The content of the abstract of the paper ranges from "moving and vivid, abnormal and endless" to "feeling things with your heart":
Sketching and vivid expression are the clear pursuit of life and spirit by flowers and birds. From natural life to artistic life, from natural beauty to artistic beauty, it is a different and interrelated process. The artistic life of China's flower-and-bird painting integrates the flower-and-bird image with human life, and makes it sublimate and eternal. Contemporary China flower-and-bird painting is an organic dynamic structural system with multiple complementary elements. New painting concepts, new painting styles and schools are constantly emerging, which has promoted the development of flower-and-bird painting in contemporary China and formed a pattern of multiple complementation. In particular, the change of painting concept has played a vital role in the establishment of this model, which can be said to be the key to China's flower-and-bird painting from the classical form to the modern form, and has brought great vitality to the contemporary flower-and-bird painting circles in China. But we should also be soberly aware that there are still obvious shortcomings. Ignoring the expression of the image and artistic conception of flower-and-bird painting, the appearance of the image of the work is boring and lacks the interest of life. , reflecting the painter's lack of passion for life and art, silently facing the relationship between man and nature, and gradually drifting away from social life. In view of this situation, it may be a good choice for us to pay more attention to life sketch in flower-and-bird painting creation. Based on this, this paper analyzes and discusses the relationship between China's flower-and-bird painting sketch and creation from five parts. In the first part, the application and development of sketch in China flower-and-bird painting are deeply analyzed and studied.