1878 was born in a noble bureaucratic family in Tokyo on March 4th. His father, Takeshima, is the minister of Samoa Building. After Meiji Restoration, he worked as a clerk in the Ministry of Finance. Dailang Shimada received a strict Confucian education since childhood, and later lived in an American family and went to Heying School to receive a European-American education. The different education from the East and the West in his childhood had a far-reaching influence on his later creative thoughts. He grew up in a study institute specially set up for the children of the aristocratic bourgeoisie, and then studied at the agricultural school in Sapporo, Hokkaido, where he was influenced by religion and became a devout Christian. He used to be a volunteer and served as a second lieutenant in the Army Infantry Regiment. 65438-0903 entered Harvard University, specializing in history and economy, and began to tend to literature. He gave up his religious belief because of his interest in materialism. After returning to China, he became an English and ethics teacher at Sapporo Agricultural University. 19 10, together with Saneatsu Mushakoji and Shiga Naoya, Shimadairo founded the literary magazine "White Birch", which formed the "White Birch School" with great influence on Japanese modern literature and began to publish novels. 19 16, his wife and father died one after another, gave up his teaching duties and returned to Tokyo to specialize in literary creation. He explores profound themes in life and tries to solve people's depression in real life. He is regarded as a humanitarian writer with conscience. Due to the pressure of capitalism and the socialist ideology he followed, he can no longer stay in the humanitarian category. 192 1 read and sold the paper "the proletariat and literature" in Tokyo in, becoming one of the earliest writers who advocated proletarian literature in Japan. He realized his belief by action, giving all the land of his farm in Hokkaido to tenants and the house of the manor to farmers to live in; And sell private property to fund the workers' movement. Although he realized that only socialism can realize the ideal of true human freedom, his class background and his privileged class education formed sharp contradictions in his thoughts. Unable to escape, 1923 committed suicide, June 9.

[Edit this paragraph] Creation process

Tokushiro Shimada's debut novel "Hard Shell Bug" published on 1906 has already shown his talent. A novel by a woman, 19 1 1 in Baihua, describes a rebellious woman who rebelled against feudal morality, pursued personality liberation, went through hardships and was destroyed as a result. This is his last masterpiece in his later years. All his works are permeated with love for mankind; He writes about the bright and beautiful side and the ugly and dark side of life, encouraging him to live for love and ideals, but he can't help feeling the nothingness of life. His short story "For Youth", published in 19 18, inspires children who have lost their mothers in profound trauma to open up the road of life. The Last Descendants of Cain wrote about the tragic fate of homeless farmers, who have no land in Hokkaido and live like animals. Other major works include the novel Death, The Manifesto, The Rebel, The Handwriting of Beowulf Shimashima by Clara and The Trouble of Birth. These plays include Before and After Death by Takeo Shima, Death of a Friend and Art and Life, a collection of essays. The complete works of Shimadairo are in volume 10. His works are ingenious in conception and vigorous in writing.

[Edit this paragraph] When creating

Why did Shimadairo create? Lu Xun and Zhou Zuoren cooperated in translating The Collection of Modern Japanese Short Stories. In their notes on the authors, they quoted an article from the works of Shimadailang 1 1 and introduced the reasons for Shimadailang's creation, which was deeply inspired. The following are excerpts from four things quoted by Lu Xun: "First, I create because of loneliness. Around me, habits and legends, time and space have built a wall of ten or twenty, and sometimes I feel suffocated. But from the cracks in the majestic and tall city walls, you can always see thrilling life or nature, flickering. Seeing this surprise, I can't see this loneliness, and I clearly realize that this invisible thing must never appear in front of you again! At this time, I can really return this invisible thing to me. I can really return it purely. There is nothing but art. I have lived in this situation since I was a child, so I took the form of so-called literature. " Second, I create because I love it. This may sound like a high and slow word. But there is not a person born on the earth who does not love it. There is no one who has no income because of love. This kind of life, often from one person's chest, wants to expand to many people's chests as much as possible. I am convinced by this extensibility. Lovers are pregnant, and pregnant people are born. Sometimes a living child is born, sometimes a dead child is born, sometimes twins, sometimes a child without the moon, and sometimes the mother's own death. "Third, I create because I want to love. My love is driven by the impulse to really grasp the life or nature looming over the wall. So I tried to hold my flag high and wave my towel as much as I could. There are naturally not many opportunities for others to respond to this signal, especially my withdrawn personality. But whether it is twice or once, if I can see my own signal and get the answer from others' error-free signal, my life will reach the peak of happiness. I created it because I wanted to satisfy this kind of happiness. "Fourth, I create because I want to spur my life. How stupid and self-motivated my life is! I'm tired of this. I have some shells that should fall off. My work was spurred, and it severely whipped my stubborn shell. I hope my life will change because of my work! " I am not a creator, nor have I created any works. On normal days, I just write a blog. I'm not bored with blogging, because it's very similar to Shimadairo's creation, especially the last point-"I want to spur my life", which is hidden in my heart and I dare not compare with everyone. This is really what I think!

