When reading famous works, people are often troubled by the contradiction between the induction of fixed thinking and the call of the inherent law of art. Although it seems to be chewed carefully, it is often influenced by some external factors given to the works by critics or writers, while ignoring the artistic significance of the works themselves. This contradiction is also a very common psychological phenomenon in art acceptance. When reading Zhu Ziqing's "The Back", people often attach aesthetic eyes to the image of his father's "the back" and realize the infinite connotation of "the back": emotional, social, ethical, blood-related, aesthetic and so on. Immersed in all kinds of reading psychological experience of "cutting and confusing". However, when we really start from the aesthetic experience of artistic creation, especially when we think about the generation of the image of "back", the emotional clues of this article and the ingenious artistic conception of the writer, we will find that there is a world that cannot be ignored besides the image of "back", that is, the image of "tears" that appears many times. When reading the back, while chewing the image behind, you can't ignore the accompanying tears. To sum up, there are several aspects:

(1) The two images of "shadow" and "tears" in the article "Shadow" always accompany each other. "Back" appeared four times in this article, except for the first time that the relationship between "I must not forget his back" and "I can't help crying" was indirect, and the other three appearances were directly related to "tears". "At this moment, I saw his back, and my tears soon flowed down." "His back was mixed with people coming and going, and I couldn't find it, so I came in and sat down. My tears came again ","In the crystal tears, I saw a chubby back, a blue cotton gown and a black mandarin jacket ". The close combination of "back" and "tears" is neither intentional nor accidental coincidence, but a true representation of the aesthetic experience in the writer's artistic creation.

(2) In the article "The Back", the writer's aesthetic photo is the first-person narrator who borrows the image of "tears". The writer recorded the natural process of this intentional structure with a realistic pen. It can be said that in the text, "tears" always point to "back", and "back" is always watched by eyes full of tears. Without the infiltration of "tears" image, there will be no generation of "back" image; Similarly, without "back", "tears" will become an empty thing; Both are indispensable.

(3) The emotional change of "I" to my father has gone through the process from pity, incomprehension, understanding to nostalgia. This two-way emotional flow is concentrated in the frequent appearance of "back" and "tears" images. Not only is my father's love for me reflected through the layers of changes in my emotional attitude, but every time the image of "tears" appears, it is a sublimation of the writer's emotions. If there is only the image of "Hui", it is only the one-way development of the emotional clues of the father's love for his son, which can only highlight the feelings of the father's love for his son, which obviously does not conform to the writer's real intention of writing "Hui". It can be said that the "back" in the "eyes" is only an observation, while the "back" in the "tears" is the injection of the writer's emotion and aesthetic experience, which constitutes the two-way development of the father-son relationship. It can be said that "tears", like "back", have formed a profound meaning in this article, with emotion as the center and multiple connotations such as blood, aesthetics and society.

(4) Paragraph 1 of this essay has already explained: "When I went to visit my father in Xuzhou, I thought of my grandmother when I saw the messy things in the yard. I can't help crying. " In fact, in addition to personal feelings and experiences, there are also some common "joys and sorrows" complexes in society, which reflect the turbulent and declining life situation and bleak mood of the petty bourgeoisie in the old society. Therefore, through tears, we can taste many profound themes such as life and society.

(5) The article "The Back" is not a writer's improvisation, but a memory work eight years later. Therefore, there is an aesthetic distance between "tears" and "back", each of which contains the emotional implication and the accumulation of many meanings brought by the passage of time. This can be confirmed by a series of "awakening" words in the article Back, such as "I can't forget it the most", "I was really smart at that time" and "I think about it now, I was really smart at that time!" Wait a minute.

(6) "Hui" and "Tears" are both external and internal, guiding each other, and * * * runs through the whole structure. Furthermore, the writer grasped his unforgettable instant feelings and chose "Hui" as the focus of description, with a unique angle and deep feelings. This unforgettable instant feeling is the result of the writer examining his father's "back" in Pursuit with eyes full of tears. Here, the two-way flow of emotion between father and son, represented by "back" and "tears", constitutes the unique artistic thinking mode and emotional structure space of this paper. The integration of the two constitutes the overall artistic system of this paper.

Facing my father's "back" and "my tears are coming down", what is the reason? After careful analysis, there are several aspects:

(1) Thanks to my father: My father crossed the railway, climbed onto the platform, and bought me oranges, regardless of his age, which made him inconvenient to move.

(2) Understanding of my father: My father didn't trust the waiter and personally saw me off. He took pains to show the pedantry of the elderly, but he is also a parent-child heart and a feeling of love that others can't match.

(3) Sympathize with my father's hard life: the stumbling difficulty in buying oranges suddenly triggered the association of "I". When will the burden of family life be lifted and my father's difficulties will continue?

(4) Worries about my father's future life: My father is getting older, but he has to continue to struggle for himself and his family to make a living. How will he live in the future and how much help can his son help?

(5) I deeply regret my misunderstanding and even blaming my father's behavior: I showed my gratitude and concern for my father at his special moment, but I complained and hated him. But when I bought oranges for myself, especially the reflection of "returning", the emotional channel "venting in the sinkhole", guilt, regret, silent condemnation and tangible "tears" all showed up.