Since its publication, Huo Da's novel The Muslim Funeral has been fully affirmed by scholars and readers, and won the third Mao Dun Literature Prize for its unique artistic charm and tragic beauty. The author tells the tragic fate of three generations of a Muslim family in the past 60 years with a unique perspective and cold writing. The beautiful story is gradually advancing, but the tragic fate of the characters is saturated with unforgettable sadness. The tragic implication of the work makes the work have a sublime and thrilling tragic beauty. This paper will explore the tragic implication of the works through the analysis of the tragic fate of several generations.

Keywords: Huo Da; Muslim funeral; Tragic implication; Sad beauty

An excellent work can always bring shock and fluctuation to people's hearts. Muslim Funeral, a novel written by Huo Da, a Hui woman writer, is such an epic work that shows the living conditions and inner feelings of ethnic minorities. Love tragedy, social tragedy, fate tragedy and civilization tragedy in the cultural conflict between Hui and Han in the works give people a breathtaking tragic beauty. In the preface to "Muslim Funeral", Bing Xin commented that it was "a wonderful flower in China's modern literary world, quite independent". The tragic implication presented in the work haunts the reader's mind and makes him tremble. The undercurrent of tragedy runs through the whole work. The author digs deeply into the tragic implication with one sad story after another, which brings spiritual shock and fluctuation to millions of readers in Qian Qian.

"Muslim Funeral" takes the jade and the moon as two intersecting clues throughout the whole text, and writes the tragedy of two worlds. Tragedy in literature and art "contains some metaphysical religious feelings and is the catharsis and redemption of human beings' original sins". 1 Huo Da, a female writer of Hui nationality, consciously nationalized her works, making her works full of rich Hui color. "Those who live in religious countries, those who are bound by religious thoughts, those who live in anxiety conflicts, and those who collide with tradition and modernity all show the tragedy of life and history." Throughout the whole text, the love tragedy, marriage tragedy and national tragedy in the text give people a sense of desolation and loftiness, the characters in the story are full of tragic details, and the sad love swan song transcends death itself. The aesthetics brought by tragedy brings readers the pain and depression of the soul, and the suffocation of the soul is a poetic promotion and sublimation of the human spiritual realm.

The novel takes a Muslim family as the description object, showing the rise and fall of this big family in the past 60 years. Readers can feel the tragic atmosphere from the title of the work. The fate of three generations has been ups and downs, and the tragic fate that can't be escaped finally leaves readers with the lonely moon and the song "butterfly lovers" sobbing in the wind, while the love beyond life and death remains in readers' hearts forever.

In the long river of jade, the author leads us into a brand-new world. From the sudden death of Liang Yiqing to the unfinished treasure ship, the whole text is full of tragic vines. Han gave up his highest belief as a Muslim for jade, and worshipped Master's enemies as teachers for jade. When he came back from the dead and everything went well, his marriage with Liang Yiqing, the eldest daughter of Master Liang Yiqing, doomed the love tragedy of several generations. In the combination of gratitude, the seemingly inseparable marital status can only be a place of pain and spread. Huo Da mentioned in his novel that love "is the most beautiful feeling of human beings. When two hearts finally come together after a long journey, they reflect each other like mirrors, and there is no doubt about each other. Every time they fight, they say to each other: I will never leave you! Then, love comes, and no force can separate them! " Han married Liang Junbi, but there was no real love between them. Tze-ki hon abandoned his wife and went for jade. In that war-torn era, independent, open and intellectual Liang awakened Tze-qi Han with a fiery heart. He can't resist this feeling of being the same as each other. When two wandering hearts meet, they combine, they cross the shackles of ethics and give birth to Han Xinyue, the crystallization of love. However, what awaits them is endless suffering and pain, love and sadness. Liang Junbi, such a devout Muslim, had his faith broken and his heart distorted. Her endless hatred turned into a dictatorship over her family, forcing Liang to leave and treat her coldly. Her dictatorial son's marriage allowed the tragedy of the previous generation to continue to the next generation in endless hatred.

New Moon, like her name, is full of tragedy. "In the traditional cultural image of China, the moon has accumulated a long memory, leaving sadness and depression, which has become an established image of sadness." The new moon is a victim of love that is not accepted by the world. Weak Han dared not make a decisive choice bravely, and always stayed by his wife's side, maintaining an empty shell marriage. His guilt for his wife turned into humiliation and endless indifference, which led to his wife's dictatorship, congenital illness, lack of maternal love and involuntary love, and made her leave this world with love and pain. However, love beyond life and death is beautiful after all. When the simple and clever new moon meets talented and responsible Chu Yanchao, that kind of pure and equal love in full swing arises spontaneously. "A god who never exists and exists, this is the center of tragedy." Liang Junbi, a devout Muslim, has always believed that obedience to God is the main purpose of fate, and personally killed the happiness of himself and his loved ones. Han Xinyue and Chu Yanchao have sincere feelings, two of a kind. However, they are two people of different nationalities, and devout Muslims do not agree with this kind of marriage, which eventually leads to the withering of happy life. Chu Yanchao's sincere love makes people cry, and a beautiful and touching "butterfly lovers" lingers in my ear for a long time and I don't want to leave. Break through the secular love between teachers and students and show their lofty beauty in front of life and death.