[Edit this paragraph] Zhou Zuoren's Island Master

On July 9th, I read a Japanese newspaper and heard that Tanaro Shimashima passed away. I can't help being surprised. Although the reasons are different, I bought a newspaper number on Kanda Road more than ten years ago, and I was as horrified when I heard that Yukio Qiushui and others were executed, because their deaths not only made us regret. Takeo Shimashima was born in the 11th year of Meiji (1877) and is now 47 years old. I graduated from Sapporo Agricultural School at the age of 26 and went to study in the United States. After returning to China, I worked as an English lecturer at my alma mater for eight years, resigned in the fourth year of Dazheng (19 15), and then devoted myself to literature. He originally belonged to the Birch School, but later he wrote independently. His collection of works is the Collection of Works of Shimadairo, and he has published four episodes of Shimadairo, and also published a personal magazine named Spring. He has been to Christianity, met Xingde and was influenced by socialist thought. Last year, he decided to give up private land, give it to tenants and make a living by writing. These are all things of the past. I went on a trip on June 8, and I haven't heard from him since. On July 7, the person in charge of Mitsui Biezhuang found that he and a woman hanged themselves in an empty house. According to the newspaper, she is Mrs Hatano and her name is Qiu Zi, but the truth is still unknown. Why did you die of love? No one can know. In short, it is not all love. Yuki Akita said it was because of his recent "empty mentality", and someone said it was "fatigue and burnout of life around him", which probably had something to do with it. In his suicide note to his mother and three children, he said, "I have been trying my best to struggle. I know this behavior is abnormal, and I feel your anger and sadness. But there is no way, because no matter how hard I struggle, I can't escape this fate. I approach this fate with sincere joy. Please forgive me for everything. " I also sent a letter to my brothers and sisters, saying, "I can tell you the joy that this kind of death is completely free from external oppression." We are free and happy to meet this death. Now when the train is about to arrive in karuizawa, we are still laughing and saying, please leave secular knowledge for a while to comment on us. " We want to know the cause of their death, but we don't want to judge: whatever the reason, since we have devoted our feelings or thoughts with our lives, a seriousness has covered our mouths. Although we should not play with life, we should not insult death. Among Shi Majun's works, my favorite is an article "With Teenagers" originally published in "White Birch". Both this article and awei's death have been translated into modern Japanese novels. In addition, only one article I translated, Tide Fog, was published in Oriental Magazine, and there was a paragraph of his paper in the appendix. This excerpt is here, which shows his requirements and attitude towards creation. "First, I create because I am lonely … second, I create because I want to love … third, I create because I want to love … fourth, I create because I want to spur my life. How stupid and self-motivated my life is! I'm tired of this. I have several shells that should be shed, and my works spur me and severely whip my stubborn shell. I hope my life will be changed by my work. " It's a pity that one of your island kings died, and it's also a memorable event. "Hyaena" on the edge of Japanese literary world will go to his grave to cry at night, and "hot air" will blow again, which has nothing to do with the old friend. In fact, in the desert of the world, everything will be met. We only see a few colleagues near and far, and we just want to get rid of loneliness and vanity. (Written in July of 1923, selected from Tan Longji).

