He is over 70 years old, but his style is still the same. His hair has turned gray, but his eyes are still bright.
He was silent, but his chin and beard still showed his talkativeness. He loves life so much that an ordinary peasant woman puts down her farm work and studies under his works.
His teacher is a strange person, and he is no exception. It is said that every artist "runs out of talent in Jiang Lang" as soon as he is in his prime-this is inevitable.
But in front of him, he obviously broke this fate. Seventy years old, the more interesting it is to live.
Dressed in white, he embodies the image of an extremely great artist. He is drawing a long snake, and he has a rough outline in just a few strokes.
Simple ink painting was interpreted to the extreme by him. The crayfish frolicking in the water are so lifelike that they almost want to take off the rice paper and make it a reality.
Good painting! Good painting! He writes freely, his expression is focused and serious, but he is leisurely. Grass and trees, mountains and water all seem to blend into his spirit.
It's amazing that such a work full of aura can be completed in an instant! He leisurely displayed his previous works. The picture looks messy when it is placed in front of admirers.
Seeing his puzzled eyes, he smiled and took out another painting-it was unnatural. At the last picture, I was shocked-fresh and refined, and really meant to return to nature.
Is this a painting of a generation? Can children, teenagers, prime of life and old age draw like this? What kind of state is this? From the aspect, it is suspected to be "Peach Blossom Garden". Seeing his behavior is admirable.
Look at his paintings. Birds are jumping happily, lobsters are playing and frogs are singing. He is Qi Baishi, a master of ink painting.
China's accomplishments in ink painting in modern times are unparalleled. Qi Baishi and Qi Lao left unforgettable memories.
His paintings, his life, and his realm have been haunting people for a long time. Never forget that life, never forget that moment.
Qi Baishi, an old man who loves life, has given an important revelation to life ... Qi Baishi, immortal and simple truth! This article was originally written by Zuo Wen Ku, the sixth grade of Shangguan Fucheng No.2 Primary School in Longgang Town, Wenzhou City, and it is forbidden to reprint it without permission.
2. Chinese painting of shrimp. First, carefully observe the morphological structure of shrimp and deeply understand the meaning of life of shrimp.
Everything created in heaven has its own spirituality. Shrimp, born in water, is exquisite, diverse and complex in posture. Its body is transparent, its tentacles are sharp and long, its eyes are dark and sharp, and it is covered with scales and bent. Shrimp is mainly composed of head, abdomen and tail, with three pairs of tentacles, and the abdomen is divided into five to six segments. The dynamic change of shrimp is mainly manifested in its swimming flexibility and freedom.
Shrimp has a profound meaning. It is called "dragon" in the north, which means auspicious town house. In the south, it is called "silver", which means long-term wealth. Shrimp never invades and hurts the same kind, and live in harmony. Although its body is small, it is clean and transparent, indifferent to fame and fortune, with noble character and pure and frank mind, showing its life sustenance. In addition, you can also see shrimp wearing jade armor, which means that people should be honest and transparent, have tenacious vitality, have the will to make waves, and have the spirit of flying like a dragon. Its tentacles can touch the sand and see the clouds and the moon.
Second, express the sense of realism and transparency of shrimp in the most appropriate tone.
Exquisite color, through years of research and experiments, I modulated a color close to shrimp, which reflected the realism of shrimp. Ink is divided into seven colors, which are elegant, rich and comfortable. It is crystal clear in simple brushstrokes, with obvious shell and clear moisture, giving people a gentle and fresh picture feeling.
Third, express the vivid meaning of shrimp with the most humanized body language and the dynamic string rhythm of dance.
Break through the traditional painting method, show the vivid meaning of shrimp with the most beautiful body language and dynamic chord rhythm of dance. There are shrimp pincers to lead, take care of each other, have fun surfing, go with the flow, have feelings in the waves, there are a group of shrimps frolicking, stretching, bending, crowding round, chasing after each other, lifelike, with different postures, including the Goddess Chang'e flying to the moon, elegant sleeves and Mu Guiying.
3. Qi Baishi's composition of painting shrimp (450 words) Today, my mother showed me the shrimp painted by Qi Baishi. At first I didn't understand what shrimp was worth painting. How to draw vividly? Later, when I saw this painting, I felt that the use of pen and ink had a lot to do with it.
But we usually paint so many colors, and there is no such effect. Later, we found the following information on the Internet: Qi Baishi lived by the pond since childhood and often fished shrimp; Began to draw shrimp when I was a child; After I was about 40 years old, I copied shrimps painted by painters in Ming and Qing Dynasties such as Xu Wei and Li Futang. At the age of 63, the shrimps he painted were very similar, but not "alive" enough, so he raised several long-legged shrimps in a bowl and put them on the drawing. Daily observation shows that the method of drawing shrimp has also changed, and his shrimp painting has become one of his representative artistic symbols.
