Nowadays, papers are often used to refer to articles that conduct research in various academic fields and describe academic research results, which are referred to as papers for short. The following is my carefully arranged paper on the image analysis of Lin Daiyu, hoping to help you!
Abstract: Lin Daiyu is one of the main characters in A Dream of Red Mansions. She is free and easy, aloof, simple and honest, and persistently pursues an independent personality and a beautiful life ideal. Unfortunately, the beauty is unlucky, and her road to love is bumpy. Her self-esteem rebelled against feudal society and ended in tragedy. This paper will analyze Lin Daiyu's temperament and character, the reasons for her character formation and her tragic significance.
Keywords: Lin Daiyu; Character image; Tragic significance
introduce
In A Dream of Red Mansions, Xue, Shi and Lin are the three characters who are described more. Among them, Lin Daiyu's personality makes her stand out among the sisters in the Grand View Garden. Princess Xiaoxiang shows Cao Xueqin's image as a fairy who is out of touch with the world, and bamboo is arranged in Xiaoxiang Pavilion to set off her character. So carefully arranged, Daiyu's life ended in tragedy, which has to make us think: Where did the charm of Lin Daiyu come from? What's the significance of her tragedy?
1. temperament and character
1. 1 pretty face
"Two curved eyebrows, a pair of eyes like joy but not joy, born with two sadness, are all sick. Tears a little, breath slightly. Laziness shines on the water like a beautiful flower and acts like a weak willow. The heart knows better than the stem, and the disease is like winning three points in the west. " This is the first impression that Cao Xueqin presented to Lin Daiyu. She is charming and gentle, which makes people fondle admiringly. When Xi-feng saw this, she cried, "There are such beauties in the world! I just saw it today! In Baoyu's eyes, "a graceful daughter" and "a fairy-like sister" are charming and moving, and even Baoyu, who has been mixed in rouge powder since childhood, is moved by it. The author describes her fairy-like beauty from the side with her praise for Xifeng and her emotional infatuation with Baoyu, which has fascinated many later generations for Sister Lin.
1.2 outstanding talents
Daiyu's poems are not only known in A Dream of Red Mansions, but also fascinated by all readers who have read A Dream of Red Mansions.
A Dream of Red Mansions used a lot of pen and ink and created a lot of poems, which showed Daiyu's talent and poetry. When the imperial concubine visited relatives, Yuan Chun paid special respect to the poems written by Daiyu for Baoyu, which reflected the transcendental position of Daiyu's talents in the garden. Her representative works "Burying Flowers", "Peach Blossom" and "Autumn Window Storm" all reflect her sentimentality and superb poetic talent. Moreover, Daiyu's poems are often written in one stroke. When writing poems, her handy works always attract bursts of applause, which shows that her thinking is agile, higher than all talented women in the Grand View Garden, and also shows her profound accumulation. Dai Yu's poems are not limited to hurting spring and lamenting autumn, but also wrote poems that appeal to both refined and popular tastes, such as "first frost wrote a beautiful ending and sang sweet words to the moon", and philosophical poems, such as "being aloof, hidden, and blooming late to the end" and "being buried today, knowing who should be buried". There is also the clanking meaning of "the commander in real armor will never forget" and "the city is ferocious", and there is also the praise of "there is no hunger in prosperous times, so there is no need to plow and weave". These poems reflect the versatility of her personality, make her image more three-dimensional, and also show her powerful ability to control various themes. We can see from the poems that she does not yield to worldly pride. Because of this, redology praised her as "talented, emotional and natural", and she was a poet with quality and quantity in her works.
1.3 lofty and aloof
Lin Daiyu is considered by many people to be vitriolic, but in fact this is just her frank and unpretentious performance. Unlike Aunt Zhao, she didn't go against her nature in order to get a position in the Jia family, and finally even looked down on her own daughter. She also looked down on granny Liu and called her "mother locust", not because of her low status, but because granny Liu made fun of herself in order to please the Jia family. She has self-esteem and respects others, so she can use hot pillow to connect Xiangling's suggestion, saying, "If you want to write poetry, you should learn from me. She patiently explained the practice and requirements of poetry to Xiangling. She also lent her poems to Xiangling, selected reading materials for her, and even helped her correct her homework, which was called "tireless teaching". Xiangling is ok, indicating that her aloofness is not absolute. When Yuan Fei visited her mother, she wrote a five-character poem, which showed her self-sufficiency and non-conformity, and also reflected her bold rebellion against the landlord class.
