On Lu Xun's Folk Literature Thought

Take Lu Xun's defense and contribution to folk literature as an example.

Wu Shenghua

(Lanzhou University, Lanzhou, Gansu 730000)

Abstract: Mr. Lu Xun is the main conductor of China's cultural revolution. He is not only a great writer, but also a great thinker and revolutionary.

Lu Xun's literary thought and literary creation practice are closely and strongly related to folk literature and art, and his literary theory is China Marxism.

Folk literature and art theory has laid a solid foundation. Until today. When we reflect on his concept of folk literature and art, it is still a precious spirit.

Heritage.

Keywords: folk literature and art; Collection; Research; absorb

China Library Classification Number: 12 10.96 Document Identification Number: A Document Number:1008-9020 {2009} 04-026-02.

Folk literature is a word-of-mouth literature. If it is not documented,

It will also disappear with the passage of time, so it is very important to collect folk literature to protect this kind of cultural heritage.

Production is extremely important. On the one hand, Mr. Lu Xun recorded in his own creation.

And many folk literature works, it is to mobilize fans to collect and sort out folk.

Literary works. How to collect and sort out folk literature, Lu Xun did not directly talk about the basis.

The principle of. However, as can be seen from his article, in collecting, sorting out and utilizing folk literature.

When studying, we should pay special attention to the originality of folk literature and try to keep it pure.

Natural form and primitive style. On the Collection and Arrangement of Folk Literature

Literary circles advocate: "comprehensive collection (ancient and modern, vertical and horizontal, positive and negative, rhyme and prose works)

Product), faithful record (faithful to the original ideological content, characters, stories,

Language features) should be carefully sorted out (change but not lightly, don't make changes that hurt the muscles and bones.

Edit). "Compared with Lu Xun's previous understanding of people's literature research, we can

Said they were the same strain, the same. Folk literature is not only literature, but also it.

It has many academic values. If you change it at will in the process of collecting folk literature.

Move, it will make it lose its scientific nature, it will make it lose its function. He wrote on the door

Foreign language conversation:

"

Midnight Songs and Reading from Eastern Jin Dynasty to Qi Chen

Class, the Tang Dynasty's "Zhi Zhu Ci" and "Liuzhi Ci" and so on, were originally unknown.

The stone was created, collected and polished by calligraphers, and passed down.

Yes The polish passed it on in vain, but it was a pity that he had to.

Lost a lot of true colors. sun

Just as Lu Xun loved the working people on the one hand, he also sharply criticized the people.

Just like inferiority complex, he will never show any respect for the limitations of folk literature. first

First, Lu Xun believes that "the old folk literature is isolated from the modern ideological trend". Lu Xun did not point out

The reason for his isolation lies in his sketch of the history of Chinese characters and China's novels.

Changes and other works often refer to the limitations of the times. There is no doubt that this isolation

It is caused by the times. The old folk literature is the product of the times, and it is not limited by history.

It may show the side of "modern ideological trend", and even in many aspects, it is similar to "modernity"

Ideological trend "is the opposite.

Secondly, Lu Xun believes that producer art is influenced by consumer art. China was born.

The creator of producer art experienced thousands of years of feudal rule. Consumer art creation

On the one hand, feudal literati drew nutrition from folk creation, on the other hand, they exhausted it.

Strive to influence the people with their own creations. Therefore, the producer art inevitably hits.

Branded with consumer art, for example, in On the Adoption of Old Forms, Why?

Said:

"

What we can see now is the art of consumption.

Surgery. It has always been favored by powerful people, so there are still many deposits.

Stay. But there are both consumers and producers, so consumption is one aspect.

The art of artists also includes the art of producers. The old form was

If you take it, it will be deleted. If you delete it, you will get the result.

Is the emergence of a new form, which is change. sun

Therefore, Lu Xun pointed out that only when the people are truly liberated can there be real art.

Liberation is confirmed by contemporary literature and art.

Thirdly, Lu Xun believes that the rise of new literature and art and the decadent old literature and art still have to struggle. Lu Xun

New literature and art refers to proletarian literature and art, while old literature and art mainly refers to lyrics and songbooks.

Class. In the old lyrics and songbooks, many feudal morals and superstitions were retained, because

The fear of retribution and the dross of praising the ruler. they

It is no less toxic to people than opium. It is the easiest for people to degenerate into society.

Moth. Of course, Lu Xun did not completely deny it, he just revealed that when the new literature and art rose.

When decadent old literature and art will not easily withdraw from the historical stage, and take this as the direction.

People sounded the alarm.

Lu Xun's contribution to folk literature is also typically reflected in his myths and folk biographies.

Date of receipt: 2009-0 1- 12

About the author: Wu Shenghua (1979 I), male, from Lanzhou, Gansu, is studying for a master's degree in the College of Literature of Lanzhou University. Research direction: Modern and Contemporary Literature in China.

