Describe the poem about Jia Jian 1. What are the sentences about Jia Jian?
1. Jia Jian: retreat and follow it, and the road resistance is long; Swim back from it, in the middle of the water
2. Go back and follow, the road is blocked and broken (J ο); Swim from it and swim in the water (chí).
3. The Millennium is frost. The so-called Iraqis are on the water side! Tracing back and forth, the road is blocked and long. Swim back from it, in the middle of the water
4. King Changling of Baling sent twelve Li people to sway the graves of Baling Island, and the news got wind of it from Qingjiang River. The mountains are long and the autumn city is gone, and the clouds are empty.
5. Li Jiayou sent money to Wugong Mountain, and it rained outside, and the green mountain apes called and people cried pomegranate branches. For no reason, the king's business is still related, and the heartbroken people don't know.
6. In Duane County, two Qiu Ge songs are playing, and the dream is deep and the rain is deep. Since the big leaves on the steps, why should we mourn?
7. Zhang Qiao's spring day trip to Qujiang is warm, the waves are full of spring, and Puji picks green apples. If you are eager to go back and forth to your hometown, you must be from Yanbo Island.
8. On a cold day trip in Du Xunhe, you can smell geese and wind in the willows, and listen to warblers in the sun. After traveling in the mountains for two years, I am afraid of the sound of rain boats.
9. Release Egret Pond in Jong Li. Stay for a long time, frost feather at ease. So you can stay in the depths of the sword house, and the moon should recognize old Qiu Jiang.
10. Xue Tao sent his friend to the water town. There was frost that night, the moonlight was cold, and the mountains were gray. Who says a thousand miles from today, just one dream?
1 1. Han Yu returned to Beijing from Yuanzhou on his second trip to Anlu, and first wrote to Zhou Yuanwai (also Zhou Junchao) in Suizhou to mention Han Dong. I'm happy to say the same thing for the time being. Rain and snow leave the river and dream. His face still contains ochre, and his eyes have seen the Chinese style. It's the end of the year, and it's difficult to get along with.
Canxue is full of summer rain, and there is a reason for the wind and thunder. There is a rush to remove the sound everywhere, and the residual potential leans towards the building. Red leaves are covered with trees, and flowers fall with dust. Xiaoxiang infinite thinking, glanced at Jane.
12. Seven-level lake west, the old people hide from the east and the west, and the fishing firewood is a stream. Lonely crane in front of the piano, monk on the stone. The orange pomelo garden is ripe, but the path is lost. Can neighbors be allowed to merge and divide medicines? Spring cup.
13. Yan Zhenqing boarded the Wang Ping Bridge and tried long observation, observation pole and balance. The international sea is full of colors, and the geese finally sing. As if the mountain is nearby and the water is far away. Look at the works and know the names of the columns.
14. Li Jiayou sent Li Zhongcheng and Judge Yang to shoot first and talk about the arrogance of the soldiers. But Lu Bu promised, not Lu Lian Gong. Beyond the running water, among the mountains. Don't be late in autumn, look back at the sunset sky.
2. How to write the whole poem of The Book of Songs.
Appreciate the white dew as frost.
The so-called Iraqis are on the water side. Tracing back from it, the road resistance is long; Swim back from it, in the middle of the water
Sadly, the Millennium is still there. The so-called Iraqis are in the water.
Tracing back from it, the road is blocked and embarrassing; Swim back from the inside and swim in the water. The dew has not yet arrived, so-called Iraqis are in the water.
Tracing back from it, the road is blocked and right; What is the background of swimming in the water? Hey? From where? The Book of Songs? Qin Feng? , is a folk song that originated in Qin about 2500 years ago. The southern part of Shaanxi Province, which has been in the middle and upper reaches of the Han River since Qin Dynasty, is the birthplace of the royal family of the Zhou Dynasty. At that time, agriculture was developed and witch-wishing culture prevailed.
