1. Try to combine ballet and military action in dance vocabulary to create dance vocabulary that conforms to the identity of the characters in the play. For example, two training dances in "Female Soldiers" use a foothold to show attention. Other dances, such as shooting, dropping bombs, stabbing, etc., are completely derived from life, and are the combination of military movements and toe skills of ballet, which vividly shapes the heroic posture of female soldiers.

2. Combine China folk dance and ballet to create. For example, Qionghua is tenacious and provocative, lunges with her toes, and kicks the purple gold crown and the oolong column backwards in solo and duet. Hong Changqing's personality is determined, and her dancing style absorbs the techniques of Peking Opera facial makeup, and she is calm and upright, with indomitable revolutionary spirit. The design of negative characters such as Nan Batian and Lao Si comes from the characters of Peking Opera, drama performance and China Boxing. The dance language with Hainan local characteristics in Red women soldiers also left an indelible impression on the audience.