1.4 Sentimental
When she first entered Jiafu, Lin Daiyu knew her situation very well. She understands that although she is Jia's granddaughter, she can get her "care", but after all, she is not her own "granddaughter" and can't enjoy all kinds of treatment as a member of Jia's family. Her life depends on others. In the trivial matters of life, Lin Daiyu can gain insight into the world with a sensitive heart, but in the face of various unfavorable situations, she can only feel sorry for herself. In love, Baochai and Baoyu's "golden jade theory" makes sensitive her feel more threatened, and playing small temper again and again is also to test each other's sincerity. Later, a series of changes in Jia family and a series of means of feudal parents caused harm to her body and mind, which was amplified by her sensitive and melancholy personality. She was already weak and sick, and eventually her condition worsened and she vomited blood and died.
2. Personality reasons
Daiyu's beauty is her innate advantage, and her temperament is cultivated. First of all, her talent comes from the upbringing of her parents. The Lins "love their only son, Daiyu, like the apple of their eye", "make her know a few words", "pretend to adopt a son and talk about the desolation under his knees" because they are "poor and have a limited population", "only have a three-year-old son who died last year", and their husbands can teach him to read, but they can't spread feudal ethics, which makes her thoughts different from those of ordinary traditional women. She doesn't obey feudal ideas, she wants to resist and fight for freedom.
Daiyu's lofty attitude comes from her father Lin Ruhai. Lin Ruhai has a criminal record. He was a salt inspector before his death. The Lin family is a scholarly family. His first wife was from the Jia family, but she was not closely related to the Jia family. It can be seen that he is disdainful and lofty to Jia's corruption and extravagance. As his daughter, Daiyu is not interested in the need for gold and silver. Loneliness comes from her disdain for others who have been held in her hands since childhood. In addition, she is also dedicated to Baoyu. Although Baoyu is affectionate and righteous to her, Baoyu is very kind to his daughters, and Daiyu's indifference is also a manifestation of his little daughter's jealousy.
Daiyu is also inferior. From the apple of her eye to the death of her parents, she was a "granddaughter" rather than a "master", lacking family support behind her. These are the roots of her inferiority complex. She pinned herself on the "love of wood and stone" with Baoyu, which was broken by the "good marriage" that everyone was more optimistic about. Her inferiority complex made her cautious, sensitive, suspicious and sensitive, which made her sad and doomed the final tragedy.
3. Tragic significance
Lin Daiyu's tragedy is doomed, which can be seen from the "theory of returning tears" at the beginning of the full text. As a noble lady under the feudal system, there are few feudal colors in her thoughts. Her thoughts and actions are incompatible with her living environment, so she can't escape the tragedy of being swallowed up by the environment. Daiyu symbolizes the independent consciousness of women in feudal society, and her death is the most decisive way to prove her will to resist the feudal system. She is a rebel and victim of feudal family culture, and also represents the beginning of women's self-consciousness getting rid of feudal bondage. The decline of Jiafu means the decline of feudal system and the beginning of a new era.
refer to
[1] Cao Xueqin's Dream of Red Mansions
[2] Wang Yu. On the Image of Lin Daiyu
[3] Huang Jinqun. Modern interpretation of Lin Daiyu's characters.
[4] Tian Aixing. Lin Daiyu's ideological character.
[5] Long Shuo. On the Image of Lin Daiyu in A Dream of Red Mansions
Brief introduction of the author
Chen Nuonan (1997.09―), female, born in Hangzhou, Zhejiang Province, undergraduate, student of College of Modern Science and Technology, Ji Liang University, China, majoring in Chinese language and literature.
Pan (1988.08―) male, born in Hangzhou, Zhejiang Province, master, teacher of College of Modern Science and Technology, China University, title: teaching assistant, research direction: ideological and political education and management of college students.
On Lin Daiyu's Love World
If there is no strange fate, I will meet him in this life; If you say there is a strange fate, how can your heart be empty? It was under this strange fate that Lin Daiyu in A Dream of Red Mansions got to know Jia Baoyu and fell in love with her, which drowned her. Look at her, previous lives are all a love word: from the previous life, the fairy crimson pearl returned to earth with tears, to this life in her private school, "different from today's women", and then she fell in love with Baoyu until death do us part. Her infatuation with love is rare in the world. It can be said that there is no Lin Daiyu without love.
If time can stay at the moment when we first met.
