On Li Bai's Poetic Style Sun Rongnian Abstract: As a middle school teacher, I gradually became interested in ancient poems, especially Li Bai's poems. This paper briefly discusses Li Bai's life, ideological character, creative style, artistic achievements and influence: 1. Li Bai's life. Li Bai was a talented poet in the prosperous Tang Dynasty. His life is full of legends. There are different opinions about his life, whereabouts and family background, and his ideological character is very unique and rare. Li Bai's ideological character. Li Bai's pursuit of fame and fortune, traveling around the mountains and seeking immortality and learning Taoism has always been with him all his life. His ideological ambition, life interest and personality temperament are all manifested in different aspects. Secondly, Li Bai's creative style can be reflected in his quatrains, Yuefu and songs. Its lyrical way has the most distinctive characteristics and is often explosive. Once feelings are aroused, they rush out without restraint, just like hurricanes and volcanoes in the sky. 3. Among the poets in the prosperous Tang Dynasty, Li Bai has the most distinctive artistic personality, which is reflected in all aspects of his poetry creation, and his artistic achievements are also multifaceted. Key words: life, ideological character, creative style, image and influence text: As we all know, Li Bai was the most famous poet in the prosperous Tang Dynasty. Studying Li Bai's writing style and life experience will help us understand the basic characteristics of poetry creation in the prosperous Tang Dynasty. In the teaching of ancient poetry, in order to make students interested in poems far from the real language and understand the connotation of beautiful poems, we must first let students know the poet's life and ideological character, so as to understand his creative style, artistic conception and beautiful thoughts contained in poems. Based on this, I read Li Bai's poetry collection and some related materials, and have some superficial understanding of Li Bai's creative style and life experience. I. Li Bai's life and ideological character I think Li Bai's life runs through two main lines: one is his official career, and the other is the influence of Taoist thought on him. Li Bai comes from a rich and educated family. Let him "carry Liu Jia at the age of five and see a hundred schools at the age of ten". He grew up in Shu as a teenager. Zhongshu is a place with a strong Taoist atmosphere, and the environment has a great influence on his immortal Taoist belief. The influence of Taoism has been with him almost all his life. /kloc-about 0/8 years old, learning vertical and horizontal techniques. In my opinion, it is precisely because of the influence of these things in his youth that he has a proud, elegant and free-and-easy temperament, and his poems also have that kind of strong, rushing feelings and unrestrained momentum. In the 12th year of Kaiyuan (724), Li Bai began to travel about life, asking for recommendations many times, but failed. In the first year of Tianbao, Li Bai was called to Beijing, which was the most brilliant moment in his life. But not long after, he was vilified by powerful people and his career was hit again, which made him full of dissatisfaction and disappointment with the court, but he also cared about state affairs and hoped to make achievements. Since the Anshi Rebellion, Li Bai thought it was time to serve the country, entered the Wang Yong shogunate and joined the army generously, but was later convicted of rebellion. Was pardoned on the way. When he went to the southeast of Li Guangbi, he joined the army again, but he was half ill and died at the age of 62. In my opinion, Li Bai idealized the life philosophy of the scholars in the prosperous Tang Dynasty who actively joined the WTO, and at the same time had the Confucian thought of "helping the poor and keeping peace" of the poets in the Tang Dynasty. Therefore, his overly idealistic life design is bound to fail. But he has always yearned for such an ideal. Therefore, he kept running back and forth between success and failure, which made him often fall into grief, injustice and disappointment, and maintained a spirit of conceit, self-confidence, openness and high spirits. Li Bai was deeply influenced by Taoism, strategists and Confucianism all his life. Among them, the influence of Taoism runs through Li Bai's life. The reason why this part is put forward separately is because Taoist belief in immortals occupies an important position in his thought. When I was a teenager, I lived in central Sichuan, where Taoism was relatively developed. I naturally came into contact with it, and then I learned the vertical and horizontal techniques. During his career, he held many Buddhist ceremonies. Because of this, Li Bai has shown the idea of dreaming, eating, drinking and having fun in time in many poems. In addition, his arrogant, informal, elegant and free-spirited temperament also comes from this ideological basis, and He Zhangzhi once called him "the fallen fairy". "Crazy" is the symbol of his life. His chivalry, fairy interest and binge drinking greatly stimulated the arrogant and wild factors in his personality, which made his personality consciousness always in a state of expansion and formed his unique romantic, wild and arrogant personality. Although his poems often