Luo Weiming: Multimedia Creator. Former Hong Kong International Film Festival program planner, TV director, editor-in-chief of Film Biweekly, and research director of Hong Kong Film Archive. He is the author of film criticism collection "Movie Myth" and "Movie Articles".
Li Zhuotao: Film critic, currently artistic director of hong kong international film festival society. He used to be the editor-in-chief of Film Biweekly, the program planner of Hong Kong International Film Festival and the president of Hong Kong Film Criticism Society. He has served as a judge of Berlin Film Festival, Vancouver, Rotterdam, Busan Film Festival, and even Taipei Golden Horse Award and Hong Kong Film Awards. He has written eight volumes of film reviews, such as Notes on Hong Kong Movies in the 1980s, Going to the Movie, Drip Studios and so on. In recent years, he has compiled special issues such as Hong Kong Film 79-89, Hong Kong Film Kingdom-The Art of Entertainment, and Anjiro Centennial Exhibition.
Li Xiaoxian: Ph.D. candidate, Department of Film Studies, new york University. He is now an assistant professor at the School of Creative Media, City University of Hong Kong.
Huang Ailing: Film culture person. He edited The Poet directed by Fei Mu and published a collection of poems, Drama. He is currently the research director of the Hong Kong Film Archive. Lin Jinbo: He used to be the deputy publisher and editor-in-chief of PC home, the editor-in-chief of film biweekly, Beyond the Border and Oriental Weekly, the publishing director of S-team Production and the interview director of Sing Tao Daily. Engaged in film and science network reviews. He is currently a director and director of the Hong Kong Film Critics Association.
Huang: He used to be the director of the editorial department of Hong Kong Film Archive, Ph.D. in the Department of Comparative Literature of Hong Kong University, and now he is a visiting researcher in the Chinese Department of Tokyo University. Author of Female Writing _ Film and Literature.
Love: a senior film critic in Hong Kong. Former editor-in-chief of Southern Film; Founder and editor-in-chief of Chinese and foreign pictures; Editor in chief of film and television. He is the author of Ten-year Guidance and Comprehensive Review of Chinese Mainland Films.
Shu Ming: 1965 began to publish film reviews, paying special attention to European films and Asian films. He is the author of Japanese Film Style (Taipei, United Literature, 1995) and Japanese Film in Heisei Era (2007).
Zhang Jiande: Film critic and writer, author of Hong Kong Film-Extra Dimension published by the British Film Association, and English editor of several Hong Kong international film festivals.
Langtian: I used to work in a newspaper, but now I am a critic, creator and cultural planner. His works include Poverty in Christianity, People Who Like to Be Deceived, Post-nihilistic Times, Post-1997 and Hong Kong Movies. Editor-in-chief's works include Hong Kong film reviews in 2000, 2002 and 2003. Chairman of the Hong Kong Film Critics Association. Pu Feng: Film critic, former chairman of Hong Kong Film Critics Association. He has published film reviews in Sing Tao Evening News, Modern Daily, Sing Tao Daily, Economic Daily, Express, Ming Pao and Biweekly Film. Now he writes a film review column for The Letter. He has been editor-in-chief of 1997 Hong Kong Film Critics, editor-in-chief of classic 200-200 best Chinese film, and Chinese editor-in-chief of Century Review-Chinese film classic exhibition.
Pang Nu: Formerly named Li Zhaoxing, he was a newspaper editor, journalist and editor-in-chief of Hong Kong International Film Festival. Graduated from the Department of Communication Arts, University of Wisconsin. Good at writing film reviews, urban phenomena and popular culture and other cultural observations. Editor-in-chief's works include Hong Kong 10 1, Skirts in Turbulence, Classic 200-200 Best Chinese Movies, Shanghai 10 1. His personal works include Men's Affairs, Cool Hong Kong and Post-modern Hong Kong.
Zhang Shuhao: At present, he is the vice president of Hong Kong Film Critics Association, claiming to be a film author. He wrote Fly Low from comments to scripts. From 65438 to 0997, he began to create independent films. Director's works include The Moon Is Not Old (1997), The Trajectory of Lost Stars (2000) and The Sun is Ignorant (2003).
