Classical Chinese Translation of Jin Qiutian's Paintings

1. You have a deep understanding of ancient Chinese. You are a beautiful tree between heaven and earth, and you were born to adapt to the local water and soil.

Your quality is down-to-earth. You grew up in a country in the south of the Yangtze River. Deep-rooted, difficult to move, that's because your will is single-minded. The green leaves are lined with white flowers, which is refreshing. Branches are layered, thorns are sharp, and fruits are perfect.

There is yellow in the green, green in the yellow, how gorgeous the colors are, beautiful in appearance, clean in heart, like a moral gentleman, lush, beautiful and graceful. Ah, you had different ambitions when you were a child.

Independent and special lines will never change. How can they not be respected? Unswerving quality, you are open-minded and want nothing.

Unswerving quality, you are open-minded and want nothing. You are far away from the secular, dare to cross, and don't go with the flow.

Be careful, don't be rash, don't make mistakes from beginning to end, abide by morality and don't be selfish. It is really comparable to heaven and earth. In the season when everything is dying, may I become a bosom friend with you.

How honest and open-minded you are, because you are beautiful inside and not dissolute. Although you are young, you can be a good teacher for people. Character is like ancient bo art, planted here as my role model.

2. The full text and translation of Jin Qiutian's second painting, during the reign of Qing Qianlong, he lived in Zheng Xie (Banqiao) and Jinnong. In Yangzhou, it is called "Eight Eccentrics of Yangzhou". Most of the interests of "Yangzhou Eight Eccentrics" are integrated into poetry, painting and calligraphy. They use poems and paintings to reflect people's sufferings, vent their inner anger and pain, and never try to imitate and whitewash peace. Zheng Banqiao's Poem of Painting Bamboo in Wei County Department can almost be called the motto of an official. The poem reads: "My yamen is quiet, and I suspect it is the voice of the people's sufferings. Some small officials in Caozhou County always care about their feelings. "

When Banqiao was born, the military conquest of the Qing Dynasty had ended. The "prosperous time" in which he lived is actually a picture of all kinds of people behind the prosperous time, that is, slaves and lackeys, scholars, crazy students, textual research fans, philosophers and so on. Before, Zheng Banqiao painted in Yangzhou; Returning to Yangzhou after the dismissal from office, although the popularity of paintings is far less than before, it is the same to sell paintings to support the family. So he used a phrase "the boss bridge 20 years ago" to express the feeling that the world is fleeting and I still feel. I'm not only proud that I haven't changed my personality slightly because I'm an official, but also lament the fact that I can live forever by selling paintings.

In fact, Banqiao started from the end of Qing Dynasty, and wanted to take the opportunity of becoming an official to do something useful for the people. Imperial examination is the only way for scholars to get ahead. Therefore, the Second Banqiao attached great importance to this and worked hard. The sentence "Emperor Kangxi's scholar Yongzheng is a scholar" is a microcosm of his hard work. Originally, such a hard pursuit is understandable for Banqiao, who was born in the rough and grew up in the cold. However, such a fierce pursuit, the greater the hope, the disappointment is doomed. Therefore, when he wants to use his humble body to do something for the working people to realize his political ambitions, the reality is ruthless to his education. If you want to live comfortably in officialdom, you will feel uneasy living in officialdom unless you are in cahoots with a large number of corrupt and mediocre officials. And how easy is it to save the people from fire and water? How can you fail in officialdom if you want to be good at flattery for the people? After Zheng Banqiao became an official, he just couldn't mix things up and often offended oversight. Although he honestly called himself "the owner of the olive pavilion", boasting and denying himself, he finally left the official after writing "In a daze" for a year. Mr. Lu Xun said that he just "showed a little resentment towards celebrities" (Lu Xun's "Huai Tan is Difficult to Be Confused"). However, Banqiao never imagined that his elusive artistic creations were not as popular as this complaint.

Speaking of "rare confusion", there is also a magical origin. When Zheng Banqiao was in Shandong, he had been to the peak of Laizhou. He wanted to see the Zheng Wengong Monument in the mountains, but because it was getting late, he stayed in a small room in the mountains. The owner of the hut is a refined old man who calls himself a "confused old man". An inkstone the size of a table is displayed in the host's house. This stone is exquisite and well carved. Zheng Banqiao's eyes opened wide and he was surprised. The next morning, the old man asked Zheng Banqiao to write an inscription so that it could be engraved on the back of the inkstone. Zheng Banqiao extemporaneously wrote the words "Rare Confusion", followed by the seal of "Kangxi Scholar, Yongzheng Juren, Qianlong Jinshi". Because the inkstone is big and there is room, Banqiao asked the old man to write an afterword. The old man wrote:' Beautiful stones are hard to get, especially hard stones. It is even harder to change from beautiful stones to hard stones. Beauty lies in China, stubbornness lies outside, hiding the home of savages, not entering the giants. "He also used a square seal, which read," College entrance examination first, after having obtained the national examination second, and palace examination third. Zheng Banqiao was shocked to hear this. It turned out that the old man was a big official who lived in seclusion here. "。 Because of the name of "Confused Old Man", Banqiao wrote: "It is difficult to be smart, but it is difficult to be confused, and it is even more difficult to change from smart to confused. Let go, take a step back, and feel at ease now, not to get a reward later. "If meet bosom friend, brief encounter, chat, talk about life, become bosom friends.