There have always been different opinions about the content of this poem. To sum up, there are three main arguments: one is the theory of "stabbing Xianggong" and persuading him to "obey the rites of the week".
"Preface to Mao Poetry" says: "It is also a thorn of Xiang Gong. If you can't use rites of rites, you can't consolidate your country.
Where is Sue today? Distinguish the meaning of The Book of Songs? The analysis said: "The so-called Iraqis (sages on the water side) are metaphors of Zhou Wang's ritual system. If you run the country against the rites in the Book of Rites, then "the Tao will be long if it is blocked", "the Tao will be broken" and "the Tao will be right", that is, it cannot be done and cannot be cured.
If you follow the etiquette of Zhou, then "in water", "in water" and "in water?" It means that there is hope for governing the country. "The second is" recruiting talents ".
Yao Jiheng's General Theory of the Book of Songs and Fang Yurun's Primitive Book of Songs are both poems that lead to sages. "Yiren" means "sage": "The sage lives in seclusion on the waterfront, and the two yearn for it." Or, saying, "You don't follow the path of seeking seclusion, and hermits avoid it."
The third is the theory of "love". Today, Lan, Fan, Lu Huiwen and others all say "love songs".
For example, Lu Huiwen said: "This is a love song, and the poet is in trouble because the lover he is pursuing is out of reach. It is an implicit metaphor to say that the river is impassable. "
The technique of this poem is still unknown. The so-called ability refers to when, where and why this poem was written.
Therefore, the reference to "Iraqis" in the poem has always been difficult to gain credibility, and the above three statements are also difficult to draw a conclusion. In order to facilitate the interpretation, let's treat it as a love poem first, and then regenerate it to see how big its artistic space can be.
Content review 1. As a love poem: the basic content of four levels This poem has three overlapping chapters, all of which are four levels. The first two sentences begin with the combination of the two, showing a picture of autumn scenery along the river: the river is Vivi, the reeds are green, and the dew is frosty and snowy.
This scene, with a slightly sad tone in the cold loneliness, well exaggerates the atmosphere and sets off the persistent pursuit and elusive love mood expressed in the poem. Three or four sentences are the central image of the poem: the lyric hero lingers by the river, longing for the "Iraqi people" on the other side of the river.
This "Iraqi" is the one he misses day and night. "On the water side" was isolated, forming a difficult situation.
The protagonist gets up early and says hello late, always looking forward to it. His persistent love spirit can be seen. But "Iraqi" is irresistible, illusory and elusive, so the poet's heart is full of helpless emotions and empty and melancholy feelings.
Five or six sentences are a concrete case of "being on the water side": the pursuit of going upstream, endless difficulties and obstacles, endless journey, out of reach. This is one of the common unpredictable situations, and the pursuer's melancholy mood is also enhanced.
Seven or eight sentences is another concrete scene of "being on the water side": going downstream, the journey is smooth everywhere, the Iraqi people are always there, but they seem to be true and unreal, and they are finally inaccessible. This is also one of the common situations where it is difficult to see the situation clearly, and the disappointment of the pursuers is therefore stronger.
Through the repeated descriptions of general description, sub-description, countercurrent and downstream, the whole poem clearly shows the longing and pursuit of the water side, and fully shows the lyric hero's persistent pursuit of love and the empty and melancholy mood that he can't pursue. 2. Hair growth series: an artistic paradigm that expresses the tragic situation and mentality of human beings, and "being on the water side" should be regarded as a symbolic artistic conception.
No matter whether it was originally a poem to invite sages, visit friends or love, On the other side of the water has infinite symbolic space, which can cause trouble and sublimate into an artistic paradigm with universal significance. Literary and artistic works depict "this one", but it contains "these" and "this kind", which can be endless. This is why art is art and poetry is the key to poetry.
On the Water consists of three elements: the pursuer-the river-the Iraqi people. Each of these elements has a lot of room for continuous growth.