reveal the feeling that life is like a dream, he is enjoying life, but this is actually due to his deep yearning for unrestrained and free life, eager to let nature take its course and blend into nature. In his poems, Li Bai often expresses his yearning for freedom and his arrogant and independent personality spirit through the description of fairyland and immortal life, and expresses his resistance to reality and secularity with the free and easy life of immortals. In the absurd imagination, strong self-awareness, naive pretentiousness and distinctive personality are fully displayed. Second, Li Bai's creative style Li Bai is a talented poet bred by the culture of the prosperous Tang Dynasty. The vitality, emotion and spirit of poetry in the prosperous Tang Dynasty have been fully demonstrated in Li Bai's poems. His poetry creation is full of passion and magical imagination, which is not only vast and spectacular, but also beautiful and natural. It can be said: "The charm of Li Bai is the charm of the prosperous Tang Dynasty." The evaluation of Li Bai's creative style can be discussed from his quatrains, Yuefu and songs: Looking at Tianmen Mountain is one of Li Bai's seven masterpieces: "Tianmen cuts off the Chu River, and Higashi Shimizu flows here; The green hills on both sides of the strait are opposite, and the sails are alone. " What he wrote was the poet's aesthetic feelings and emotional moments in the embrace of nature and daily life, and it was a natural and natural work with a wave of his hand. The feeling of that moment, infinite charm, showed the beauty of nature and universal human nature, the beauty of human feelings, the simplicity of truth, full of interest in life. Of course, it is not enough to explain the wonder of Li Bai's seven wonders just by saying "Looking at Tianmen Mountain from afar". Li Bai's seven unique poems are mostly landscape poems and farewell poems. In these poems, there is a temperament that is integrated with nature, and with its naive childlike innocence, it is integrated with mountains and rivers. No matter how you write about scenery and love, there is a natural and clear air, such as watching Lushan Waterfall, making Baidi City as early as possible, and asking questions in the mountains. "Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days." "When you bid farewell to the colorful clouds in Bai Di, you will return to Jiangling for a day. The apes on both sides of the strait can't stop crying, and the canoe has passed Chung Shan Man. ""Ask me what to do, but I just laugh. Peach blossoms are gone, and the world is gone. " His quatrains are fresh, but they contain elegant and natural Shen Feng. Another example is "Five Poems of Traveling to Dongting with Ye Lang, Assistant Minister of Punishment of Uncle Jia, and Jia Sheren, a Chinese Book". Secondly, "Nanhu is smokeless in autumn night, and it can ride straight into the sky. Let's buy wine and Bai Yunbian in the moonlight in Dongting. " Make water, moon and white clouds as a whole into a glass world, and the wonderful imagination generated in this world makes it as beautiful as a fairy. To talk only about the achievements of the Seven Wonders is simply to obliterate the achievements of Li Bai's poetry. Li Bai's five wonders are also unparalleled. Among the poets in the prosperous Tang Dynasty, Li Bai was the only one who had both the Five Musts and the Seven Musts. His five-character quatrains are often lively in style, showing endless emotional charm with clear and fluent language, making them both natural and implicit, true, concise and rich in connotation. This is the highest realm of quatrains, such as "Sitting alone in Jingting Mountain": "Many birds fly high, and lonely clouds go to leisure alone. Seeing each other tirelessly, I only respect Tingshan. " And grandma's pavilion. Feeling quatrains are an instant presentation of Li Bai's emotional world. His cheerful personality, frank feelings and free and easy temperament are all reflected in a flash of inspiration, and blurting them out becomes a swan song. Li Bai not only made outstanding achievements in quatrains, but also made great achievements in Yuefu and Gexing. For example, the old saying of Yuefu poem "Difficult Road to Shu" implied that success was not easy, which touched Li Baichu's grief and indignation when he entered Chang 'an to pursue success. He used this ancient title to express his sigh, and repeatedly said in his poems that "such a trip is more difficult than climbing the blue sky". He said: "High, like on a high flag, six dragons drive the sun, while in the river below, they whip its twisted route. It is difficult to climb such a height, even the yellow crane said, "Apes are eager to climb." The Green Mud Mountain is made up of many circles. For every hundred steps, we have to turn nine times in the middle of its mound. ..... "Rendering the peaks and cliffs of Shu Road and the danger of turning thousands of valleys into stones is also a rendering of the poet's understanding of the world. Another example is "Into the Wine". "Have you seen how the water of the Yellow River moves out of the sky and into the ocean, never to return? ..... Since God has given talents, let them be used! , spin one thousand silver, all back! . ..... "The old poem Yuefu contains/article/class163/class128/20041/20041165438.

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