In spring, the wind blows away the children's down jackets, bringing beautiful sweaters and beautiful shoes. We can play happily again, and kites float into the sky. It is warm in spring.
In summer, the wind turns flowered sweaters and leather shoes into fashionable T-shirts and casual sandals. The summer wind is stuffy and hot, which makes people breathless. Do you hear it? Even cicadas are talking about you! At this time, as long as you let the wheat mature a little, the farmers have to let the stuffy wind blow and let the sun shine. The wind in summer is unreasonable.
In autumn, Feng is a "magician". He turned the green earth into golden yellow, blew the leaves to the ground, let the children play to their heart's content, and blew the trees to their heads. How interesting! The autumn wind is funny.
In the winter wind, you let the trees "shave their heads" instead of letting the grass dye their hair. As soon as the snow falls, the wind blows again, never blowing indiscriminately. You also put the children in thick duck down cotton-padded clothes and big leather shoes, which are stupid and heavy. No children's laughter. The winter wind, you are heartless.
Isn't this the magical landscape of nature?
Did you write a 500-word composition by symbolic means? In a remote corner, there is a scarred wall, which is out of harmony with the surrounding lush wildflowers, but he still sticks to his own world and is silent.
In spring, young wisteria shoots quietly poked their heads out from the foot of the residual wall, rubbing their sleepy eyes and scrambling to climb up along the residual wall. Finally, wisteria climbed to the top of the residual wall. They are smiling and blooming everywhere, and the purple flowers are shining silver in the sun. From a distance, my eyes are lavender, like a purple waterfall flowing downstream.
At this time, wisteria became the most beautiful scenery in this quiet corner. Occasionally, passers-by pass by here and look at the wisteria on this wall in surprise. "God, there are such beautiful flowers!" " "Then he shook his head again." Unfortunately, this wall is too broken! " The arrogant wisteria listened to the words of passers-by, and her heart hanging high in the sky suddenly fell into the dark canyon.
Wisteria seriously looked down at her neighbor, really old and ugly, far from her beautiful figure. Wisteria was in a hurry, crying for her beautiful figure being defiled, and this exquisite scenery was eclipsed.
Sad wisteria let go of the hand that had clung to the residual wall, turned her back to get rid of the demonic residual wall, and looked forward to the beautiful scenery in the distance ... It rained heavily at night, which was overwhelming and heartless. In the morning, everything wakes up from fear, only to find that the wisteria on that wall no longer exists.
They are lying in the mud here, and their petals are falling in the rain. The prosperity of the past is gone forever, and the glory of the past is gone forever, leaving only a mess of wisteria sadly telling the injustice of fate.
3. Write a fragment by symbolic means: choose from: window \ moon \ song \ lamp \ road \ grass \ key \ incense as a means of expression of literary creation. Symbolism refers to expressing some abstract concept, thought or emotion with the image of concrete things. Its characteristic is to make use of some similarities between symbolic objects and symbolized objects, so that some contents of symbolized objects are hidden. Symbolism is an artistic technique, similar to figurative rhetoric. Just as metaphor requires some similar characteristics between the symbolized carrier and the symbolized object, symbol also requires some similar characteristics between the symbolized object and the symbolized object, which can arouse people's association from one to another. However, metaphor belongs to rhetoric, which can be used to describe both abstract things and concrete things. Symbol, on the other hand, belongs to artistic technique, related to conception, and belongs to writing conception technique, not just language processing. Symbol is generally used to express some abstract concepts or thoughts and feelings, that is, it expresses a deeper meaning through a concrete image, so that readers can understand it themselves and enjoy beauty. This is a subtle and subtle technique that can make readers feel happy. If carefully analyzed, symbols can be divided into homogeneous symbols and heterogeneous symbols. Homogeneous symbol means that the symbol is similar to the symbolized object in essence. It is easy for readers to relate them. For example, Shu Ting's To the Oak directly expresses symbolic meaning with concrete images, and the poet uses oak and kapok to symbolize male masculinity and female femininity respectively. The "copper branches and iron stems" of oak trees and the "red flowers" of kapok are the concrete images of masculinity and femininity. Another example is the essay Firelight by Russian writer Korolenko. The author wrote about the experience of boating on a