning in arranging the author's unique feelings about "nature and man" The author's profound knowledge of literature and history is freely and artistically transformed into the flesh and blood of prose.

Beginners tend to be single-minded and thin in writing, so they should learn from Qian Zhongshu's writing thinking, dialectically and freely, and the writing materials are readily available and coherent. When the ideas are open and the materials are rich, the article appears to have a sense of artistic integrity and aura.

This is an argumentative essay. Although it is a "life prejudice", it reveals the true meaning of life: "Life is alive, there is no need to teach by example." This sentence is so calm that it is almost decadent: literally speaking, there is right and wrong, and there is right and wrong, and everything goes its own way. So, where is the end of life? From the perspective of self-liberation, this sentence is even better than Li Bai's Moonlight in the Water, which is quite detached: with this discovery, you really don't have to practice penance for nine years like a monk, or a Taoist priest dies without eating fireworks, so you can become a positive result or an immortal! However, if we are bored from the all-round perspective of social owners at that time, the real annotation is the following sentence, "The so-called correct axiom is simply prejudice." You will suddenly realize that this is the powerful wealth and vulgar world situation that an arrogant scholar despises and belittles. ...