Leng Qingqiu, the heroine, is the protagonist of the novel. Although she was born in a shabby family, she is a talented woman, beautiful, intelligent and pure, who can boldly pursue her own love, with independent personality and decisive style. Mr. Zhang Henshui shaped her into a beautiful woman, gentle and elegant with a little pride, but Leng Yan was extremely strong. First of all, the author writes Leng Qingqiu's final ending in a wedge by flashback, and describes his two contacts with Leng Qingqiu as a "beggar". From the communication, we felt that although Leng Qingqiu was reduced to a scholarly woman, she was unwilling to accept any charity, because she overcharged Wen Gai. However, Han Ma's father and son paid a return visit to repay Wen Gai and did not owe anyone else's favor. Wen Gai intended to help Leng Qingqiu find a job to make a living, but when Leng Qingqiu learned that the nature of this job was to serve a large family he used to be familiar with, he flatly declined Wen Gai's kindness and left quietly, not wanting to be rediscovered by past acquaintances.

Leng Qingqiu's character can be summed up as simple, rigid outside and soft inside. Although she is a weak woman, she is also full of blood, because she doesn't want to lose herself, and she has an ideal that can't be tolerated under the secular eyes; Her happy receiver, the son of the prime minister, brought her romance again and again, and she resolutely broke through the feudal family concept and pursued her own happiness and love; She doesn't want to be bound by marriage. She supports the feminist movement. She is loyal to her marriage and love, and even if she meets talented people with the same ideals and ambitions, she will use her innocent body to eliminate gossip; She would rather lose the man who once made her love and miss her so much, but when she can't stand the love and marriage of vows of eternal love, she would rather bear the embarrassment of orphans and widows alone than give up her marriage. Leng Qingqiu, a woman, only knew how much contempt she had to endure and how many difficulties she had to face. But there is no denying that such a woman is excellent. On the surface, she is lonely, has a hard life and has no good ending, but she is much better than those women who depend on men materially and spiritually, because she has a stand and a self. In the era of warlord melee, the feudal etiquette and customs have not been completely broken, and men enjoyed supreme rights and status in the family at that time. Leng Qingqiu dared to fight feudal customs to the end. Although Leng Qingqiu was neglected by the times, she was a model of "not letting a man die" at that time. Her lifestyle has been quite advanced, which represents the development trend of women's rights to a certain extent and has made indelible contributions to promoting the development of women's rights.

Second, Leng Qingqiu's mental outlook.

Leng Qingqiu, a young girl, has a beautiful yearning for love. When Jin Yanxi came to her side, her heart was unconsciously attracted by this charming and chic constantly chauffeured. First, I answered Jin Yanxi voluntarily (9th time), then I made a cake for Jin Yanxi personally, peeked at the poetry club reading poems (1st time10th time), and secretly dated my family and lovers, so that I ate the forbidden fruit before marriage and got pregnant. After marriage, although there was a period of tenderness between newlyweds, it didn't last long. The shaping of Leng Qingqiu in this passage is more accomplished through psychological description. Her loneliness in the Kim family, her emptiness to the world and her feelings for "Chiu" are all revealed through psychological analysis. Influenced by his old poems, Leng Qingqiu used poems to express his anguish and melancholy, whether in love or hiding in a small building. For example, San Kun's "Linjiang Xian" expressed his ambivalence before fleeing. "I hate and hate, very hate. I don't want to dream, and I don't have to hesitate when my soul is broken. " (1) I am deeply puzzled by others, and I feel more carefree when I am troubled. Three bamboo buildings, paper windows and curtains are all right. I looked at Pingshan with my knees in my arms. The heavy sandalwood on the first floor is lingering in the Buddha fire, and the small building is cold tonight. The slanting wind and drizzle rush to the fence, and the remnants will last forever. For example, Leng Qingqiu's spirit was admirable at that time and even today. It has the self-esteem, self-confidence, firmness and loyalty of modern women. She can be said to be a typical woman who combined traditional morality with modern consciousness in the early 20th century. She has Lin Daiyu's talent, aloof and sentimental, but because she lived in China in the early 20th century, she was not born high, so she didn't have Lin Daiyu's noble demeanor, but more had modern women's pursuit of freedom and equality and yearning for independent economic assistance. After being lovelorn, she intends to leave the Kim family to stand on her own feet and take the initiative to ask Jin Yanxi for a divorce. After being rejected, she tried every means to get rid of the shackles of the Jin family, and finally embarked on the road of "sweating and self-reliance". She sells literature and words for a living. Although she lives in poverty, she is unwilling to accept charity from anyone. She is innocent. It became a way for many women to struggle at that time.