gloomy river in Siberia on a dark autumn night. When the ship is sailing in the dark, a little fire suddenly appears in front, no matter far or near, it is always so attractive. But here, is the author just describing the fire? Obviously not. Obviously, he still has meaning. With a little association, you can realize that the fire here is a symbol of hope and light. When the long river of life flows between the gloomy banks, isn't it the fire that looks far away but is in front that attracts people to March forward bravely? No matter in the years of hard struggle or on the dark road of life, people will have such an experience: even a faint and faint hope is so precious, it can give people comfort and strength. In the article, the author takes fire as a symbol and expresses this subtle feeling and complicated life experience at once. Heterogeneous symbols, symbols and symbolized objects are essentially opposite. For example, Su Tong's novel goddess peak. In the traditional sense, goddess peak is a symbol of love constancy. In the novel, Li Yong and Tu Yue are lovers. They plan to take a boat from Nanjing to goddess peak in the Three Gorges to consolidate their love. After they boarded the ship, they were accidentally in the same cabin with rich old Cui. At first, Tu Yue really looked down on the rich old Cui. I believe that he, like many rich people, lacks self-cultivation and sentiment. Later, in several contacts, he gradually felt that Lao Cui was generous, careful and considerate. The ship docked at Hankou Port. He got off the ship and went to the dock, leaving Li Yong and leaving with Lao Cui. Before a couple arrived in goddess peak, the so-called love collapsed. The ending of the novel strongly shocked the readers. It's not a novel that backfires. What really makes readers enjoy the aesthetic feeling is that the writer skillfully chooses goddess peak, the destination of his lover, which fundamentally constitutes the antagonistic relationship between the symbol and the symbolized object. After reading the novel, I can't be calm for a long time. Heterogeneous symbols produce aesthetic effects on the basis of strong contrast, so this technique can leave a deeper impression on people. From this, we can further think that it is one of the modern techniques to conceive symbols. Sublimation of the theme. The sublimation of the theme is an important link in the writing process, which enriches and deepens the connotation of the theme and improves the significance of the theme. Sun Qiao in the Tang Dynasty said in "A Book with Friends": "Words must be high and then strange, meaning must be deep and then successful." Only when the theme is profound can we reveal the essence of things and guide readers to appreciate the purport of beauty. Symbolism refers to extending the writing content from nature to human social life through similar associations. Symbolize a certain spiritual quality or character with the original characteristics, thus raising the theme to a new height. For example, Mao Dun's prose "Praise of Poplar" is a good example. The article first tries to express the characteristics of poplar, such as integrity, simplicity, stubbornness and upward efforts, and then extends the description and praise of poplar to farmers in the north through similar associations. Then use poplars to symbolize a valuable "spirit and will" of our nation. In this way, through symbolic means, the praise of poplar becomes the praise of a nation's "spirit and will". At this point, the theme has been sublimated to a lofty realm. Another example is the third book "Lights" in high school Chinese. In this article, Mr. Ba Jin first wrote that when he got up in the middle of the night and saw the lights of other people's homes, his heart lit up and he recalled them. Go back to reality and write about the comfort and encouragement given to me by the lights tonight; Reminiscent of the lighthouse, the lonely night light on Harriet Island and the torch of ancient Greece, they show people the way and then return to reality, writing that they have drawn infinite power from the light; Finally, I recalled the story of a friend who was saved and returned to reality, firmly believing that the light would not go out. Appreciating the writing of this essay, from beginning to end, we can clearly feel that its theme has a sublimation process: with the development of the author's thoughts, light gradually changes from concrete to abstract, from the actual light I saw at the beginning to the light in my mind. The specific object of light is also sublimated into an image with philosophical significance, symbolizing light and warmth. It symbolizes the belief of continuous progress in life. Linked to the writing age of this essay, it will naturally be linked to the unyielding spirit of the nation, the belief of winning the war of resistance against Japan, and the people who died in obscurity for the war of resistance. This is the artistic effect of symbolism. It means that it is beautiful now. Symbol and implication are inseparable.