Qi Baishi's paintings of shrimps have entered the realm of deformation, and the shrimps swimming in the water are shown with simple pen and ink. The thick arrowhead mushroom and dried shrimp are transparent and light, which shows the maturity of Qi Baishi's painting art in his later years.
Teacher Qi shows the shape of shrimp, which is lively, sensitive, alert and vital. It's easy to draw because you have mastered the characteristics of shrimp.
A few strokes, combined with a light pen and ink, show a sense of movement. A pair of heavy ink eyes, a little Jiao Mo in the middle of the head, and two light inks on the left and right, which makes the shrimp head varied.
Hard shell is transparent, from deep to shallow. And shrimp loin, one section at a time, several strokes in a row, forming the rhythm of shrimp loin from thick to thin.
The change of Qi Baishi's pen makes the shrimp waist present various abnormal States, some bow forward and some swim straight. There are also people who bend over and crawl.
The shrimp tail is also a few strokes, which is both elastic and transparent. A pair of front paws of shrimp, from thin to thick, from several joints to two paws, are like pliers, one opening and one closing.
Shrimp tentacles are drawn with several light ink lines. Trade-off: It shows the perspective of shrimp in water. Qi Lao's lines are empty and solid, simple and appropriate, soft and firm, broken and solid, straight and curved, chaotic and orderly, and the shrimp on paper seems to swim in the water, with its tentacles moving.
4. Appreciation of shrimp painting Qi Baishi's shrimp appreciation
After decades of artistic exploration, Qi Baishi knows that painters must be able to grasp the living appearance, texture, movement mode, environmental relationship and personality characteristics of objects, otherwise, even similar paintings will be dead. He has been observing shrimps all his life and painting them, trying to express their physical and mental characteristics profoundly. Qi Baishi lived by a pond since childhood and often fished for shrimps. Began to draw shrimp when I was a child; After I was about 40 years old, I copied shrimps painted by painters in Ming and Qing Dynasties such as Xu Wei and Li Futang. At the age of 63, the shrimps he painted were very similar, but not "alive" enough, so he raised several long-legged shrimps in a bowl and put them on the drawing. Daily observation shows that the method of drawing shrimp has also changed, and his shrimp painting has become one of his representative artistic symbols.
This painting was painted by Baishi at the age of 89. At this time, the white stone painting shrimp has entered the realm of metamorphosis, showing the shrimp swimming in the water in concise pen and ink. The thick arrowhead mushroom and dried shrimp are transparent and light, which shows the maturity of Qi Baishi's painting art in his later years.
This picture is the shape of shrimp, lively, sensitive, alert and vital. It's easy to draw because you have mastered the characteristics of shrimp. Take the shrimp in the picture as an example: three strokes on the head of the shrimp show a sense of movement in the dark.
A pair of thick ink eyes on the left and right, a little Jiao Mo in the middle of the head, and two light inks on the left and right, thus making the shrimp head varied. Hard shell is transparent, from deep to shallow. And shrimp loin, one section at a time, several strokes in a row, forming the rhythm of shrimp loin from thick to thin.
With the change of pen, the shrimp's waist presents various abnormal States, some bow forward and some swim straight. There are also people who bend over and crawl. The shrimp tail is also three strokes, which is both elastic and transparent. A pair of front paws of shrimp, from thin to thick, from several joints to two paws, are like pliers, one opening and one closing. Shrimp tentacles are drawn with several light ink lines.
It seems easy, but in fact it is extremely difficult: if the painting is alive, the life of the shrimp will come out; When the painting froze, it lost its life. The lines of shrimp whiskers seem soft and firm, broken and solid, straight and curved, messy and orderly. The shrimps on the paper seem to play and swim in the water, and the tentacles seem to move.
5. Which expert can appreciate Qi Baishi's work Shrimp? Qi Baishi's shrimp is lifelike and interesting.
Qi Baishi, who knows how to use pen and ink, is also good at controlling pen and ink. When he painted shrimp, he was able to skillfully use ink color and pen marks to express the structure and texture of shrimp, and also used a stone-like brushwork to describe shrimp whiskers and long-arm pliers, which made the structure of pure ink rich in meaning and superb skills. The shrimp painted by Bai Shi Weng is a happy "combination" of river shrimp and prawn.