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Volume l4, No.4 (2009) Wu Shenghua: On Lu Xun's Folk Literature and Art Thoughts VO 1. 14, No.4 (2009)

Theory and folk story research. Lu Xun's research on myth covers a wide range, which is mainly introduced below.

Talk about two aspects. First, the emergence of myth, Marx in the' critique of political economy'

The introduction said:

"

Any myth is characterized by imagination and imagination.

Obey, dominate and imagine the forces of nature; because

However, when these natural forces are actually dominated, the myth disappears.

I lost it. "IQ

The ideological basis of myth is animism, and the social basis is existence.

Besides, in primitive society, things are the same as mine because of low thinking ability and low production capacity.

Consciousness and the consciousness of ghosts and gods' participation are very strong, which will inevitably lead to "nature worship and interpretation"

And later "natural belief." The second is the characteristics of myth, because many people think that ancient times

Myth is very shallow. Mr. Lu Xun used the theory of western folklore in "On the Sound of Breaking Evil"

The article says:

"

Some people laugh at myths, always Greece, Egypt and India, salty and harmonious.

Laughter is enough to explain. Husband's mythical works originated from ancient people.

The miracle of heaven and things is personified by thinking, and the ancient differences are put forward. At first glance,

The paradox is considerable, although it is not believed properly, it is also confusing. "and by

This paper puts forward that "Qing Owen, many of which are translated works, depends on which his thoughts and literary skills depend"

Solemn and wonderful. I don't know geometry. If you want to study western culture, that's the rule.

First of all, I don't understand myth, that is, I don't know how to understand its art and literature, and I don't know how to hide it.

What have you gained from internal civilization? "day

He thinks this myth is solemn and wonderful. Lu Xun's understanding of the characteristics of myth is affirmative.

Scientific. Primitive people's way of thinking is animism, which lies in

Ancient ancestors showed a sense of "the unity of things and me", so did man and himself.

However, things have reached a high level of classification, equating natural things with themselves, so is heaven and earth.

Everything is "personified", so in a sense, myth is personified.

However, as a result. Because myth is closely related to primitive religion, it is closely related to primitive religion.

Teaching expresses a belief ceremony, so its narrative style is sacred.

The content it reflects is mostly the story of half man and half beast god, full of fantasy and romance. close

In view of the differences and characteristics between myth evolution and legend, Lu Xun believes that legend is composed of myth.

What has evolved is the inheritance of myth, that is, the story of God in the universe has changed.

In the story of human nature, legends appeared. The difference between myth and legend is practical.

These characteristics have been involved in the world. As far as content is concerned, the content of myth is fantasy and fiction.

Yes; The content of the legend is true, and the protagonist of the legend is a person, which is true in history.

People who exist, or people who have natural phenomena, are great men in history. If Mr. Lu Xun were here,

A Brief History of China's Novels, Myths and Legends says:

"

The evolution of myth is that the central figure is getting closer to human nature.

What is described is now called legend. Legend has it that there is, or is a god.

People, or ancient heroes, are so brave that ordinary people can't do it.

Because of the gift of heaven, or the face of heaven, Guan swallowed eggs and gave birth to business, Liu

Being pregnant with a dragon is an example. In addition, it is still very popular. "Juan

Now it seems that the evolution of myth has a complicated process, such as history.

Culture, localization, human culture, secularization and so on. The difference between myth and legend is different.

Simple. Compared with the sacredness of myth, legend is secular and can be said to be sacred and sublime.

This has nothing to do with the ceremony. First there are myths, then legends, when the image of God no longer becomes

High above the protagonist, legend comes out to decorate human itself, if God

If words are the product of unconsciousness, then legends are people's conscious creation and

Tell me. In any case, Mr. Lu Xun's understanding of myths and legends can already be touched.

To its key point.

Lu Xun's comparative study of old and new folk literature not only shows him

A high degree of new-democratic thought also reflects his profound insight into folk literature.

Force, especially embodies his incisive views on folk literature. We think the reason is that

Mr. Lu Xun's thought of folk literature and art is higher than other writers' understanding of folk literature.

It is because he laid a Marxist ideological foundation for China's folk literature and art theory.

There is a basic law in the history of China literature: whenever the society enters a new era.

In this historical period, new social demands force literature to carry out a new revolution, regardless of its content.

Or the form needs to be changed as soon as possible to adapt to social development and historical progress.

Step, so there is a new style of folk literature, which eventually makes those who are in trouble frequently, even

The dying folk literature is reviving. Mr. Lu Xun wrote in the Collection of Old Forms

In Yong, through the analysis of "producer" and "consumer", that is, "old form" and "new form"

The dialectical understanding of "style" proves that China's literature is "from scratch" and "from simplicity to complexity"

The scientific regularity of miscellaneous ". Mr. Lu Xun believes that folk literature will certainly develop from the "old form"

The exhibition has far-sighted insight into the "new form", which inspires us to study it anyway.

Scientific dialectical thinking should be carried out.

The advantages and limitations of folk literature are mutual, which is an objective fact, just like any other.