Xiao Min: She is the Chinese and English editor of the Hong Kong International Film Festival. Write articles related to movies in Ming Pao, Hong Pao, Sing Tao Daily, United Daily News, Four Seas at Home and other media, and publish short stories in Yellow Bus. Screenplays include The Missing Man (1995), The Qingfeng Mountain (1996) and My Cat-Is My Totoro a Cat? (1996), Strong and Healthy (1997), The True Story of Fat May (1998), Ji Bo Unlocking (2000). His written works include My Cat Story (2003). In 2003, he founded the book festival and communication activity company Blue Sky. Zhao Jiawei: former assistant director of Broadway Film Center, publishing coordinator of Hong Kong International Film Festival, and manager and director of Hong Kong Film Criticism Society. He is now the editor of the Hong Kong Film Archive.
Ho: A writer who travels between Hong Kong and Houston. He is an English editor of several Hong Kong international film festivals. He is currently the vice president of the Hong Kong Film Archive Program Planning and the Hong Kong Film Criticism Society.
Chiu-Wing Lam: At present, she is a freelance writer, the host of headline news program of Radio Television Hong Kong, and a film writer. He used to be a senior screenwriter of TVB, and later joined ATV as a screenwriter and was promoted to a TV producer. Novel works include Men Make Women Love, The feelings hidden in the smile are always silly, Headline Story and Little Ghost.
Formerly known as Zhang, he graduated from the Graduate School of China University and went to the Sorbonne University to complete the doctoral preparatory course. Ph.D., Department of Comparative Literature, University of Hong Kong. He is currently teaching at the General Education Center of the Hong Kong Polytechnic University. His courses include: China Art and Design, Film, etc. He is a member of the Hong Kong Film Critics Association and the Hong Kong Film Critics Association. Film critics are scattered on the website of Hong Kong Film Critics Association and the film essays published by universities.
Binny: Originally named Li, she graduated from the Chinese Department of Lingnan University, and then studied at Staffordshire University in England, where she obtained a master's degree in media and cultural studies. He used to be the deputy editor-in-chief of TVB Entertainment+Life Culture, and now he is a magazine editor and freelance writer. His articles are scattered on the website, newspapers and magazines of the society, and he has participated in writing many film books of the Hong Kong Film Critics Association. His personal works include The Millennium Bug Hero-Bruce Lee (200 1).
Pia: Independent filmmaker, planning the film version of Ming Pao. Master of Chinese University of Hong Kong, went to new york University for further study in film production. His works include Artificial Pigment (2002) and I'm a Cat (2004). Screenplays include 17-year-old Summer (2005), Jianghu middleman (2006) and A Fei (2006). Pan Guoling: literary writer, cultural critic, part-time university lecturer. The article was published in Guangzhou City Pictorial, Shenzhen Business Daily, Taipei Eslite Easy to Read, Ming Pao, Economic Daily, Extra and other Chinese, Hong Kong and Taiwan media and other newspapers and magazines. Editor-in-Chief: The image of the Milky Way is hard to imagine, and there is a picturesque world in Wong Kar-wai. His personal works include Collection of Novels, Books Forgotten by Disease, Stories of Injured Cities, Collection of Urban Studies and so on. He won the recommendation prize of the novel group of the 7th Hong Kong Chinese Literature Biennale, the third place and the excellent prize of the Chinese literature creation award, and the champion of the novel advanced group of the Youth Literature Award. He has served as a judge of the Youth Literature Award, a professional judge of the Hong Kong Film Awards and a judge of FIPRESCI. Director of Hong Kong Film Critics Association, member of Hong Kong Composers and Lyrics Association.
Disciple: Formerly known as Shan Zhimin. Film reviews are scattered in Crossing the Border, Red Newspaper, Biweekly Film, Economic Daily and Ming Pao Weekly. Now he is the editor of the film edition of the supplement of Economic Daily, and hosts the film review program of Radio Television Hong Kong. He used to be the editor-in-chief of 1996 Hong Kong Film Review, and was responsible for the screening seminar of "Three Sides of the CIA" on behalf of the Hong Kong Film Critics Association.
