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Representative thesis of Gu Pengfei
The Death of Text and the Revival of Works: The Literary View of Neo-textualism and Its Methodological Significance, Literary Criticism, No.4, No.9, 20 14, Post-Darwinism: A New Choice of Culture and Aesthetics —— Interview with Professor Joseph Maglis, Journal of Northwest University, 2065438+. Xinhua Digest, No.8, 20 14, reprinted "From Nationalism, Westernization to China: National Art Exhibition and the Identity of Contemporary Mainstream Art in China", No.6, Literature and Art Research, No.6, 201/3, and NPC copied the materials. Humanities magazine (No.1 issue, No.20 13) and Aesthetics of People's Congress Copying Materials (No.5, No.20 13) reprinted Evolution of Aesthetic Fashion Relationship of Contemporary Clothing in China (in cooperation with Qin Zhao) and social science front (No.6, No.20). 20 13, Commonality of Aesthetic Forms and Identity of Modernity, Journal of Northwest University No.2, 20 1 1, Literary Theory of People's Congress Copying Materials No.6, 20 1 1, Reproduction of Literature in the Post-new Period: Historical Context and the Value of Literary Modernity. Photocopy materials of the literary theory of the National People's Congress,No. 10, No.20 10. The full text is reproduced in The Debate between Practical Aesthetics, Post-practical Aesthetics and New Practical Aesthetics, Journal of Hebei University, No.2, 2009, The Intertwining of Reason and Romance: Aesthetic Thoughts of Beijing Olympic Park Architectural Design, China Art Essays, 2007.