Throughout Zheng Banqiao's life, from "returning an official to his hometown" to "painting and calligraphy with three poems", people can see that it is difficult to combine political ambition with artistic creation, although they need different qualities and evaluation criteria. To be an official, sometimes you even need to know the personnel by hook or by crook, and you must also have the planning ability between your two hands. For artistic creation, you need an "antagonistic" mentality that doesn't compete with the world. You can use the vitality of the people as a holy place to water your heart from time to time. It is precisely because of Zheng Banqiao's experience of "one official returning to his hometown" that he finally got the harvest of "three unique skills of poetry, painting and calligraphy". Although we can't thank the officialdom for "repairing" Zheng Banqiao's great artistic achievements and making him lose his way at an early date, it is an indisputable fact that the failure of officialdom has brought artistic blessing. Banqiao's later life, in his own "Jin Qiu Tian Suo Hua", has been described in detail: "If you write and draw all day, you will call names. If you don't write for three days, you will think of a piece of paper, which is not for the world to appreciate." In fact, Banqiao, as a wild scribe, lived in that dark and autocratic era, and his untimely fate was ironclad. His suffering lies not only in "seeing the truth in adversity", but also in the transcendence of his artistic creation to the times, which has brought him endless misunderstandings. Even if he compromised and surrendered to the secular society, the secular society still thought that he was not thorough enough, "too eager to join the WTO, but still tired of learning and writing" (self-deprecation). Now that things are like this, Banqiao had to run wild and go crazy all the way.

3. Who translated the original text of Jin Qiutian's paintings?

Three huts, ten miles of spring breeze, orchid in the window, bamboo outside the window. How elegant this is, people who enjoy it don't know. Ignorance, no ink, never know where you are happy. However, people who have worked hard and suffered from poverty and illness suddenly have ten days and five days of leisure. It is also a rare day to turn off firewood and fly, sweep the bamboo path, sip bitter tea on vanilla, and sometimes have a gentle breeze and drizzle, nourishing the hedge path. It is also a rare day for ordinary guests to come and good friends to come. Whenever I paint blue, bamboo and stone, it is used to comfort the working people all over the world, not to enjoy them.

Answer:

1. The layman didn't come, and the good friend came, which was also a surprise. It was a rare day: there were no vulgar guests, only a few close friends visited, so I was extremely happy and could not help but marvel at how rare such a day was.

4. The role of Jin Qiutian's paintings According to classical Chinese and Zheng Banqiao's painting Banqiao, the role of his paintings is very clear: it is used to comfort the working people all over the world, not for those who enjoy it all over the world.

The following translation:

Three huts, ten miles of spring breeze, overlooking the quiet bamboo forest on the mountain from the window, what an elegant and interesting thing, but unfortunately people who can enjoy it so much don't know it themselves. Those who are ignorant and have no concept of ink are in such a situation that they don't know where to enjoy it.

Only those who work hard, suddenly have a few days of leisure time of 65,438+00, will close the Chai Men, sweep the path, meet the vanilla, taste bitter tea, and sometimes the breeze and drizzle moisten the fence path. Those ordinary guests didn't come, only a few close friends visited and they were very happy. They can't help wondering: such days are really rare.

So I paint orchids, bamboos and stones to comfort those who work hard, not those who crave enjoyment.

5. Zheng Banqiao collective Qiu Jin's four-element painting was translated by Zheng Xie (1639~ 1765), whose name was Kerou,No. Banqiao, a native of Xinghua, Jiangsu, and a famous calligrapher and writer in Qing Dynasty. From China Tea and Wine Information Network.

Zheng Banqiao, one of the "Eight Eccentrics of Yangzhou", worked as a seven-product official for twelve years, aiming at governing the country and keeping the country safe. He is honest and sincere to the people. He painted a poem called "The Picture of Zhu Mo" in wei county, Shandong Province, which said: "My family is lying listening to the sound of bamboo, which is suspected to be the voice of the people's sufferings. Some small officials in Caozhou County always care about their feelings. " However, after witnessing the squalor of officialdom, he deeply felt that "the old dust collector is always last stand, so it has never made a small contribution to people's livelihood and the national economy." What he yearns for is "yellow mud small stove tea cooking ground, white rain quiet window learning face." ("Give a blog to a master") Such a light and natural life. In the "calligraphy and painting", it was written: "A hut, new poles, snow-white paper windows, slightly dipped in green. At this time, I was sitting alone, with a cup of tea before the rain, an inkstone, a piece of Xuanzhou paper and some broken branches. When friends come, the wind and bamboo sound louder and quieter. " Calligraphy, fragrant teas and friendship are the things that make him most happy and intoxicated. From China Tea and Wine Information Network.