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Tao Ge is in Baoji Museum, Cultural Relics, No.5, 1989. (merger)
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Brief Report on the Investigation of Ancient Sites in Chang 'an and Huxian in 2000, Supplement of Archaeology and Cultural Relics (No.6), 2002.
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Excavation Report of Shijiayuan Site in linyou county, Shaanxi Province, huaxia archaeology, No.4, 2004. (merger)
Coin hoard and China coins newly unearthed in Longxian County, Shaanxi Province, No.2 in 2004. (merger)
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Report on Excavation of Liu Jia Cultural Cemetery in Gaojia Village, Baoji City, Research on Ancient Civilization (6), Cultural Relics Publishing House, 2008.
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Jiangyan Culture in Yan Di, Sanqin Publishing House, 1992. (merger)
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Remains of Yangshao Culture in Fu Lin Fort, Archaeology and Cultural Relics, No.6, 1987.
Study on high-necked bag feet, Cultural Relics No.7, 1989.
Wangbianjiazhuang Spring and Autumn Cemetery, Wenbo, No.5, 1990.
Investigation on the shelling situation in Eastern Zhou countries, China Coin, No.2, 199 1.
A Brief Discussion on the Early Related Issues of the Pre-Zhou Culture, Papers on the History of the Western Zhou Dynasty, Shaanxi People's Education Press, 1992.
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Several Issues on the Types of Xiwang Village, Archaeology and Cultural Relics, No.2, 1994.
On the culture of bowfish, Wenbo No.5, 1994. (merger)
Re-discussion on Qin dagger, Archaeology No.9, 1995.
On the Cultural Problems of Keshengzhuang Phase II, Archaeology and Cultural Relics No.3, 1995. (merger)
Longteng Century and Others, Lun, Shaanxi People's Publishing House, 1996.
Random Talk on Yangsui, China Cultural Relics Newspaper, 3rd edition,1July 27, 997.
Analysis of Shang Cultural Remains in Joo Won? Site, Central Plains Cultural Relics,No. 1998,No. 1.
Nianzipo type theory, Archaeological Research, Sanqin Publishing House, 1998 (combined).
Summary of Archaeological Discovery and Research in Shang and Zhou Dynasties in Shaanxi Province, Archaeology and Cultural Relics, No.5, 1998.
A preliminary study on the relationship between Bashu culture and Central Plains culture, Archaeology and Cultural Relics, No.5, 1998.
Preliminary Understanding of Mishu's Culture, Collected Works of Roy, Shaanxi People's Fine Arts Publishing House, 1998.
Accumulate 40 years' hard work and explore a new source of cultural relics archaeology —— Commemorating the 40th anniversary of Shaanxi Institute of Archaeology, China Cultural Relics Newspaper 3rd Edition 1998 1 1.
Excavation of Cultural Remains of Xia Dynasty in Western Guanzhong, Archaeology and Cultural Relics, No.3, 2000.
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On the Bronze Short Sword of the Western Zhou Dynasty in the Central Plains, Cultural Relics, No.4, 200 1.
Forbidden Gardens and Related Issues, Archaeology and Cultural Relics, No.5, 200 1.
Discussion on the problems related to the remains of early Qin culture discovered in Lixian and other places, Wenbo, No.3, 200 1.
Bronze ornaments of animal faces unearthed in Tianshui and related issues, Central Plains cultural relics, 1, 2002.
A Preliminary Study on the Archaeological Research of Tangfangping Culture —— Collected Works of Mr. Zou Heng's 75th Birthday (6), Peking University Publishing House, 2002.
On the National Structure of the Commercial Culture in Gyeonggi, in the supplement of Archaeology and Cultural Relics (6), 2002.
On the Structural Characteristics of Archaeological Culture in Weihe River Basin in Xia and Shang Dynasties (Abstract), Reviewing the Old and Knowing the New —— Facing the Future of Archaeology in China, May 2002.
On the related issues of Qin Xishan Mausoleum, Archaeology and Cultural Relics, No.3, 2003.
On the genealogy of Shan family and related bronzes in the Western Zhou Dynasty from inscriptions, Cultural Relics, No.7, 2003.
"Preliminary Investigation on the Formation of Early Qin Cultural Characteristics", Qin Cultural Research (10), Sanqin Publishing House, July 2003.