4. Symbolic techniques How to write a symbolic title of a still life means that the title is a symbolic still life in life, such as wind, windows, roads, bridges and roots. These things have superficial material meaning and are tangible; At the same time, it has certain cultural and symbolic significance, which is illusory. Based on this, the examination of this kind of composition should follow the order from reality to fiction, and find a suitable angle of conception in the process of gradual excavation.
wind
1. Title design:
The spring breeze awakens everything, Xia Feng is cool and pleasant, the autumn wind blows the leaves, and the north wind is biting cold. In addition to the natural wind, there are also tangible winds in society. What do you think, experience or see about the wind? Please write a composition on the topic of "Wind".
2. Writing instruction:
This kind of topic material does not establish a relative meaning orientation, but only provides a point of divergent thinking, which can be called fixed-point topic composition. Fixed-point topic composition is more divergent than directional topic composition, which can extend the thinking tentacles in all directions. For the topic of "wind", we can focus on the dual meanings of materialization and emptiness. If we understand the double meaning of wind, we can find many writing angles and then choose the corresponding writing materials. Starting from the natural meaning of wind, we can write landscape prose and the world created by natural wind; It can also be written as a narrative, and the natural wind can be written together with family and friendship stories, so that the natural wind can provide a background for family and friendship events, form an artistic atmosphere with scenes and scenes, and render more sincere feelings. Starting from the symbolic meaning of wind, we can write all kinds of popular winds in society, praise the progressive trend and attack bad phenomena. From the symbolic point of view, it will make the article appear novel and profound, giving people a refreshing and unconventional feeling. Therefore, it is suggested that students should think more from the symbolic meaning of the wind and carry profound social connotations in the form of argumentative essays to show their feelings of caring for society and life.
5. Symbolic composition I love plum blossoms
Friend, what do you like best in the world of flowers? Is it a gorgeous peony? Is it a gorgeous red rose? Or a fragrant and elegant daffodil? ..... As for me, I like frosty plum blossoms.
Plum blossom-has been the object of poet's praise since ancient times. It's like * * * "So the cliff is full of ice and beautiful flowers." Lu you's "scattered into mud and rolled into dust, only the fragrance remains." There is also Wang Mian's "Don't praise the good color, just leave a mouthful of dried Kun." There are countless such poems.
I love plum blossom, and I want to praise her even more.
Plum blossoms are not as elegant as peony, as noble and elegant as chrysanthemum, and as graceful as daffodils, but they have extraordinary pride. March in spring is a colorful season. Orange spring flowers in the park; Innocent lily; A fragrant and intoxicating rose; Exquisite tulips; Magnolia in bud. Strange flowers and grasses are in full bloom and beautiful. However, in this sea of flowers, there is no beautiful image of plum blossoms. Because it doesn't bloom in spring and March, but in cold winter. It is not warm sunshine, but cold north wind that greets it; It was not the breeze and drizzle that raised him, but the ice and snow. However, when you walk beside it, what you see are the branches that stand proudly and are full of vitality, and the flowers that are in bud. You see, that one has already opened, and the red petals are tightly nestled on the stamen, like a mother holding a baby. Thin stamens are dotted with white and full of affection. Then it will open, full to crack. Ah, this is plum blossom. She won't compete with other flowers in spring, but quietly put away her buds. However, in the cold of March 9, regardless of the wind, frost, snow and rain, I never bowed my head, still so demure, washing people's hearts and edifying people's sentiments with its noble and simple character.
Wind, frost, rain and snow are inevitable in the course of life. We should draw strength from the plum blossom spirit and treat the difficulties on the way forward with a strong plum blossom spirit.
6. It is urgent to write a composition by symbolic means ~ ~ ~ Symbol uses something with a specific image to imply a specific person or thing to express sincere feelings and profound implications. This rhetorical way of taking things as things is called symbol.