Tang: Hong Kong film critic and writer, mainly engaged in film and Japanese studies. Recently, there are Japanese film studies "Japanese Painting Lecture" (2003), Hong Kong cultural essay "Wandering in Hong Kong" (2004) and Japanese AV research "Avlive" (2005). Hong Kong Film Research "Hong Kong Film Blood and Bone" (2006). Feng Ruozhi: I graduated from the University of Toronto, majoring in film. He used to be the assistant editor of several Hong Kong International Film Festivals and the host of the commercial radio film program Good Voice and Good Play. Now he is a professional translator and film critic.
Xu Kuan: Master of Harvard University, USA. He has worked in Asia TV World, Hong Kong Telecom Interactive TV and PCCW content planning. Now he works in the film production department all over Asia.
Huang Zhihui: Graduated from the Art Department of the Chinese University of Hong Kong, an independent creator of video art and visual art, and a founding member of video. He used to be the art director of Crossing the Border magazine; Design and produce books such as Flying Low, From New Wave to Postmodernism, and Classic 200-200 Best Chinese Movies.
Guozhao Huang: Senior film critic. He was the planner of the Hong Kong International Film Festival and the director of the Hong Kong Film Critics Association.
Wang Xun: Currently a screenwriter and film critic. He was born in Hong Kong and began to write film reviews in the 1990s. He used to be a journalist and teaching assistant in the Film Department of the Department of Comparative Literature of the University of Hong Kong, and now he is a freelance writer.
Liu Lan: I have been a screenwriter, weekly reporter and editor for more than ten years. Film reviews are mainly found in Oriental Weekly, Oriental Xintiandi and Annual Selection of Film Review Society. In addition to film reviews, he also published essays, novels and children's literature under different pseudonyms.
Ye: Assistant Professor, Department of Film and Television, Hong Kong Baptist University, and author of Phantom of Singing-Singing Narrative and China Films.
Liu Manjiu: He used to be a newspaper reporter and editor-in-chief of film websites, and now he is engaged in film criticism, writing and video creation.
Jing You: Bachelor of English and Comparative Literature, University of Hong Kong; Master of Media Department, new york New Institute of Social Studies; Doctor, Department of Media Arts, Royal Clovis College, University of London. He has taught in San Diego, California, school of visual arts, University of Michigan and University of London. Currently, he is an assistant professor at the School of Design of the Hong Kong Polytechnic University, coordinating the course of "Design, Culture and Theory". He is also a film director, multimedia installation artist, prose writer and poet. He used to be the director of new york TV Station and the special director of Hong Kong Radio and Television Department, and directed the feature film Haoyu, which won many awards at international film festivals. He is the author of Cultural Criticism Collection, Prose Collection, Poetry Collection, Impossible Home and the screenplay Haoyu. The research scope includes film theory and creation, documentary, minority media, queer theory, video art and food culture. In 2004, he won the Rockefeller postdoctoral humanities award and went to the United States to study. Chen Jiaming: I worked as a cheap part-time lecturer, teaching movies, pop culture and other subjects. I also worked as an editor of the magazine E+E in Cowshed College. I have been writing novels, laughing, writing film reviews and engaging in culture for many years. His novels include Ambition (1998), Going to a Place Without People (1998), Log Cabin (200 1) and Traveling for No Reason (2004). Personal Dong's works include Dating the Unemployed (2002), Falling in Love with the Blind in Hong Kong (2004), Blind (2004) and Jia Ming! Stand Up! -Maybe it's Culture (2006). Articles are mostly found in Ming Pao and the website of Hong Kong Film Critics Association. Now he is a doctoral student at the University of Melbourne, Australia, studying the Hong Kong film industry, and he is proud to co-produce in China. I also participated in the "2005 Melbourne International Comedy Festival" with the theme of "Lost, Culture Shock" for observation.
Qing Xin: film critic, freelance writer, engaged in advertising marketing text creation. Film criticism and prose works can be found in Metropolitan Daily and publications published by Hong Kong Film Criticism Society.