Yiren, this is the object of pursuit. As long as it meets the basic situation that it is impossible to pursue because of being blocked, Iraqis can be saints, friends or lovers. If sublimated, it can also be a blessed land, a holy land, a heaven, or even a career, an ideal, a future and so on. Accordingly, the "river" as a barrier symbol can be an obstacle that may be encountered in real life, such as mountains and deep valleys, patriarchal clan system and ethics.
Similarly, the seeker is transformed into various roles he wants to adapt to. As long as the three elements are not lacking, as long as it is difficult to achieve because of barriers, as long as there is a spirit of pursuit and a sense of loss that cannot be pursued, these things that have come into being one after another are included in the artistic conception space of On the Water Side.
In the same way, "Tracing back to the source, the road is long and its Xiu Yuan is Xi" is composed of three elements: chasing troops, the road is long and its Xiu Yuan is Xi, and Iraqis. "Tracing back to the source, being in the middle of the water" consists of three elements: chasing troops, illusory and inaccessible, and Iraqis. Among them, "the road is blocked and long" and "illusory and difficult to approach" also have various specific situations, and their artistic conception is difficult to describe. From this point of view, the overall connotation of the poem Jia Xu should be said to be an artistic portrayal of all the situations in the world that are difficult because of obstacles, while On the Water Side is an artistic paradigm to show the tragic situation of human beings (of course, human beings also have comedy situations) and tragic mentality.
Here, the pursuit of spirit is good, but the result is sad and the future is bleak. Third, we can't just see the trees without seeing the poetry of the forest. This is not a scientific paper. It didn't answer the questions "What is this" and "What is that". What it pursues is: what kind of artistic conception examples can be created to make people feel more and associate more.
Therefore, the meaning of poetry is by no means limited to "Ben".
3. Who knows the poem Jiaxu?
The Book of Songs, National Style and Qin Feng
Jiān jiā is ash, and the Millennium is frost. The so-called Iraqis are on the water side.
Back (si) from it back (huí), the road is blocked and long; Swim back from it, in the middle of the water
After a long time (q: and), it will remain unchanged for thousands of years (x: and). The so-called Iraqis are in the water (méi).
Tracing back and forth from it, the road is blocked and broken (j·?)；; Swim from it and swim in the water (chí).
Jia Cai, peace and prosperity have not passed. The so-called Iraqis are in the water.
Tracing back from it, the road is blocked and right; From its upstream, swim in the water (zhǐ).
Pay attention to Cang Sheng: He looks lush. The following "sadness" ("sadness" is a loan word of "qi") and "mining" all have the same meaning as "Cang".
White dew is frost: crystal dew is frost. Concentrate into.
So-called: say, here refers to what you missed.
Iraqi: This person is still that person. It refers to the person that the poet misses and pursues.
On the water side: on the other side of the water, that is, on the other side of the water. Square and edge
Go back from it (sù huí): Go upstream along the winding riverside road and find the Iraqis. Upstream, upstream. Back, through "back", upstream and upstream [1]. A winding waterway. From, following, catching up, here refers to the pursuit and search. Yes, this refers to Iraqis.
Road resistance: there are many obstacles on the road and it is difficult to walk. Obstacles, dangers and difficult roads.
Follow it: go downstream to find her. Swim upstream and swim downstream. "Swim" leads to "flow", which refers to a once-through waterway.
In the middle of the water: (That man) seems to be in the middle of the river. It means they are not far apart, but they can't reach them. Wan, wan ran, as if.
Sadness: lush appearance. Writing "lush" now has the same meaning as writing "Cai Cai" below.
Xi(xι): dry.
Mai (méi): a place where water and grass meet, generally referring to the shore.
J: Ascending means that the terrain is getting higher and higher, and it is difficult to walk.
A small continent or island in the water.
Mining: lush appearance.
Not yet: dew has not been evaporated by the sun.
By the water.
Right: twists and turns.
Zhǐ: The beach in the water.
Branch: stands for "Iraqis"
4. Love poems in Jiaxu
The book of songs is pale, and the Millennium is frost.
