2. Briefly describe Japanese traditional music schools, musical instruments and their representative works.
3. Briefly describe the traditional music schools, characteristic musical instruments and their representative works on the Korean Peninsula.
4. Briefly describe Mongolian traditional music schools, characteristic musical instruments and their representative works.
5. Try to compare the similarities and differences between Japanese kabuki and Nenglu and China opera.
6. Try to compare the similarities and differences between Japanese Yayue and Korean Peninsula Yayue.
7. Take Mongolian folk songs, Ma Touqin and their music as examples to discuss the relationship between music and natural environment and social life.
8. Briefly describe the characteristics of East Asian traditional music.
Chapter 1 East Asian Music
Reference answer:
1, Introduction of East Asia Music Culture Zone.
East Asia Music Culture Zone includes China, North Korea, South Korea, Japan and Mongolia. These countries have long used Chinese characters, and are influenced by China culture centered on Confucianism. Therefore, China's musical aesthetic, traditional music types, genre forms, musical instruments, music, tunes, score, sound organization, rotation and other musical morphological features have also been absorbed by them, and have had an important impact on East Asian countries, forming a common musical artistic feature in East Asian countries. At the same time, East Asian countries have reformed and changed it according to their own social life and cultural views, thus creating unique musical types, genre forms, musical aesthetics and musical morphological characteristics.
2. Briefly describe Japanese traditional music schools, musical instruments and their representative works.
Music genre: Yayue, Manifesto, Nenglie, Kabuki, Quyi Folk Art, Okinawa Music.
The more commonly used musical instruments are: pipa, Zheng, shakuhachi, Sanweixian and so on.
(1) Pipa Music: The representative works of Satsuma Pipa are Musashino, Shitang Pill, Longkou, Rain Over Me, Quyuan Pingjiulang; Zhu Qian Pipa represents four-string works such as Crossing the Lake and Jian Gong, and five-string works such as Yichuan and Xiaogu rusu. (2) Zheng music: there are pure instrumental music such as Liu Duan, Ba Duan and Luantong; There are quasi-instrumental music such as Four Anvils and Gangkang Anvils in local songs. (3) Inch Eight Music: The representative tracks are empty bells, really ethereal, bowls, etc., which are used for religious ceremonies; Deer distant sound, crane nest, dusk song, San Gu Jianyuan, etc. , the pursuit of artistry. Folk songs such as "cut dry and cut music" and "chasing points in the river". (4) Sanwei line spectrum: Sanwei line spectrum refers to the sound music accompanying Sanwei line. As an instrumental music of Sanwei Line, only Diego's Four Anvils.
3. Briefly describe the traditional music schools, characteristic musical instruments and their representative works on the Korean Peninsula.
Traditional music on the Korean peninsula can be roughly divided into three categories, namely: elegant music (formal music), folk music and religious music. Among the traditional musical instruments on the Korean peninsula, Xuanqin, Gaya Qin and Judas are the three most distinctive musical instruments.
4. Briefly describe Mongolian traditional music schools, characteristic musical instruments and their representative works.
Mongolian traditional music can be roughly divided into folk music (including folk songs, instrumental music, song and dance music, rap music), court music and religious music. Among them, the most representative ones are long tune, short tune, Lin Hao Humai and musical instrument Ma Touqin.
5. Try to compare the similarities and differences between Japanese kabuki and Nenglu and China opera. )
6. Try to compare the similarities and differences between Japanese Yayue and Korean Peninsula Yayue.
7. Take Mongolian folk songs, Ma Touqin and their music as examples to discuss the relationship between music and natural environment and social life. (omitted)
8. Briefly describe the characteristics of East Asian traditional music.
The greatest feature of East Asia Music Culture Zone in music aesthetics is the pursuit of simple and elegant horizontal music beauty. In form, it has the following characteristics: (1) elastic beat and rhythm; (2) pentatonic and pentatonic rotation; (3) Gradual music structure; (4) Monotonicity of sound expression.