(Li Kuchan) Shrimp's mental state, shrimp's elastic transparent body, and shrimp's floating momentum in water. The three elements of artistic modeling, shape, quality and movement, are perfectly expressed, so that Mr. Qi Baishi can count them one by one with concise pen and ink.
After decades of artistic exploration, Qi Baishi can grasp the vivid appearance, texture, movement mode, environmental relationship and personality characteristics of objects, otherwise the painting will die. He has been observing shrimps all his life and painting them, trying to express their physical and mental characteristics profoundly.
Qi Baishi lived by a pond since childhood and often fished for shrimps. Began to draw shrimp when I was a child; After I was about 40 years old, I copied shrimps painted by painters in Ming and Qing Dynasties such as Xu Wei and Li Futang. At the age of 63, the shrimps he painted were very similar, but not "alive" enough, so he raised several long-legged shrimps in a bowl and put them on the drawing. Daily observation shows that the method of drawing shrimp has also changed, and his shrimp painting has become one of his representative artistic symbols. Qi Baishi's shrimp painting has entered the realm of transformation. In his concise pen and ink, he shows the group of shrimp swimming in the water.
The thick arrowhead mushroom and dried shrimp are transparent and light, which shows the maturity of Qi Baishi's painting art in his later years. Teacher Qi shows the shape of shrimp, which is lively, sensitive, alert and vital.
It's easy to draw because you have mastered the characteristics of shrimp. A few strokes, combined with a light pen and ink, show a sense of movement.
A pair of heavy ink eyes, a little Jiao Mo in the middle of the head, and two light inks on the left and right, which makes the shrimp head varied. Hard shell is transparent, from deep to shallow.
And shrimp loin, one section at a time, several strokes in a row, forming the rhythm of shrimp loin from thick to thin. The change of Qi Baishi's pen makes the shrimp waist present various abnormal States, some bow forward and some swim straight.
There are also people who bend over and crawl. The shrimp tail is also a few strokes, which is both elastic and transparent.
A pair of front paws of shrimp, from thin to thick, from several joints to two paws, are like pliers, one opening and one closing. Shrimp tentacles are drawn with several light ink lines.
Trade-off: It shows the perspective of shrimp in water. Qi Lao's lines are empty and solid, simple and appropriate, soft and firm, broken and solid, straight and curved, chaotic and orderly, and the shrimp on paper seems to swim in the water, with its tentacles moving.
6. Outline of Chinese Painting Shrimp Paper 1. The origin and history of Chinese painting II. Who is famous for painting shrimp, the characteristics of their respective paintings and the background of the author (briefly introduce) 3. Taking Qi Baishi, a master of Chinese painting, as an example, this paper briefly introduces the characteristics of Baishi's Shrimp 4. Compare Baishi with a master and look at different times and political and social backgrounds. The same shrimp has become different in the painter's pen. 5. Look for other painting varieties of shrimp, make a brief introduction, compare the above examples and contrasts, and evaluate the shrimp in a famous painting separately, so as to explain what characteristics shrimp has, or what attracts painters to paint, inspiration and so on. 7. Summarize all the above and make a summary of Chinese painting shrimp.
7. Which expert can appreciate Qi Baishi's work Shrimp? There are three important changes in Mr. Qi's shrimp painting: the first stage is truthful, realistic, patriarchal and natural, more like sketching; The second stage is the most important, not "piecemeal", and the main body of shrimp is simplified to nine strokes. There are eight so-called "bits and pieces": eyes, short whiskers, long whiskers, pliers, front legs, abdomen, tail, and an inner cavity marked with deep ink. This structure is a unique and important style of Qi Baishi's Shrimp. In the third stage, the ink color on the painting is uneven. Dip the pen in ink first, then fill the pen belly with water with another pen to draw the "transparency" of the shrimp, and the shrimp came to life at once.
Qi Baishi's shrimp has changed from six paragraphs in his life to five paragraphs on the drawing paper, which contains a very important artistic principle: it must be five paragraphs of shrimp, with reasonable proportion, the best looking and the most beautiful picture. Finally, the fifth paragraph soared from the sixth paragraph. This flight is too important and great, because the five paragraphs are artistic truth, a kind of transcendence, and a kind of brilliance that is very beautiful than reality. This is the profundity of Qi Baishi's political reform. Teacher Qi must have tried, six failed, four failed and five failed. Therefore, the five paragraphs became the necessity of art, and also derived an aesthetic principle with universal artistic laws.
