These are the four basic artistic means of cross talk tradition. "Speaking" means telling jokes, riddles and tongue twisters. "Learning" is to imitate the calls, hawking, singing, styles and languages of all kinds of birds and animals. "Tease" is to catch each other and make you laugh; "Singing", the original singing method of cross talk, refers to Taiping lyrics.
Say, through telling stories to express what needs to be said, give the audience an intuitive impression. Learning, this requirement is relatively wide, and local dialects and unique sounds need to be simulated. Teasing is icing on the cake, adding funny and ironic elements to cross talk to improve the highlights and further cause laughter. Singing requires a solid foundation and the ability to sing.
Please pay attention to the following points when performing cross talk:
1, the pronunciation should be true. During the performance, every word should be sent to the audience's ears, and the audience can only laugh when they hear it clearly. Why do crosstalk masters train rap, that is, lips, teeth, teeth, tongue and throat?
2. The pronunciation of phonetic symbols should be accurate. Theoretical crosstalk sketches should not only practice articulation, but also train pronunciation. The key of phonetic transcription refers to the accuracy of the five tones of lips, teeth, tongue and throat.
3. intonation should be correct. Intonation is an expression of emotions, which can be divided into high and low, slow and heavy. The characters in comic sketches all have their own temperament and varied emotions. Crosstalk masters should correctly say the intonation when simulating the role, that is to say, the emotional expression of the role should be accurate.