China is a country of poetry and music, with the concept of "harmony between heaven and earth". In China people's mind, the progress of civilization and the change of dynasties are the manifestations of cosmic rhythm. As a cultural activity of human society, it is also a rhythmic movement. China's book of songs, Chu Ci, Han Fu, Tang Poetry, Song Ci, Yuan Qu and even Ming and Qing literature and art all express the beauty of a rhythm in the cultural history of China. China's book of songs, Chu Ci, Han Fu, Tang Poetry, Song Ci, Yuan Qu and even Ming and Qing literature and art are all related to music in a broad sense, and they all pursue a rhythm suitable for chanting or singing with words. The content reflects the rhythm of heaven and earth and the rhythm of people's hearts. China, from the Book of Songs, Chu Ci, Han Fu to Tang Poetry, Song Ci, Yuan Qu and even Ming and Qing literature and art, has both inheritance and independence in content and form, forming a beautiful movement of China culture, among which "Tang Poetry, Song Ci, Yuan Qu and Ming and Qing Novels" are the most beautiful notes. Light, sharp, new artistic conception aesthetics and lingering life emotion in Song Ci: the cosmic image of Long Corridor in Yuan Dynasty and the romantic feelings of prodigal son: the colorful world scenes in Ming and Qing literature and art constitute the beautiful melody in China's cultural history.

The history of the Tang Dynasty opened the most glorious chapter in ancient China. The Tang Dynasty was politically enlightened, economically prosperous, militarily powerful, culturally free, with frequent exchanges between China and foreign countries and strong national strength, showing a prosperous and brilliant situation. From Taizu's founding and Emperor Taizong's accession to the throne to Xuanzong 100, the implementation of enlightened politics kept Li Tang's society stable for a long time and its economy developed continuously, which laid the foundation for the development of cultural undertakings. It promoted the all-round prosperity of culture and art in the Tang Dynasty. In the Tang Dynasty, the imperial examination system of selecting scholars by poems and books was implemented. A very important content of the Jinshi exam is to test poetry creation, so the quality of poetry creation is directly related to a person's political future. Choosing scholars by poetry, from feudal emperors to stranded literati, from dignitaries to people who drive cars and sell pulp, has promoted the atmosphere of advocating poetry in the whole society. Emperor Taizong, Emperor Xuanzong of the Tang Dynasty, Tang Dezong and other Tang emperors were all lovers of poetry. They not only often write their own poems, but also often encourage others to write poems, and vigorously promote those who can write poems, which greatly promotes the popularization and improvement of poetry. Poetry is a huge monument to the peak in the cultural history of the Tang Dynasty. Poetry in the Tang Dynasty is unprecedentedly prosperous, reaching a perfect artistic realm and becoming a cultural symbol of the Tang Dynasty.

The Tang Dynasty (AD 6 18-907) was the heyday of China's classical poetry and the peak of China's classical poetry. Tang poetry is one of China's outstanding literary heritages and a bright pearl in the treasure house of world literature. In the history of more than 300 years in the Tang Dynasty, poetry was particularly prosperous. It has various genres and styles, and their works are numerous, with a wide range of subjects, rich contents and skillful skills. There are more than 48,900 poems handed down to later generations. The prosperity of Tang poetry has produced many great poets, especially many poets in the Tang Dynasty. Some of them were labeled by later generations, such as Li Bai, Du Fu, Shi Fo Wang Wei and Li He. Tang poetry has a wide range of themes, some of which depict the beauty and beauty of the motherland. Some praise the just war and express patriotic thoughts; Some express their personal ambitions and experiences, expressing the joys and sorrows of life; Some of them reflected the class status and class contradictions of the society at that time and exposed the darkness of feudal society. In short, natural phenomena, political dynamics, working life, social customs and personal feelings can't escape the poet's keen eyes and become the subject matter of their writing. In terms of creative methods, there are both realistic schools and romantic schools. It has formed an excellent tradition of China's classical poetry. There are five words and seven words, quatrains and metrical poems in form. The Tang Dynasty also created modern poems with a particularly beautiful and neat style, which pushed the artistic features of China's ancient poems to an unprecedented height and found a most typical form for ancient lyric poems.

Tang poetry is beautiful, and its greatest feature is its vitality, brilliant weather and colorful scenery. Just like spring, it presents a thriving atmosphere, which is the vitality of the Tang Dynasty. Tang poetry is the spark of vigorous vitality of Tang poetry. Walking in is like walking into the forest in spring. Birds and flowers are fragrant and refreshing. Tang poetry is famous for its rich expressions and rhymes, and its poems are full of youthful enthusiasm and imagination. Freedom and joy are shining. Tang poetry has a vigorous rhythm, and there is a thriving artistic conception in the lingering melody. Even poems lamenting the loneliness of life and describing the frontier battles are fluent, graceful and brisk. The peak of Tang poetry is Li Bai, who combined the elegance of Zhuangzi with the magnificence of Qu Yuan with his genius imagination, and played the strongest sound of Tang poetry art, reaching the peak of ancient romantic literature in China. Tang poetry is still very popular with people. Today, it is still popular in China that "300 Tang poems can be read well without writing", which shows that China people love Tang poems.

Ci, also known as near-body Yuefu and Qinqu, is also called poetry and short sentences. These names show the close relationship between words and music, and have certain internal relations with Han Yuefu and Tang poetry. Song ci is the lyrics sung to match new music, which is filled according to the score of a certain musical tune. It is called "Bodhisattva Man", "Butterfly Lovers" and "Niannujiao". Equivalent to the lyrics of modern songs. Ci is developed on the basis of Han Yuefu and Tang poetry. It uses five or seven words with irregular sentence patterns and changeable rules to express the artistic conception of lightness, novelty, boldness and boldness, as well as the lingering feelings for life. In the late Northern Song Dynasty, Ci concentrated on reflecting the mentality of ancient China literati, and became a singing method dominated by strings. The singing method of Song Ci has long been lost. Now it has become a "dumb language" without "sound and emotion". But readers can still feel the beauty of music rhythm between the lines, either lingering, elegant and distant, impassioned, or depressed and frustrated. Poets in the Song Dynasty created a wonderful artistic realm of separation and swing, at arm's length, and blending scenes, which was very touching and infectious.