Liang Junbi, who has no love but hate, is a tragedy in itself. Forcing my sister to maintain her authority and status will only lead to her husband's indifference and the bleak end of her family. She was obsessed with her beliefs, but she was finally abandoned by them. However, she has never given up her only hope for herself and her own son. She has always been dictatorial and overbearing, believing that the so-called God of Destiny personally ruined her son's happiness and repeated the tragedy that happened to her. She directed the marriage between her son Han Tianxing and Chen, which made him lose his beloved Rong Guifang. After knowing the truth, Master Xing turned himself into a walking corpse, burying his love and Chen's happiness. When the new moon was buried, Chen looked at Chu Yanchao, who loved the new moon deeply, and lamented the value of the new moon. Unless she has an empty shell and no substantive marriage, how can she have such strong feelings and pain? She has a family, but after all, she can't get rid of the fact that the stars don't love herself, and she will spend the rest of her life in endless loneliness. The lover in the past is a stranger, and Xiaorongzi can only quit in this conspiracy and never leave again. Fate like duckweed can't be arranged by yourself. "The characters in the story can't play their normal role because of some weakness and incompetence. They are not the designers of their own plots, and their appearance or disappearance seems to be independent of their will. " 6. The weakness of Tze-qi Han and the arrogance of Liang Junbi led to the tragic fate of their loved ones. Even the supporting aunt in the work is a tragic figure. She pinned her thoughts on her husband and children on the Korean family and regarded Xingyue and Tianxing as her own children. And didn't the early death of the new moon make her suffer the pain of losing her son?

"No tragedy, no tragic, no sublime. Really profound literature is the sublimation under the deduction of lofty spiritual tragedy. Therefore, in order to inspire the tragic soul and shape the lofty soul, exploring and expressing tragedy has become the highest pursuit of Huo Da's literary creation. " The full text is full of the tragic fate of the characters. Liang Yiqing worked day and night and finally died, and the ship was wrecked. Tze-ki hon was born for jade, worked hard all his life, but finally lost his reputation. The new moon is brilliant, pursuing dreams and love but dying young due to illness; Chu Yanchao is talented but can't spend his life with his lover; Han Tianxing who buried love; A disheartened Xiaoying; Only marriage without love; Bad aunt; Liang Junbi, who was obsessed with religion all his life but betrayed by faith; Liang, suffering from wandering, is lonely and unbearable; Bad aunt; What they show the readers is such a sad, touching and tearful tragic story. The cohesion and accumulation of tragic implication make readers feel the sublime tragic beauty when they feel the inner pain and depression. The beautiful young heroine left with pain and love beyond life and death. In the lonely geese hovering, in the sad music of "Butterfly Lovers", when Liang, who suffered from wandering and missing in a foreign land, painfully repented at the grave where his daughter's soul returned, we felt the tragic beauty of lasting shock. Beautiful flowers of love will always bloom in long, sad and touching music. Under that lonely moon, it reflects the deep and eternal love of the mother for her daughter.

The Muslim Funeral is an excellent work, and the touching and tearful tragic story has brought lasting and lofty spiritual shock to readers. It brings readers into a brand-new world, giving them unlimited thinking and sublimation of their spiritual soul. The tragic implication of the works endows the works with unique tragic beauty and artistic charm.

refer to

[1] Lu. The certainty of tragic spirit-a comparative analysis of historical diseases in China's novels J. Literary Review.2002.5:18.

[2] Bai Jie. Elegy of life-semiotic analysis of Muslim Funeral J. Journal of Guangxi University for Nationalities (Philosophy and Social Sciences Edition) 2007. (6).

[3] Huo Da. Muslim Funeral. Beijing: People's Literature and Art Publishing House.2005.405.

[4] Cui Fengzhen. The tragic beauty of "Muslim Funeral" is interpreted in the evening when the moon is cold and jade is broken. J journal of inner Mongolia TV university 200 1. ( 1).

[5] Lv Xian Goldman, translated by Cai Hongbin. Hidden God M. Tianjin: Baihua Literature and Art Publishing House, 1998: 48 quoted from: Yang Wenbi. The Beauty of Tragedy-On the "Tragic Spirit" in Huo Da's novel A Muslim Funeral.

[6] Puska. Essays on Modern Literature of Puska and China C Changsha: Hunan Literature and Art Publishing House, 1987.

[7] Yang Wenbi. The Beauty of Tragedy —— On the "tragic spirit" in Huo Da's novel A Muslim Funeral. Journal of Jichang University, 2009, (3).