Third, Leng Qingqiu's ideological characteristics.

Leng Qingqiu, the heroine, represents the author Zhang Henshui's "destiny view" of "passively living in seclusion and not competing with the world". She admires ancient celebrities, has a celebrity complex and is quite talented. The influence of Confucianism lies in her adherence to Confucian ethics. She regards moral cultivation as the foundation of "establishing a person" and "establishing a country", and regards "filial piety" and "loyalty" as the minimum morality of being a person. She has integrity, a strong sense of justice, loyalty, integrity and backbone. If she is poor, she will be immune to the world. Her ethical standards and personality temperament are directly related to the heartbeat of "loyalty, filial piety, benevolence, faithfulness and harmony" advertised by Confucianism. Here, we find that she has strong Confucian characteristics.

The novel begins with Leng Qingqiu's sad narrative, and ends with Leng Qingqiu who sees through the splendor, escapes into Buddhism and leaves the Jin family, full of Buddhist colors. Among them, when Leng Qingqiu entered the Jin family, she felt the pain and helplessness of this rich family, and her only pillar and love were unfortunate, so her only thing was Buddhism. I feel that life is quite boring and world-weary. It not only hopes: "six clean roots, not limited by external things", but also tries to integrate the spirit of birth into WTO. She believes: "Although people are born, they should do things. Self-sufficiency, indifference, self-control, all let nature take its course, this is birth. As for the birth of women, the first step is to try to get rid of the emblem of parasites. " Finally, she left the palace and embarked on a self-reliant and indifferent life. The ideological connotation and cultural connotation are also deeply influenced by A Dream of Red Mansions, which has the Buddhist color that chefs are fickle and everything in the world is "empty".

In Leng Qingqiu's mind, her love for Jin Yanxi is strong, unswerving and faithful. She can choose loneliness for Jin Yanxi. There is absolutely no reason for Leng Qingqiu to live a good life in Jin Fu's well-mixed and intrigued mansion. She is besieged, but she is trying to live for Jin Yanxi. No friends, no freedom, no faith, only her own loneliness. In a sense, she is worth it, because Jin Yanxi also fell in love with her without hesitation. Two people love each other and cherish each other.

"How can poor happy love overcome pride and despair, the so-called' our' fleeting love", Shelley's poems always cover sadness and sympathy.

Later, the Kim family was defeated, and the glory and fame that once existed no longer existed. The young masters of the Kim family were poor and used to living a parasitic life, and suddenly one day their master died. They are sure to be "dissatisfied with the evening". The death of their father has brought great harm to Jin Yanxi. She suddenly realized the sadness of "cold tea". Every day, she runs around in various government agencies. However, how difficult it is to cultivate a suitable job, and the cold world makes her depressed. It is in the case of all kinds of conflicts that her love with Leng Qingqiu is in jeopardy. In the end, there was only a quarrel between them. They all choose to use this kind of mage to vent their inner love, but they hurt each other. Yan Xi gave up her love for the sake of clear autumn, who lived alone in the attic. I know that the fire burned up that once beautiful love in an instant.

However, in the thought of clear autumn, she never gave up her self-esteem and independence. She chose to leave without hesitation, and even chose to live a poor life alone. She was not tempted by others' help and worked hard with her own labor, so she didn't give in to difficulties.

Fourthly, the era significance of Leng Qingqiu's image.

