Peacock Flying Southeast is a famous work of Han Yuefu in the Northern and Southern Dynasties, which tells the love tragedy of Jiao Zhongqing, a small official in the Han Dynasty, and his wife Liu Lanzhi. "There are tall buildings in the northwest" and the fifth poem of Nineteen Ancient Poems express the desire to seek a bosom friend over Qi Fei. In that kind of nonsense defense context, not only the cause and effect coincide, but also the times and themes.
There are two poems about "Fly with Me" in Nineteen Ancient Poems, namely "There are tall buildings in the northwest" and "The east is tall and long". The classical interpretation of these two poems can't satisfy me, and I can't help making a fool of myself.
The main idea of the lyric "There are tall buildings in the northwest" is that there is a thief-tall, thief-beautiful and thief-like building in the northwest, and it is like that. Someone is playing the piano and singing, and that little song is always sad. Probably only the wife of Qi Liang who died in battle can make such a sad song. That little song, sad and sad, went with the wind, singing and singing, sometimes passionate, sometimes sad. The singer's sorrow is nothing, but he has no confidant. When can I fly with me?
The interpretation of A Tall Building in Northwest China always thinks that the poet is a passer-by downstairs. When he heard the music from the tall building, he thought that the piano player must be a beautiful woman, hated that he had no chance to make friends, and fantasized that he could fly with the beautiful woman. In a deeper understanding, the pianist's gender is vague, and it is not necessary for a specific person to imagine whether an adult is a confidant, male or female, or even completely obscure the physiological thoughts of adults.
But I think, if the poet is a passerby downstairs, it would be impolite to say "I will let the singer suffer", which is almost suspected by love rat. So a more reasonable explanation should be that a singer is a poet. The poet himself plays the piano and sings in the tall building. "Well, it's hard to find a bosom friend in life, and it's the hardest to find a bosom friend through the ages." .
Floating clouds in high buildings refer to the poet's lofty mood and ideal. It is also that the poet is too extraordinary, too high to be low, and it is hard to find a confidant.
The twelfth poem of Nineteen Ancient Poems, Dongcheng Gaochang, is another courtship poem.
The theme of the poem: The East Wall is tall and long, which fits perfectly (voiceover: I, an outsider, can't squeeze into the mainstream circle of the magic capital of the imperial city even if I sharpen my head). Looking around, the autumn wind is bleak, the autumn grass is growing, and the end of the year is coming in a blink of an eye (voiceover: I haven't finished anything yet). I am like a bird in the morning breeze, full of sorrow, and like a grasshopper after autumn, I am afraid I can't jump for a few days. Should we release our feelings and why should we restrain ourselves? There are so many beautiful women in the magic capital of the imperial capital, and some of them are super beautiful, fashionable and talented. Whenever a beautiful woman plays the piano, I wander around the house. I really want to date her and give her a loan to buy a suite.
There are two ancient interpretations of this poem.
The first one thinks that this is two poems that are wrongly woven together. The first poem ends with "What is the ending", followed by "Many beautiful women in Zhao Yan" is the beginning of another poem. The reason is that the first half of this poem is very different from the second half.
The second view is that Ben is a poem. The front is to pave the way for the poet's bumpy life, and the back is the wild life imagined by the poet, as well as the idea of failing in his career and seeking good companions.
Now mainstream appreciation agrees with the second interpretation.
I don't agree with the first statement either But I don't agree that the second half is the wild life imagined by the poet.
This involves the most critical turning point sentence "What is self-termination?"
In the traditional interpretation, this sentence is regarded as a rhetorical sentence, that is, the poet asks himself, why can't he indulge himself and insist on self-discipline ! This leads to the poet's wild dream, and he wants to go to the powder pile to roll and win back a beautiful woman.
And I think this is the poet's rhetorical question: Why should I refrain from being a slut? The reason is that among the beautiful women in Zhao Yan, there is a beautiful woman in Yan Ruyu who is my Mr Right. For her sake, I am willing to restrain myself and hope to fly with her one day.
In Nineteen Ancient Poems, there are indeed many people who read it for the first time, such as debauchery and depravity, such as "it is difficult to keep it alone with an empty bed", "occupying the road", "what is the end" and "why not swim by candlelight" and so on. But if you read it carefully, you will feel that the poet's heart is tangled, that is, "I know the world is getting worse, but I really don't want to go with the flow." The hero of Dongcheng Changgao has always been unhappy in his official career, and his heart is still faithful to love, but he just doesn't know whether the beauty is concentric with him.