8. Appreciation of Qi Baishi's Shrimp Fun Appreciation of Qi Baishi's Shrimp Fun
Qi Baishi (1864- 1957), whose real name is Huang, whose name is Wei Qing, whose name is Lanting, and whose nickname is Baishishan, went to the world in the name of Qi Baishi; There are a large number of pen names and self-names, such as Da Qi, Mu Ren, Mujushi, Hongdousheng, descendants of the former residence in the Tang Dynasty, borrowing Shan Weng, borrowing the owner of Yin Shan Pavilion, sending Garden, Pingweng, sending Pingtang Owner, President of Longshan, the rich man of three hundred lithographs, and the owner of Bai Shu Pear Flower. A native of Xiangtan, Hunan Province, he was a master of Chinese painting in the 20th century and a great painter of cowherd and carpenter. He lived frugally all his life, never forgetting rural life. When he was a child, he had special feelings for fish, shrimp, flowers, birds, bamboo and other common things in rural life. These have become the themes of his paintings, and his works are full of vitality, especially fish and shrimp, which have reached a superb level.
Qi Baishi's "Shrimp Fun" picture, created in 1948, is now in the Hunan Provincial Museum, which is a mature masterpiece of his painting art in his later years. Qi Baishi lived by a pond since childhood and often fished for shrimps. Began to draw shrimp when I was a child; After I was about 40 years old, I copied shrimps painted by painters in Ming and Qing Dynasties such as Xu Wei and Li Futang. At the age of 63, the shrimps he painted were very similar, but not "alive" enough, so he raised several long-legged shrimps in a bowl and put them on the drawing. Daily observation shows that the method of drawing shrimp has also changed, and his shrimp painting has become one of his representative artistic symbols. The white stone painting shrimp has entered the realm of deformation, and the group of shrimp swimming in the water is expressed with concise pen and ink. The following is a simple appreciation of this painting from three aspects: ink, shrimp shape and shrimp pen.
First, from the perspective of ink method, the shrimp body is painted in light ink, and the finishing touch is in thick ink. The charm effect of the combination of ink, water and rice paper is well grasped, which makes the shrimp look transparent and vivid. The shade of ink shows a sense of movement. A pair of heavy ink eyes, add a little Jiao Mo in the middle of the head to increase the weight of the shrimp head, and point a few faint inks on the left and right to make the shrimp head look unpredictable in the crystal. The shrimp waist is dotted with light ink, which is in obvious contrast with the thick ink on the head, and the image of shrimp is transparent, swimming and vivid. The perfect combination of form, spirit and pen and ink can be said to be unprecedented, which opened the realistic ink of China's intentional pen and had a great influence on a large number of realistic ink paintings in China.
Second, from the shape of shrimp, most of the shrimps painted by Qi Baishi are "long-armed shrimps". In his later years, Qi Baishi painted shrimp with "white shrimp" as a model and pursued both form and spirit. In the shrimp play, eight shrimps have different shapes, some are playful, some look around, and some are whispering. The shrimps in the middle seem crowded, but they are numerous and not chaotic. If you carefully observe each shrimp, you can clearly distinguish it and draw it vividly. Shrimp is a gregarious animal, and its favorite thing is to fight together. The shrimp in this painting is a scene where they play with each other. No wonder this painting is called "Shrimp Play". Painting is a reflection of people's inner world, and we can also pursue the old man Baishi from this painting. Shrimp is very ornamental, and only people with high cultural literacy can appreciate its beauty. The old man Baishi has a high cultural accomplishment. Shrimp is lively and energetic, from which we can see an optimistic, self-sufficient, energetic and interesting image of the elderly.
Thirdly, judging from the change of the author's pen, the simple strokes and the faint ink color on the edge make the shrimp's waist show various abnormal states such as bending forward, wandering straight and crawling, which increases the transparency and movement of the shrimp and makes people feel full of elasticity and vitality. Shrimp's tail is also made elastic and transparent by a few strokes of light ink. Shrimp's front paws, from thin to thick, from several joints to two paws, are like pliers, which are closed one by one, making shrimp look more energetic with rounded and powerful strokes. Shrimp tentacles are drawn with several light ink lines. In addition, in order to express that sense of perspective, the combination of reality and reality is simple and appropriate, with rigid in softness, solid in discontinuity, curved in straightness, and disorderly and orderly lines, so that the shrimps on the paper seem to swim in the water and their tentacles seem to be motionless, and strive to profoundly express their physical and mental characteristics.
The old man Baishi changed from a folk painter to a literati painter. He integrated the folk art interest full of peasant life into literati painting, which not only expanded the theme of literati painting, but also updated the artistic realm of literati painting and created a new chapter with the spirit of the times.