This paper has a clear structure and distinct levels, analyzes the film/cultural background of clip editing in detail, studies the historical inheritance, and effectively analyzes the ways and means of clip editing by combining the representative films at home and abroad. In addition, in the past, domestic researches on Hongkong/Stephen Chow films mostly focused on the cultural/individual level, but this paper studies a creative level of Stephen Chow films from a specific technical/artistic perspective, and convincingly summarizes and induces the formation of its unique artistic form with a rational attitude, which is of positive significance to the study of such films.

This paper is rigorous in writing, clear in arguments, rich in examples and diverse in argumentation methods. In the process of writing, Cui Liang consulted a large number of text/film materials, processed and revised them many times, and constantly improved the level of his thesis. Because the author is a graduate majoring in editing, he also pays attention to the artistic/technical characteristics of film editing in his thesis writing to avoid empty theoretical preaching. Instead, it combines specific editing art, takes examples as arguments, takes shot list, shot screenshot and three-dimensional analysis as the demonstration process, has the characteristics of editing professional graduation thesis, and pays attention to the promotion of each chapter theory. This is an excellent paper.

Performance 200 1 Comments on Li Xiaofeng's Papers;

Li Xiaofeng's bachelor's degree thesis "Indispensable Figures and Roles —— On Marlon Brando's Performing Arts" made a comprehensive analysis and research on Marlon Brando's performing arts creation. The graduation thesis of performance major is mostly a study of a certain performance element or a summary of one's own creation. This thesis belongs to the category of master's research, which is undoubtedly a new challenge for undergraduate graduates.

Based on the brushwork of historical theory, Marlon Brando's life and creation, and his performance skills of personality and methodology, this paper outlines Marlon Brando's performance world. This paper studies the historical inheritance of American Methodist performance theory, and holds that Brando's performance style is the combination of Methodism and the actor's own personality. It is precisely because of the combination of the two that Brando's unique personal charm and expressive force have been formed, leaving a series of unforgettable images for the world movies. It is precisely because of his strong personality that he left many regrets in his personal creation and personal life.

The paper has a clear point of view and distinct levels, uses a lot of materials, and combs and weaves them. The author's analysis of the similarities and differences between Brando's three periods is also insightful and convincing.

If the thesis is insufficient, it is that the discourse state of historical theory is slightly stronger, and the analysis and reconstruction of scientific performance theory is still insufficient. The research on Marlon Brando basically stays at the level of this paper. If we can explain more about its role in contemporary film performance creation, the level of the thesis will be by going up one flight of stairs.

This is an excellent paper. It is of positive significance to expand the topic selection scope of performance professional papers.