Chunzhong and Meijun, who are always ready to help others, sent a manuscript from Junyi and asked it to be a preface. Due to the limited time, the author can't read word for word, and generally dare not accept this trust. Seeing that Xuefeng has other images created by books, paintings and seal cutting, his writing style is elegant and good, and his thinking of studying history, painting and calligraphy is similar to that of Yu, I am happy to write this preface.

Born in the grassland of Inner Mongolia, Xue Fengjun is a talented painter and a long-term student, and later turned to painting and calligraphy. In the past ten years, he dabbled in art history, helped broaden his horizons and accumulated hundreds of thousands of words. His calligraphy and painting skills are very commendable. Hao Jing, an ancient painter, was handed down from generation to generation. Later, Shi Tao wrote "Bitter Melon and Monk Looking for Paintings", which was deeply rooted in people's hearts. In modern times, Huang, Pan Tianshou, Fu Baoshi and others have gradually turned from the study of historical theory to the creation of calligraphy and painting, and Xu Beihong and Lin Fengmian have also made great contributions to the artistic movement ... China is known as an artist with dual talents, whose theory and practice are synchronized, and he sharpened his knife and cut wood by mistake. Thanks to the law of creation, he finally reached the peak of art. In this context, Xue is not willing to be a painter. Congratulations.

Guan Yu Xuefeng's calligraphy is good at cursive script. Although he is not drunk, his brushwork is euphemistic and changeable, and he has the strength of northerners. Xuefeng seal cutting has the skill of Chinese seal, and it is smart and flexible, with the power of seal cutting with a knife instead of a pen, and the boundary is natural without losing its moment; His paintings are good at mountains and rivers, his brushwork is sparse, and his thoughts are beyond dust. He can put poems and ideas into paintings and has his own face. If his art is mainly painting, it is obvious that there are poems, calligraphy and seals in it, the artistic conception of nature and the confluence of hearts. It is also related to his research on ancient sage philosophy, literary theory and painting theory. It is rare for young and middle-aged painters and writers to have knowledge and accomplishment in this field. Xuefeng's thesis covers the relationship between heaven and man, the beauty of masculinity and femininity, images and symbol systems in Zhouyi. The enlightenment of Zen Epiphany to art and the relationship between freedom consciousness and artistic laws: Tracing back to the development of pre-Qin philosophers' philosophy, painting theory in Wei, Jin, Southern and Northern Dynasties, freehand brushwork in Song and Yuan Dynasties and freehand brushwork in Ming and Qing Dynasties, it is intended to systematically study and sort out China's traditional painting aesthetics. About the sketch and creation of landscape painting, the relationship between Chinese and western painting and the comments to painting friends, the combination of theory and practice has a lot of experience in artistic practice. For Indians, it is really rare for them to do this kind of textual research, such as Textual Research on Notes of Indian Ancient Books and Brief Introduction to Imprisonment in Song and Yuan Dynasties. Xue plans to collect his papers and comments with his paintings, calligraphy and seal cutting, which is not only conducive to his own growth, but also conducive to the participation of Taoist friends. Taking this article as the preface, I wish him to embark on the road of a scholar-type artist, "If he is poor, he will learn from the changes of ancient and modern times, and if he is successful, he will talk about his family", indulge in the literary mind and the sea of art, and have more fruitful results. (Liu Xilin, Bing Xu and Zhong Chun are at China Art Museum)