Through the story that Jin Yanxi, the son of Prime Minister Jin Quan, fell in love with Leng Qingqiu, a talented commoner, and finally divorced, this work reflects the tragic story of a wealthy aristocratic family from prosperity to decline until the macaque tree collapsed. The works strongly depict the image of Leng Qingqiu, a poor talented woman. As a poor woman, she married into a rich family. Jin Yanxi was deeply attracted by the appearance and temperament of such a poor niece, and her loneliness and indifference, which had nothing to do with a rich girl, also put a hint of desolation on her fate. She didn't want to do as the Romans do, so she gradually alienated the Kim family, especially comparing Leng Qingqiu with the third daughter-in-law of the Kim family. Pei Fang, Hui Chang and Yu Fen are women who are good at personal abacus in Zhang Henshui's works, and they show more secular women's personality characteristics. They are scheming. When Formula found out that her husband was having an affair, they kept a straight face and cheated her husband's trust with clever words. After cheating her husband's lover into their own hands, they abused her like a cat and mouse. Pei Fang is very clever and can see human nature. The third wife Yu Fen is a woman of Wang Xifeng's style. She is sophisticated and good at making profits. She often accumulates wealth in her vault. Seeing that the Kim family is gone, she resolutely wants to split up and start a new stove. In this group of women, Leng Qingqiu can be described as staying alone in Gao Jie, leaving the mud untouched. Although he was born in poverty, he disdained the worldly wisdom and was immune to it. This is instructive to contemporary women. With the vigorous development of contemporary social economy and the continuous improvement of material life, for contemporary women, it is necessary to be self-chaste, self-restrained, adhere to their own pursuit, and have spiritual nourishment above material things. Leng Qingqiu's cold gives people a thrill, but it makes people awake; Leng Qingqiu's grief is sympathetic, but it is thought-provoking. Especially at the end of the stock market, she dared to walk out of the Kim family and live a self-reliant life, which showed that Leng Qingqiu dared to break through the rules and ethics and left bravely like "Nora". In her design, we can see the influence of humanitarianism and personality liberation. Facing up to the contemporary era, independence is what contemporary women want to pursue. They try to get out of the family, get rid of the shackles, and prefer to live a petty bourgeoisie and punk life. This is not only pure independence, but also economic independence and spiritual independence, which is the elegant demeanor of contemporary women. As Mr. Qian Gurong said: "Literature is not only aimed at people, but also influences and educates people. It should carry forward and improve human nature, and it should be based on the principle of giving humanitarian spirit. " Perhaps this is also the significance of Mr. Zhang Henshui's portrayal of Leng Qingqiu as a poor man.

In addition, there are two traditions in Leng Qingqiu, namely, the old traditional identity of a gifted scholar and the modern identity of a female student. This is my opinion. What do the characters in the novel think? For example, after marrying into the Golden House in the clear autumn, the newly-married wife will visit her in-laws on the first morning. When I went to see Jin Quan in the morning, Jin Quan said to herself that she saw her whole form and behavior, which contained a solemn attitude. What she likes best is such a person who alternates between the old and the new. "Old and new people", so I say which is better, female students or talented women. So all these determine her identity and clear autumn temperament. Qing Qiu was born with the temperament of a poet. When the author narrates the content of the novel, Qingqiu is an anachronist. Who was Yan Xi in the 1920s or earlier? Yan Xi is a fashion chaser, an untimely person with a fashion chaser, and her ending can be imagined. So let's look at the historical significance of Leng Qingqiu in the history of contemporary literature. I think she has a brand-new meaning in the history of modern literature! Female students who wrote after the beginning of new literature all want to join the revolution and do their part for the society, which is the same. But people like Qing Qiu, who are neither old nor new, have never been like this. She is the first and a brand-new one. Writing characters in the relatively calm transitional life during the transitional period is Zhang Henshui's contribution to modern literature, which is characterized by the integration and transition of the old and the new. Therefore, it is very important to shape such a transitional figure-Leng Qingqiu.