200 1 a group of articles related to "tragedy" stand out, including: On the Tragedy of Pipa (47), On the Definition and Causes of Family Ethical Tragedy of Yuan Zaju (48) and On the Tragic Significance of Li Minxing (49). Chen Wen believes that Gao Ming, the author of Pipa Story, is actually a hermit who finally "sees through the world of mortals" after experiencing many risks in the turmoil of Guanhai, while Pipa Story is actually a sad song with the theme of "compelling fame", which has destroyed the "family happiness" of Cai Bokai and Zhao Wuniang. "The subtext of tragedy is to advocate the ideal of hermits, which is quite original.

In addition, Kang Baocheng's Terms of "Ke" and "Jie" and Etiquette Origins of Northern Opera and Southern Opera (50) and Zhang Xiaochun and Chen Cailing's People-oriented Philosophy-On Ancient Opera Directors (5 1) are also quite original. The former points out that "1" in zaju comes from Taoist rituals by analyzing the sources of terms such as "ke" and "Jie". 2. "Festival" is the earliest role in ancient etiquette, which helps guests to salute and pass it on between the host and the guests. As a kind of praise and guidance, puppet show was directly inherited by the early Southern Opera. 3. The different sources of "Ke" and "Jie" show that Zaju and Nanxi have absorbed different rituals and behaviors respectively, and their differences in style are innate. " This research direction is obviously unique, and the latter has also deviated from the normal track, turning the research field of vision to the field of ancient opera director theory, and pointing out that the most fundamental point of the concept of opera director is "people-oriented, attaches great importance to the role of actors and regards actors as the real masters of the opera stage." "Moreover, this concept" conforms to the thinking mode of China traditional culture and the law of opera stage art ",but this statement may need further argumentation.

In the study of poetry and prose, the study of Yuan Mei is a beautiful scenery all year round, and many scholars have written articles on it. Among them, Wang Yingzhi is the most diligent. Published "Examination of Yuan Mei County Magistrates in Seven Years" (52), "Examination of Yuan Mei's Resignation from Office" (53), "Yuan Mei and Poetry Criticism in Qing Dynasty" (54) and "Artistic Features of Yuan Mei's Soul Poems" (55). In the last article, he pointed out: "Yuan Mei's poems can be called Soul Poems and have obvious artistic features. These artistic features make Yuan Mei's soul poem unique in the creative atmosphere of worshipping Tang, Mo and Song in Qianlong poetry circle, and become a unique poem in the history of Qing poetry. " His poems have four obvious artistic features, namely, "the ordinary and trivial materials, the clever and novel poetic images, the humorous and harmonious mood, and the colloquial painting techniques." At the same time, the author also dialectically pointed out that "Yuan Mei's poems are indeed flawed", so his creative achievements should not be overestimated. Its influence is not as profound as his poetic theory of "the theory of soul". Besides Wang Ying, there are also related articles, such as Qian Jing's The Relationship between Yuan Mei's Poetic Theory and the History of Academic Thought in Ming and Qing Dynasties (56), Zhang Liandi's Poetry is Valuable: An Analysis of Yuan Mei's Theory of Soul (57), Zhou Xindao's A Preliminary Study of Yuan Mei's Literary Theory: Also on the Relationship with Tongcheng School (58) and so on.

Corresponding to the study of Yuan Mei, the study of Zhang Wentao, a poet of spiritual nature, is also a hot spot. Papers in this field include: Reading Zhang Wentao by Li Mei (59), Zhao Qingyuan, Dan Yu's Inheritance and Development of Zhang Wentao's Theory of Soul from His Love Poems (60), Feng Suiping's Journey to Zhang Wentao, a Poet of Soul School in Qing Dynasty (6 1), and Sun Zhuohong's Nature Reveals True Nature: On Zhang Wentao's Boudoir.

Similar to Wang Yingzhi, Chen Wenxin has done a lot of research on Ming poetry. He has published five articles, including The Relationship between Poetry and Music in the Ming Dynasty (64), Internal Disputes in the Mainstream Poetry in the Ming Dynasty (65) and From Style to Charm (66). In From Style to Charm, he took Wang Meng's poetic style in Ming Dynasty as the breakthrough point, carefully analyzed the evolution process of verve theory from style theory, and made a convincing explanation for this important poetic phenomenon in Ming Dynasty.

200 1 The study of Sanqu and Ci in Yuan, Ming and Qing Dynasties is relatively deserted, but there are still many excellent works, such as On the Musical Background of the Decline of Metapronouns by Tao Ran (67). From the point of view that Ci is essentially a kind of music, literature and art, this paper points out that "the most popular folk songs in Yuan Dynasty are no longer traditional Yan music, but more popular, fresher and more lively music that absorbs Ci." However, the loss of singing style caused by the lack of intonation and the alienation between words and music "further accelerated the decline of words". The article grasps the close relationship between words and music and discusses it with great originality and moving. In addition, there are Liu Bocang's On Four Seasons Songs of Yuan Sanqu (68), Wu's Quanzhen Religion and the Weakening of the Ironic Spirit of Yuan Sanqu (69), Zhuge's Compilation Intention and Its Value (70) and Ji Zhuping's On Nalan Xingde's Frontier Ci (7 1).