Daiyu, born of love, is also born to love. It can be said that Daiyu dares to live in Jiafu, which is her yearning and pursuit of love. Looking back on their emotional path, in fact, the relationship between Baoyu and Daiyu is deeply rooted in the daily life of their children and partners. When they were young, they slept together, scratched and joked, talked openly, and were innocent, without speculation or affectation. Just when the two children were inseparable, I didn't want Xue Baochai to come suddenly, and she had a gold lock and Baoyu had a piece of jade, which was just a sign of "good marriage". There is another sentence that Daiyu said when she saw Baoyu admiring the golden lock in Baochai's room. "If I had known he was coming, I wouldn't have come." The subtext is to say, "Why come to Baochai if you have me?" This is where Daiyu's "pettiness" germinated: others advised Baoyu not to eat cold wine. Why did Daiyu think you didn't listen to my advice before? Someone gave the girl palace flowers, and she thought it was my turn to pick the rest. Baoyu's purse was untied by the page, and he mistakenly thought that he had given it to others at will, and he began to be agitated again. Seeing Baoyu wearing it, he bowed his head in shame and said nothing. It's a pity that I misunderstood you with narrow speculation; I am angry that you didn't explain earlier and let yourself lose your temper. And Baoyu was annoyed at this time. "You don't have to pay attention to it, I know you are too lazy to give me something ..." Daiyu choked more and more, and her reserve turned into shame, anger and all kinds of entanglements turned into tears. This is the typical love of Daiyu, with a touch of femininity in coarseness and a deep attachment to Baoyu. Although this is an unjust case, the conflict is naive and harmless. Soon after, Yu Shengxiang had nineteen quiet days: Daiyu dozed off in bed and Baoyu said something nonsense. Such a pure and beautiful scene is rare in Baodai's love history.
Daiyu, who was used to loneliness since childhood, could not feel the needs of others except Baoyu, but Baoyu was not too lonely. She is always surrounded by many women. They seldom get along without the intervention of a third party. What is particularly embarrassing is that "without saying a word, someone said that Miss Bao came". Baochai is not only beautiful and charming, but also makes Baoyu feel envious. Moreover, Baochai's open mind and punctuality won unanimous praise from the Jia family, which made Daiyu even more worried. Therefore, even in the bright childhood love, Daiyu often felt the pain of being disturbed and needing to be guarded. Soon Daiyu entered the second stage of circuitous and painful love.
Enemies or lovers are destined to meet.
The two young couples unconsciously became teenagers. Their age, body and wisdom are developing, and their emotional requirements are no longer just satisfied with childhood, but need spiritual communication. Therefore, legends like The West Chamber inspired Dai Yu, who would read a book of The West Chamber in one breath. "It's just a trance, but I still meditate." I just feel that "the speaker is worried, and there will be a loss." However, the more erotic attraction is strengthened, the more I realize the strictness of ethics. Daiyu shows the extreme of philharmonic: knocking on Baoyu in crowded places; There are few people who doubt and contradict; When I was alone, I was shocked to see falling flowers and tears and listen to colorful songs.
At this time, Daiyu felt as if there were two rivals in love in front of her eyes: one was beautiful and dignified Sister Bao, and the other was cheerful and lively Sister Yun. Baoyu was dazzled by this colorful scene, and Daiyu trembled under the threat of the situation. She is used to using sharp language to "shoot" her rival in love through Baoyu. Any conflict between Daiyu and Baochai Xiangyun will always turn into a conflict between Baochai in form. On Baochai's birthday, Grandmother Jia invited the performers to sing congratulations, and Daiyu complained to Baoyu. Yuan Chun gave the two sisters the same gift as Baoyu, and Daiyu also complained to Baoyu. So as long as Baochai and Xiangyun are around, their relationship with Baoyu will not be calm and harmonious.
In the age of marriage, the "golden jade theory" is of course a recognized authority. How can Daiyu not be afraid? She often said to Baoyu by innuendo, "I can't compare with Miss Bao's' gold' or' jade'. I'm just a man with grass and trees." In fact, this is the sad voice of Daiyu's heart. As it happens, Shi Xiangyun has a golden unicorn, which is similar to the one that Baoyu collected in Qingxu Museum and intended to give to Xiangyun. Women in love are thoughtful, and Daiyu has a delicate heart. She was afraid that Baoyu, like those gifted scholars in unofficial history, would secretly look out of the window because of trivial matters, and heard Baoyu pushing himself as his only confidant. The fatalism of marriage, good fortune and bad fortune are not worth mentioning in Baoyu's heart.
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