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Painter Jin Fanglu-Mo Yun is graceful.
Brief introduction to the art of square gold stove

Fang, 1944 was born in Jinhua, Zhejiang, and 1967 graduated from Zhejiang University and works in Beijing. Researcher, national first-class artist, once secretary-general of Beijing Haidian Artists Association, honorary president of Art People magazine, curator of China Digital Art Museum, honorary president of Huaxia Literature and Art Publishing House, artistic director of China Art Encyclopedia, honorary vice chairman of China Art Network Council and vice chairman of China National Studies Society. ?

"Jin Fang kiln youth painting started earlier, including Li Kuchan, Tian Shiguang, Liu Jilu, Lou Shibai and famous painters such as Liu Boshu, Jin Hongjun, Guo Yicong and Zhang Lichen. While assiduously honing his painting skills, he attached great importance to learning painting theory, learning to write ancient and modern poems and studying literary works. He was a scholar-type China painter. Dr Hui, a researcher at China Art Museum and editor-in-chief of Gong * * * Art Network in China, once wrote "Writing Images with Emotion and Reasoning with Style-Appreciation of Fang's Chinese Painting Works", saying that "Fang's flower-and-bird paintings are mainly freehand brushwork, with a wide range of themes, such as peony, vine, plum bamboo, lotus, peach fruit, loquat, crane heron, chicken and duck, and so on, with excellent performance. His works are mainly rough brushwork, combining meticulous brushwork with traditional brushwork, and occasionally involve western painting techniques, images, styles and knowledge, poetry and painting, ink and colored ink, elegance and refinement, and the spirit of a group of scholars is vividly on the paper. Fang's flower-and-bird paintings are lifelike, which comes from the painter's in-depth observation and sketching, and from the painter's pen and ink skills. Novel composition, wide pattern, shades, dry and wet, opening and closing, orderly brushwork density, nuance, bold and unrestrained charm, which can be both "subtle" and "broad". Based on tradition, make the past serve the present, with vigorous brushwork, thick Mo Yun, rich colors, exquisite elegance, clever brushwork and broad artistic conception. Expressing ambition with things, creating feelings with scenery, writing images with feelings, knowing with images and reasoning with feelings, so as to achieve the wonderful realm of reasoning with things. The style of painting is quiet and graceful, elegant and noble, poetic and ethereal, reaching a unique artistic realm. "

Because of his knowledge, special life experience and unique views on the laws of Chinese painting, he created a fresh and indifferent ink language and a unique painting style, and formed his own "program" for flower-and-bird painting. His works are inherited from the sages, but there is no lack of flavor of the times. He sticks to the pen and ink and is good at breaking through the existing paradigm. He has written a touching and magnificent picture scroll with profound cultural heritage, which really makes him learn from others and stand out from the crowd.

Nima Zeren, the former vice chairman of China Artists Association, commented on Fang's flower-and-bird painting with the theme of "Exquisite and Elegant, Vivid in Color Ink": Fang can be said to be an effective explorer and artist in the development of flower-and-bird painting in contemporary China. Fang has made valuable contributions to the exploration of painting. His success is manifested in two aspects: on the one hand, he spared no effort to study, deepen and purify the painting language and formed his own unique style. Does he pay attention to color or use a pen to convey color? The extraordinary colorful weather in his pictures complements this understanding. On the other hand, his works are clean in atmosphere and direct at pen and ink. He always consciously transforms his feelings about flowers and birds into the form of pen and ink, thus having the excellent quality of a painter's conscious vocabulary. He can use the feelings of a contemporary person, through the way of pen and ink and the cognitive way and statutes of China's paintings, to sort out the chaotic objects and form his own artistic style. In contemporary China's flower-and-bird paintings, I have never seen a few people who can comprehensively use pen and ink to handle the layout, handle the sense of space and volume after accepting contemporary western art, and fully reflect the artistic feelings of a China person. There is no doubt that his exploration is successful, and his conscious understanding is even more commendable.

Dr. Hui also commented on the other party's landscape painting: Fang not only made great achievements in flower-and-bird painting, but also made achievements in the field of landscape painting. The essence of landscape painting lies in "beauty in morality" and "flattering the Tao with form", and its purpose lies in "being able to swim and live", thus realizing "the joy of living in the forest" and "the heart of the nymphs". Fang's landscape painting is good at sketching with long lines, paying attention to the structure of mountains, and also combining the green landscape schema with long-line sketching, emphasizing the contrast between reality and reality. He is also good at panoramic landscape creation, which is magnificent and magnificent. Perhaps because of Zhejiang people, Fang's landscape paintings emphasize simplicity, elegance and elegance, and won the essence of "Four Kings" and "Yuan Sijia". The outstanding features of his works are lofty, rich and restrained, beautiful in appearance and elegant in charm.

Jinfang furnace is generous, optimistic, gentle, wise, hardworking, tenacious, self-reliant, enterprising and persevering; He is a scientist, a redologist and an artist. He has worked hard in many fields, made some discoveries and inventions, and created a wealth of works with outstanding achievements and fruitful results.

His works have been exhibited many times and won awards, and many exquisite works of art have been collected by art galleries, museums and many collectors. Biographies, deeds and representative works have been compiled into large-scale character classics such as China Character and China Character Dictionary. He has published more than ten personal paintings, such as Fang, a famous contemporary painter (published by Tianjin People's Fine Arts Publishing House) and Fang, a famous contemporary painter in China (published by China Federation of Literary and Art Circles Publishing House), and produced two online videos, Dialogue among Famous Artists-Fang of China Painters, and two online solo exhibitions. His deeds and representative works were included in the Master of Art compiled by the Ministry of Culture and the Master of Art by the China Federation of Literary and Art Circles. The cover of "Leader" magazine; "Great Artists Series Album-National Treasure Artist"; Some websites broadcast the works of China painter Fang.

He was awarded the National Culture and Art Award, the Gold Award for the highest achievement in China's literary and artistic creation, the China Special Achievement Award and the National Literature and Art Award. Enjoy the honorary titles of "contemporary outstanding figure", "national image ambassador" and "United Nations cultural ambassador".