The rhetorical effects of symbols are: profound implication, rich association, thought-provoking and giving people a feeling of endless artistic conception; It can give people a concise and vivid sense of reality and express sincere feelings. For example: ① Two orioles sing green willows and a row of egrets soar into the sky.
The window contains "Autumn Snow in Xiling" and the door is moored with "Soochow Wan Li Ship". (Du Fu's quatrains) (2) "Snow" overwhelms the clouds in winter, and the flowers are sparse for a while.
The cold current is rolling in the sky, and no hero drives tigers and leopards, and no hero is afraid of bears. It is not surprising that plum blossoms rejoice in the snow and freeze flies to death.
(* * * Winter Cloud) On the vast sea, the wind gathers dark clouds. Between the dark clouds and the sea, Haiyan flies proudly like black lightning.
Symbol is an important way to combine fantasy with reality in fairy tales, and it is also a common method to create typical fairy tales. The characters in fairy tales are often symbolic.
In order to express a certain personality or explain something, the author finds out the personality, nature and characteristics of some people, events, phenomena and even some social concepts from life, concentrates on fairy tale characters, and then endows them with personality, so that they can speak and act according to this personality, thus achieving the purpose of symbol. For example, the kite in "Kite Finding Friends" symbolizes people who are lonely and confused in the real society and constantly looking for real friends. The attitude of the sun and the moon towards kites also symbolizes some people's attitudes towards friendship and love, while Xiaoxing's friendliness, enthusiasm and equality towards friends also embodies the author's ideal of love.
The symbol of fairy tales is expressed through all the activities of fairy tale images or characters and even the whole story content. Life reflected in fairy tales is not people's actual life itself.
Symbolic figures and things in fairy tales are similar to symbolic figures and things in some features, but they are by no means appropriate and consistent in any sense. We can't simply bring the characteristics, actions, language or a certain detail of fairy tale images into social life for speculation or analogy, thinking that there must be something, so as to judge who an image represents, what a plot alludes to, and even connect with some political concepts and class relations.
This is a metaphysical method, which has done great harm to China's fairy tale creation. In fact, the symbolic images in fairy tales can only summarize some characteristics, but not all the symbolized things.
We should look at the theme of this fairy tale from the full meaning of images, characters and stories, see what it praises, satirizes, implies and exposes, see whether the author grasps the important characteristics or essence of some people and things to be symbolized, and see whether the symbolism he adopts has positive significance, so as to correctly understand the symbolic significance of fairy tales.
7. An article written by symbolic means, thunder pays tribute to Guo Moruo and Qu Yuan (to wind and thunder)! You shout! Howl! Yell hard! In this dark time, everything fell asleep, fell into a dream and died. It's time for you to roar, and it's time for you to roar as hard as you can! No matter how much you shout, you can't wake them up from their dreams, you can't blow away the dead, you can't blow away the darkness heavier than iron, but you can at least blow away some dust, sand and stones, at least some flowers and trees.
You can let Dongting Lake, Yangtze River and East China Sea surf for you and roar with you! Ah, I miss Dongting Lake, I miss the Yangtze River, I miss the East China Sea, and the boundless waves! That powerful and boundless great power! That is freedom, dance, music and poetry! Ah, the greatest poem in the universe! Your wind, your thunder, your electricity, everything you roar and shine in this darkness, you are poetry, music and dance. Great artists in your universe, try your best to exert your strength.
Release endless anger and explode this dark universe, a gloomy universe! It exploded! Ray. Is that the sound of your wheels rolling? You dragged me to Dongting Lake, to the Yangtze River and to the East China Sea! I want to see the rolling waves, I want to hear the roar, I want to drift to an uninhabited island, without conspiracy, filth and selfishness! I want to jump into boundless freedom with you, with your voice and with the boundless sea! Ah, electricity! You are the sharpest sword in the universe! My sword is drawn, but you, you can draw my tangible sword, but you can't draw my invisible sword. Electricity, your sword in the universe, is also the sword in my heart.