A New Survey of Qijia Culture Pottery in Hekou River, Prehistoric Archaeological Research in China (cooperation), Sanqin Publishing House, 2003.
Analysis of Cultural Remains of Tang Fangping Site in Xia Dynasty, Proceedings of the Three Gorges Archaeological Seminar in Chongqing Reservoir Area, Science Press, 2003.
The Management of Longyou in the Western Zhou Dynasty and the Rise of Qin People, Essays on Social and Cultural Studies in Zhou and Qin Dynasties, Shaanxi Normal University Press, 2003.
Study on commercial culture in western Guanzhong, Journal of Archaeology, 1, 2004.
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1. Dramatist-Zhang Tianen
Zhang Tianen, an old worker, is a national second-class actor of Shandong Bangzi Theatre in Tai 'an, and a middle-aged party member. 1940 was born in a scholarly family in Lutan Town, Fugou County, Henan Province. 65438-0957 joined the work, engaged in Shandong Bangzi Opera for nearly forty years, played many roles in traditional and modern operas, and shaped many characters with different personality types on the stage. Participated in many provincial and local drama performances, and was well received by leaders and audiences.
Modern plays such as Uncle Guo and the son-in-law we have never met (a play created by our group). He participated in the Shandong Youth Drama Exhibition from 65438 to 0959, and his scripts and performances were well received. The play was performed by the central leaders (at Qingdao International Hotel), recorded by Shandong Radio Station and broadcast to the whole province. Ma Hongliang was staged in the harbor, recorded by Shandong Radio Station and broadcast to the whole province. In the play, "Mountain Village Forward", which plays the second year of high school, participated in the drama performance in Shandong Province and was well received. "Dead Trees Bloom" plays the role of "Old Gluten" in the play. The play participated in the performance in Tai 'an area and won the first prize as an actor. Jiao is played in Jiao, the blind man is played in Serf Gigi, Shao Jianbo is played in Overtaking Tiger Mountain, and the keeper is played in Closing the Door.
In the traditional drama "Yang Bajie's Journey to Spring", acting, acting, acting in "Spring Grass Running to the Moon Hall", acting as Ke Taishou in "Yu He Bridge", acting as Yang Yanjing in "Yuanmen Chopping Son", acting as Harmony in "Golden Branch" and so on.
The image of the old man he created has its own unique style, which is presented to the audience with an elegant, steady and generous image. In the aspect of singing, Dou Pai's melody melody can better reflect the charm of Dou Pai's singing art, which is well received in Tai 'an, Jining, Yanzhou and other places.
He also likes calligraphy, and his pen name is Mianhengzhai. Because of his strong interest and preference for calligraphy, he often takes time out to write subtitles for the troupe. Moreover, with decades of persistent pursuit, we are committed to exploring and studying the specialties and comprehensive advantages of various famous posts, understanding their charm and making innovations. Long-term tempering and understanding of knowledge have formed a certain mental outlook on their calligraphy art, and the Chinese characters in the middle are steady and graceful; Running script is vigorous, free and unrestrained, full of spirit and with the flavor of the times. He is good at Fetion Xiao Zhuan, pasting Sanxi Hall, Wang Xizhi's Huang Ting Jing and Yue Yi Lun, Yan Zhenqing's Duo Tower, Ou Yangxun's Jiucheng Palace, etc. His works are enough to reach a considerable level.
Shandong drama performance has won the "Subtitle Award", won the "Excellent Works Award" in the National Painting and Calligraphy Grand Prix and Taishan Cup Painting and Calligraphy Grand Prix, won the "Silver Award" in the National Satellite Calligraphy Competition, participated in the "Taishan International Mountaineering Festival" painting and calligraphy exhibition held in Tai 'an many times, and often wrote plaques and inscriptions. Taian Daily has published his works many times, and some of them have also been collected by the public. In particular, four classical novels, Dream of Red Mansions, Outlaws of the Marsh and Romance of the Three Kingdoms by The Journey to the West, which have been working incessantly since they retired from 16, have carefully copied more than 4 million words in 0.4-0.5CM fine print, which is even more commendable. Taian Daily and Taian TV both interviewed him with four classic novels. Recently, Qilu Evening News also interviewed him, and Sina.com published the interview contents.