[Edit this paragraph] Cause of death

On July 9th, I read a Japanese newspaper and heard that Tanaro Shimashima passed away. I can't help being surprised. Although the reasons are different, I bought a newspaper number on Kanda Road more than ten years ago, and I was as horrified when I heard that Yukio Qiushui and others were executed, because their deaths not only made us regret. Takeo Shimashima was born in the 11th year of Meiji (1877) and is now 46 years old. I graduated from Sapporo Agricultural School at the age of 26 and went to study in the United States. After returning to China, I worked as an English lecturer at my alma mater for eight years, resigned in the fourth year of Dazheng (19 15), and then devoted myself to literature. He originally belonged to the Birch School, but later he wrote independently. His collection of works is the Collection of Works of Shimadailang, which has been published in 14 episodes, and he also published his own personal magazine "Spring". He has been to Christianity, met Xingde and was influenced by socialist thought. Last year, he decided to give up private land, give it to tenants, and write for himself. These are all things of the past. I went on a trip on June 8, and I haven't heard from him since. On July 7, the person in charge of Mitsui Biezhuang found that he and a woman hanged themselves in an empty house. According to the newspaper, she is Mrs Hatano and her name is Qiu Zi, but the truth is still unknown. Why did you die of love? No one can know. In short, it is not all love. Yuki Akita said it was because of his recent "empty mentality", and someone said it was "fatigue and burnout of life around him", which probably had something to do with it. In his suicide note to his mother and three children, he said, "I have been trying my best to struggle. I know this behavior is the abnormal behavior of Shimadairo, and I feel your anger and sadness. But there is no way, because no matter how hard I struggle, I can't escape this fate. I approach this fate with sincere joy. Please forgive me for everything. " I also sent a letter to my brothers and sisters, saying, "I can tell you the joy that this kind of death is completely free from external oppression." We are free and happy to meet this death. Now when the train is about to arrive in karuizawa, we are still laughing and saying, please leave secular knowledge for a while to comment on us. " We want to know the cause of their death, but we don't want to judge: whatever the reason, since we have devoted our feelings or thoughts with our lives, a seriousness has covered our mouths. Although we should not play with life, we should not insult death. , included in the collection of modern Japanese novels, but this manuscript has been compiled and handed over to Shanghai Bookstore, which has been 14 months and has not been published yet. In addition, only one article translated by me, Tide Fog, was published in Oriental Magazine last year 1 month. There is a section of his paper in the appendix, which is extracted here today, which shows his requirements and attitude towards creation. "First, I create because I am lonely … second, I create because I want to love … third, I create because I want to love. Fourthly, I create because I want to inspire my life. How stupid and self-motivated my life is! I'm tired of this shell that J should shed. Now I have a few, and my works spur me and severely whip my stubborn shell. I hope my life will be changed by my work. " It's a pity that one of your island kings died, and it's also a memorable event. "Hyaena" on the edge of Japanese literary world will go to his grave to cry at night, and "hot air" will blow again, which has nothing to do with the old friend. In fact, in the desert of the world, everything will be met. We only see a few colleagues near and far, and we just want to get rid of loneliness and vanity.

[Edit this paragraph] "A woman"

Abstract: Kojiro Shimashima is one of the leaders of the Birch School in the history of modern Japanese literature, and he is a very social and ideological writer. Most of his works are explorations of life problems, with strong social consciousness, strong idealism and humanitarianism. A Woman, the representative work, describes the tragic life of a woman who is crazy about personality liberation in a specific historical background and social conditions through her entanglement and struggle with the surrounding society, which is of certain value to understanding the Japanese society at that time and the literary world of Tadao Tadao.

[Edit this paragraph] This is the former residence of Dailang Shimada.

This building was designed by Dailang Shimashima, a representative writer of modern Japanese literature, and was built in Taisho two years ago. The new folding roof design has become the pioneer of western-style houses. After enjoying the natural scenery and works of art in the art forest, you can go to the old residence of Dailang Shimada who moved here and learn about the history of Mr. Dailang Shimada and the Taisho era. Mr. Tadao's old house was selected by Tadao as one of the "Hundred Choices of Hometown Culture". Address: No.2, Teemo Art Museum, Shinan District, Sapporo:165438+165438+129/65438+13 (0. Transportation: Get off at Zhenjunei Station of the North-South subway line, get off at Art Sen entrance station or Art Sen center station, and then transfer to Central Bus, Kongnuma Line or Chivas Line. Parking lot: 650 parking spaces, charging, 500 yen for ordinary cars, and 0/200 yen for large cars and buses.

I can't write a paper ~ ~