You separate, separate, separate! Split, split, split this darkness stronger than iron! Although you split it like water, you pull it out and it closes again, at least you can make the light appear for a moment. Oh, what a brilliant light! Light, I admire you, I admire you, I bow down to you, I kowtow to you. I know you are a fire, you, the greatest person in the universe, fire! You are on the horizon, you are in front of me, you are by my side, I know you are the life of the universe, you are my life, you are me! My burning life, I am about to burst into anger, can't I shine in generate? Burst, my body! Burst, universe! Let the naked fire roll, like this wind, like this sea, and burn all tangible and filthy things! Burn it! Burning contains all the evil darkness! Burn your Eastern Emperor Taiyi! Burn you in the clouds! You wooden poles, what virtue do you have sitting on the throne? You are just a father and mother who create darkness! You, you Dong Jun, what kind of Dong Jun are you? People say you are the sun god, and you, you can't ride a horse sitting there.
You, you're blushing. Are you shy, too? Ah, you, you are totally fake! You, you wooden stick, you heartless, soulless person, I will burn you, burn you, burn everything, especially your horse! Come down and walk if you can! What a good Priestess of Death, what a good young man, your great ability is that you only know how to fool people! What A Xiang jun, what Mrs. A Xiang, your only skill is crying! Cry, what's the use of crying? Tears, what's the use of tears? Let you cry out a few cages of fragrant princess beads at most! But isn't that incense column the instrument of torture used by the master to beat slaves? Get off the boat, get off the cloud, and I'll burn you all to death! Burning! Burning! Hum, you and Bo ... Oh, you Hebo! You, you are my first comforter! I can see it clearly! When I was taken to the high slope and the guard wanted to rest, I stood on the high slope and looked back at the Longmen. I see very clearly, very clearly! I saw ChanJuan abused, and I saw you stand up and argue with your fingers in the air.
As a result, you were brought into Longmen, and Chanjuan was also brought into Longmen. But I, I have no tears.
The universe, the universe has no tears! What's the use of tears? We only have thunder, only lightning, only storms, and we have no slow rain! This is my will, the will of the universe. Encouragement, wind! Roar, ray! Shine, electricity! Destroy, destroy, destroy everything that sleeps in the dark arms! [Appreciation] The five-act historical drama Qu Yuan is the representative work of Guo Moruo's historical drama.
The whole play intercepts the cross section of Qu Yuan's life. In one day, it condensed the course of Qu Yuan's persistence in uniting with Qi to resist Qin, opposing Qi's surrender to Qin, and his fierce struggle with the conservative forces of the Chu court, and summarized Qu Yuan's spiritual character.
Ode to Thunder and Electricity is a declaration of Qu Yuan's quest for heaven and earth to express his ideals when his self-respecting soul is suffering the most and his life is at stake. Monologue endows natural thunder and lightning with sacred power in poetic language, making thunder and lightning an eternal sword in his hand to split the darkness and burn everything in it. Ode to Thunder and Electricity vividly expresses Qu Yuan's ideals and demands of loving the motherland, upholding justice, longing for light and opposing darkness.
"Lei Song" is a song of justice, with history as the theme, drama as the form, and poetry as the soul, which "revives the anger of the times in Qu Yuan's era" and shows the people's anti-Japanese demands and national spirit of unity. Ray Du Xie Yun warned with continuous lightning: They are coming! All the winds spread the news of arrival: they are coming! Every leaf and every branch points to the distance: here they come! Every pair of eyes is eager, and every mouth is trembling: they are coming! Over one torn leaf slogan after another, here they come! Through prison after prison, here they come! One after another, the newspapers fabricated news, and they came! Over the unforgettable piles of blood and tears, here they come! Because.
8. Symbolic learning method "How to write a symbolic composition" and "How to write a symbolic composition" Like "Praise of Poplar", this kind of prose that describes the form and spirit of a specific thing in order to achieve the real purpose you want to express is called "holding things and expressing aspirations" prose, also called symbol.
Symbolism is a very common expression in literary creation. Mao Dun's Praise of Poplar and Gorky's Haiyan are typical symbolic essays. Symbolism includes three elements: symbolic image, symbolic object and symbolic meaning.
