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Have you ever seen me repair cultural relics in the Forbidden City?
How can we talk about ingenuity without craftsmanship?

Poetry and books in literature/dreams

When I first watched the documentary "I am repairing cultural relics in the Forbidden City", I felt that the impetuous utilitarianism in modern society seemed to be blocked by the high wall of the deep palace, which was regarded as a clever inheritance that was not prosperous and relaxed. However, this craftsman spirit disappeared in this film version that should have been more exquisite, and it is difficult to see the key details and weakened humanistic thinking. How can such a work without craftsman spirit be said to be ingenious?

I still remember seeing this documentary on the internet at first, and I was deeply attracted in just ten minutes. If it opens a dimension door for the audience, it not only shows the broad spirit of inheriting Chinese culture for thousands of years, but also shows the ingenuity of a group of people who inherit the restoration skills of cultural relics in the Forbidden City. What is even more rare is that this is a work that truly combines humanity with life. At first glance, it is simple and casual, but in fact it reveals the elegance of this group of craftsmen.

So why is a big movie that should have been sublimated not as good as the original? This is because this new movie makes people feel more like a star movie than a documentary with a real theme. When the film started shooting, the chaotic rhythm even made people unable to enter the state for a long time. What was even more abrupt was that the director was playing a jigsaw puzzle, which completely disrupted the already classified and step-by-step pattern, which was far-fetched.

Generally speaking, I am repairing cultural relics in the Forbidden City is a work that feels both familiar and unfamiliar. Familiarity is said because the film uses many scenes that have been broadcast in documentaries, and it is difficult to see new ideas. But the strange thing is that it has lost its original charm, and the blunt conclusion of values makes it full of preaching. It is even harder to see a word that should have been touched, so that the craftsman can still be a craftsman, but that

The film version of "I am repairing cultural relics in the Forbidden City" can be said to be an old craftsman with a shaping story and a group of stories. However, the film itself does not adhere to the technology that can eliminate defects and investigate them, so that the strange talk about originality has become an ironic and intriguing part of the film.