Luo Feng: Formerly known as Chen Shaohong, born in Hongkong; 1987 received a bachelor's degree from the Faculty of Arts of the University of Hong Kong, and studied for a master's degree in philosophy at the University of Hong Kong. 1992 went to the United States for further study, and successively obtained a master's degree in literature from the Department of Oriental Language and Culture of the University of Southern California and a doctorate in comparative literature from the University of California, San Diego. He used to be the editorial board of Sui Xin Poetry Magazine and Nine Points and One Poetry Magazine. He used to be an assistant lecturer in the Humanities Department of the Hong Kong University of Science and Technology, and now he is a senior tutor in the Chinese Department of China of the Chinese University of Hong Kong. He is a famous poet and film critic in Hong Kong. His works are mainly poems, novels and comments. His works are scattered in Hong Kong Literature, Su Ye Literature, Poetry Bimonthly, Sing Tao Daily, Sing Tao Evening News, Express, Crossing the Border and Breakthrough. Taiwan Province Blue Star Poetry Magazine, Genesis Poetry Magazine, China Daily, Dangdai, China Literature Magazine, Los Angeles World Journal, etc. His works include City at the End of the Century: Popular Culture in Hong Kong (cultural criticism), The Edge of Prosperity, The Last Fairy Tale (short story), Distance (poetry anthology) and Missing (poetry anthology). The critical articles are included in Hong Kong Literature, Hong Kong Modern and Contemporary Literature and Literature and Performing Arts. Academic research mainly focuses on the culture of Hong Kong, including poetry, novels, movies, pop music and so on.
Jia Ming: Formerly known as Feng Jiaming, 1995 graduated from the Art Department of the Chinese University of Hong Kong. Universities began to write film reviews, and their works were scattered in biweekly movies, letters, amoeba, Homenet, Magpaper, Radio and Television in Taiwan Province Province and the eye-opening movie E Weekly. 1993 to 1997, writing a film column in Youth Weekly. Since 200 1, film lectures and short-term film courses have been held in youth centers, Broadway film centers, art clubs, colleges, and Hong Kong Academy for Performing Arts, covering topics such as film history, film appreciation, genre films, and new media analysis. He is currently a member of the Hong Kong Film Critics Association.
Luo: Member of Hong Kong Film Critics Association. Specializing in film music. Film music and film columns can be found in Watching Movies (Shanghai) and Shenzhen Business Daily (Shenzhen), as well as Film Appreciation (Taiwan Province Province), China Reading Newspaper (Beijing) and Hong Kong Business Daily. His works include Painting X Music published by Hong Kong Sanlian Bookstore (there is a simplified version published by Beijing Sanlian Bookstore). Now he teaches at the Hong Kong Academy for Performing Arts and the Hong Kong Academy of Art respectively.
Lv Yongjia: Master of Philosophy, Chinese Department, Hong Kong Baptist University, member of Hong Kong Film Criticism Society, and editor of Platform, an independent literary creation magazine. He has won the China Literature Creation Award, Youth Literature Award, University Literature Award, Urban Literature Creation Award and Best Achievement Award of Baptist University.
Chen Zhihua: Freelance writer, member of publishing group "29" and member of Hong Kong Film Critics Association. He won the China Prize for Literary Creation and the Youth Literature Award.
Xiao Heng: He graduated from DJ training class of commercial radio station in his early years, and later obtained Bachelor of Arts (Comparative Literature and Translation) and Master of Arts (Literature and Cultural Studies) from HKU. Once worked in the University of Hong Kong, responsible for the coordination and communication of many film cultural activities; From 2002 to 2004, he served as the executive director of the Film Section of the Television and Entertainment Licensing Authority. He is currently a senior editor of online DVD and record retailers, editing texts about movies and music, and occasionally appearing in newspapers and magazines. He has co-authored the book "Urban Roaming in Sabah" and edited the anthology "Movie Fireworks".
Weng Ziguang: Film critics love writing. The article is occasionally seen on AM730 and Yahoo's blog "Fair and square", and he is currently the host of the film review program "Light and Shadow on Three Sides" of East Asia Satellite TV. Self-directed stage play, this year will launch the drama "Tricolor Red"; Participated in film and television production, and just finished the independent production of the story book "Port of Love and Desire".