The symbolic literary image created in prose is called symbolic image. Such as poplars and petrels.
Symbols are objective things to be expressed through symbolic images. Such as the anti-Japanese soldiers and civilians in the north and the pioneers of the Russian proletarian revolution.
Generally speaking, symbolic objects rarely appear in works, but are hinted to readers by the author with symbolic images. Symbolic meaning is the meaning that symbols express to images and symbolic images.
What the poplars in the northwest plateau want to express is the revolutionary spirit and will of the northern anti-Japanese soldiers and civilians under the leadership of China * *, who strive for self-improvement and "write the history of new China with blood". Haiyan represents the indomitable fighting spirit of Russian proletarian pioneers.
The spirit of struggle that the disabled people don't give in to fate expressed by the cliff pine tree is the embodiment of this symbolic significance. Some works have created a complete symbolic image from beginning to end, such as Praise of Poplar and Haiyan.
Some works only use symbolism in some parts, such as the text "Cell 267", and finally write: "He will continue to shine, yes, he must continue to shine." The sun symbolizes freedom and light, which is a symbolic technique used in this paper.
Some articles deliberately create images with different symbolic meanings. For example, Ode to the Land contains images with different meanings such as "gorgeous Clivia", "South Beauty", "proud red plum" and "green bamboo". "A key to using symbolism is to identify similarities, that is, to identify similarities between specific images and the thoughts and feelings that the author wants to express.
For example, the essay "Ode to Ba Ba Ba" describes the form of Ba Ba: "The developed roots cling to the stone wall and climb like giants". This indomitable spirit of self-improvement is similar to the struggle spirit of Chongqing people to overcome natural disasters and difficulties! Li Hou's "metabolism, sacrifice, saving for the New Year" is similar to the unremitting exploration, brave pursuit and enterprising spirit of the people in Shancheng. In a word, to write symbolic prose, you must first find a specific object with a certain quality and spirit similar to what you want to praise (for example, the growth environment, appearance and internal quality of poplar are very similar to those of the anti-Japanese soldiers and civilians in the north, China and the anti-Japanese spirit. )
; Then, make a detailed description of the object you choose (for example, in the article "Praise of Poplar", the author has made a detailed description of the growth environment, appearance and internal quality of Poplar). Of course, the similarities between the two must be shown in the description, not only in shape, but also in spirit (the extraordinary growth environment, external beauty and internal beauty of Poplar have all been similar, but also in spirit); Finally, on the basis of the above description, I understand the symbolic meaning clearly, thus revealing my real writing intention. The last four coordinate rhetorical questions in Praise of Poplar are the best examples.
"Grass" "There is no fragrance of flowers, no height of trees, I am an ignorant grass. Never lonely, never worried, you see my friends are all over the ends of the earth-"Friend, have you noticed that when spring comes, these grasses quietly break out of the ground, sticking out their tender leaves, and the breeze blows their faces?" You seem to see the grass bowing to you. The grass dresses up the earth with its four-night green clothes, making spring more beautiful and charming. It's spring now, can you feel it? However, in the hot summer, the sun is scorching the earth, and the flowers people watch in spring hang their heads and look listless. However, these grasses still stubbornly hold their heads high and endure the heat; When the storm hit, although the grass was blown to the east and west by the wind and rain, it had nowhere to yield, and it was still firmly rooted in the soil and was beaten by the wind and rain.
From TV, you must have seen the grass growing on the grassland, such as carpet and wind grass growing on the soft lawn, but have you seen the grass under the stone! In order to grow, no matter how heavy the stone is and how narrow the gap between the stones is, it always twists and turns, and the weapon sticks out of the ground indomitable. At this time, you will be moved by the indomitable spirit of the grass. The grass is so small. Before the flowers bloom and the trees fall, the grass quietly emerges from the soil and spits out a little unnoticed Chun Lv. The grass is so green that it seems to have given all the green accumulated in a year.
"The weeds can't burn, and the spring breeze blows high." The indomitable spirit of the grass is an example for us to learn.