Everything has two sides. Folk literature is a national cultural tradition. Jiangzu

The cultural framework is compared to a triangle, just like a triangular tower. The person who growls at the top has the advantage.

It takes a long time for the status culture to influence the culture of the lower class. The culture of high society is

Based on the lower culture. If there is no lower culture at the bottom of society,

The upper culture lost its support. circle

On the one hand, folk literature has a strong life attribute and unique aesthetic characteristics.

It reflects the process of human perfection and maturity, and records human thoughts and classics.

Experience describes a special way of life and shows the significance in daily life behavior.

Justice and value. Generally speaking, folk literature is a nation's history, religion, beliefs,

Ethics, folk customs, etc. An evaluation symbol that leaves psychological traces and residual experience of ancestors.

It is a record of the deepening of people's psychological life and real life in the historical process.

Load. Folk literature, as a "text that carries and understands cultural traditions", shoulders the responsibility of communication.

The responsibility of broadcasting historical memory, therefore, it must be in a unique aesthetic way, with excellent

Works reflect the essence of class civilization. Folk literature is of great educational significance.

Entertainment function, especially the function with historical memory, carries and understands culture.

Traditional text.

Lu Xun consciously absorbed the essence of folk literature in his creative practice.

China is not only reflected in his position on folk literature, but also in his defense of folk literature.

Health and contribution, more importantly, how to inherit and carry forward national culture.

For example. Gold is not enough, and no one is perfect. Lu Xun, as the standard-bearer of the new culture movement, his

Folk literature thought has a development process and experienced the acceptance of Marxism.

The revolutionary baptism of education and self-reflection. Before he became Marx.

Righteousness, his folk literature and art thought still has historical limitations and the situation of the times.

Limited, with the development of the times, especially with the development of academic history, the people of Lu Xun.

There is still a process of re-understanding in the study of literary and artistic thoughts. In the economic globalization, culture

Under the background of pluralism, Lu Xun's research on people's literary thoughts will be inevitable (down to page 48)

27

Volume 14, No.4 (2009) Glycine asphalt was rejected.

On the one hand, he chose to steal poverty, which shows that because of his humble position, he became a scapegoat.

Sinful sheep.

In a word, the image of Bo Er in Biography of Hulan River is worth discussing.

Typical art. Xiao Hong created modern literature in China with her artistic talent.

The artistic image of "Traveling to Bo Er" is rich in connotation. He lives a life of nobody.

Externally alienated temperament is the distorted character of the enslaved and insulted person.

Different, pathetic, with immortal artistic charm.

Precautions:

The original text quoted in this article comes from Shanghai People's Fine Arts Publishing House, March 2009.

Xiao Hong's Biography of Hulan River.

References:

1 1 Xiao Hong's last forty days J. Spring breeze. 1985438+0, (8): 26.

[2 collected works of Xiao Hong. Hefei: Anhui Literature and Art Publishing House, 19963.63.

On the Alienation Character of You Erbo in Biography of Hulan River

G∞ Shengde

(Chinese Department of Longnan Teachers College, Chengxian County, Gansu 742500)

Abstract: You Erbo is a representative little figure in Xiao Hong's Biography of Hulan River. His "self-esteem" and "inferiority complex"

Mystery, eccentricity, mystery, fearlessness, fear of death, poverty and stealing are among the characters em-

The phenomenon of body alienation is worth exploring.

Keywords: Xiao Hong; The Legend of Hulan River; You Erbo; Alienated personality

Editor in Charge: paul simon

(Continued from page 27) There is a new development trend, which must be further grasped.

Explore unexpected academic hotspots and academic focuses.

References:

1][7][9 17]- Jianzhong. Introduction to folk literature. Beijing: Peking University Publishing House.

Society, 2006.94 ~ 95,341.

2 Complete Works of Lu Xun (Volume VI) M. Beijing: People's Literature Publishing House, 198 1.

92 99.

3 Complete Works of Lu Xun (Volume VI) M. Beijing: People's Literature Publishing House Du, 198 1.

[4 1 Selected Works of Marx and Engels (Volume II) M. Beijing: People's Publishing House.

1995.29.

5 Complete Works of Lu Xun (Volume 8) p Beijing: People's Literature Publishing House,1981.3o. 。

6 Lu Xun. A Brief History of Chinese Fiction: China Literature Publishing House, September 2007.

8 British Williams Luo Gang. Cultural research capital. Translated by Liu Xiangyu. Beijing:

China Social Sciences Press, 2000. 125.

On Lu Xun's Folk Literature and Art Thought

-Take Lu Xun's protection and contribution to folk literature as an example.

Shenghua

(Lanzhou University, Lanzhou, Gansu 730000)

Abstract: Lu Xun is a great cultural revolutionary, writer and thinker in China. His literary thought and practice have a profound historical origin.

His literary theory is closely related to folk literature, which has laid a solid foundation for China's Marxist folk literature. Even today, his family.

Literary concept is a precious spiritual heritage.

Keywords: folk literature; Collection; Learning; abstract

Editor in Charge: Qin Wei