The so-called Iraqis are on the water side. Tracing back and forth, the road is blocked and long.
Swim back from it, in the middle of the water Sadly, the Millennium is still there.
The so-called Iraqis are in the water. Tracing back and forth from it, the road is blocked and broken.
Swim back from the inside and swim in the water. Jia Cai, peace and prosperity have not passed.
The so-called Iraqis are in the water. Go back and follow, the road is blocked and turn right.
Swim back from the inside and swim in the water. Jiaxu is a folk song of Qin State. It is a love poem, which describes the psychology and feelings of an infatuated person in love. It's real, tortuous and touching.
"Jiaxu" is a general term for reed and reed, both of which are born near water. "Jian Peijun is pale and the white dew is frost" describes the cool scenery of reeds in an autumn, with broad white dew and thick frost, which secretly reflects the hero's mood at this moment.
"The so-called Iraqis are on the water side", Zhu's "Biography of Poetry": "Iraqis are still the same." The hero misses his lover very much.
In front of autumn scenery, there was silence, a long talk, and nothing at all, but because she was preoccupied, she seemed to see the right person in the distance on the other side of the water, so she wanted to pursue her in order to get together. "Going back and forth, the road is long and its Xiu Yuan is Xi". The protagonist goes upstream along the riverbank to find the trace of the right person, but there are many obstacles on the road, and it is difficult, tortuous and far away.
"Follow it and swim to the middle of the water." Then he swam into the water to find her, but no matter how the protagonist swam, he couldn't reach her. She seems to be in the middle of the water forever, but I can't reach her. These words are about the illusion of the protagonist. There is always a vague figure floating in front of her eyes, as true as false. No matter whether she travels on land or in water, she can't get close to her, as if she were turning around the center of the circle.
So he lingered by the water and felt uneasy. This clearly outlines a hazy artistic conception, describes an obsessive mood, and casts a layer of confused and sentimental mood on the whole poem.
In the next two chapters, only a few words are changed and sung repeatedly. "No", not dry.
The junction of "Mae" aquatic plants is also the shore. "Jump", rise.
"Yes", twists and turns. "Gou" and "Zhi" refer to Xiao Zhu in highland and water.
The three chapters of this poem are all inspired by the desolate autumn scenery on the bank of autumn water. The so-called "white dew is frost", "white dew is sorrow", "white dew is not beautiful" and "the gathering of endless white dew" describe the clear autumn scenery of a water town. In other words, the poet's sad mood is also enhanced by such a cool autumn scenery, and the image is concrete.
Wang Fuzhi's "Jiang Zhai Shi Hua" said: "Those who care about the current situation are also self-interested and beneficial to others. Although the scene is divided into heart and object.
And scenery gives birth to feelings, feelings give birth to scenery, moved by sadness and joy, greeted by glory and tension, and hidden homes. "This poem is a combination of the unique scenery in late autumn and the euphemistic and melancholy lovesickness of the characters, thus rendering the atmosphere of the whole poem and creating an artistic conception full of styles and scenes. In addition, the poem "Jia Xu" combines the realistic situation with imagination and fantasy, and strengthens the appeal of lyric writing by means of mutual growth of reality and reality, vague and hazy images.
"The so-called Iraqi people are beyond the water" is his first illusion. He clearly saw a figure on the other side, but he couldn't go to her side. "Everything is in the middle of the water" is his second illusion. Suddenly, he felt that his beloved appeared on the island surrounded by running water ahead, but he could not swim to her side.
That beautiful image is "on the water side" for a while and "in the middle of the water" for a while; One moment on the shore, the other on the highland. It's like being in a fantasy, in a dream, but the protagonist firmly believes that this is true and spares no effort to pursue her.
This is a vivid and profound description of an infatuated person's psychopathy and strong feelings for his loved ones. The ambiguity and confusion of this image make the whole poem have a hazy aesthetic feeling and give birth to endless artistic appeal.