From the cause of worry, there is the worry of lovesickness ("wine turns into tears of lovesickness").
There is a sadness of parting ("parting is causing a thousand things to be chaotic, more strange, scattered and ethereal").
As far as the object of concern is concerned, there is concern about the speed of time ("worrying about the speed of an arrow, the warmth of half a wave, counting posts as soon as you turn around and watching northerners"). There is a kind of worry about people's haggard ("this year, I was in a hurry to spend, and I met like hate, sad and tired").
Judging from the degree of sadness, there is endless sadness ("Love trees can't afford to fly, sadness is endless, and spring comes to the east").
Trouble never sleeps ("people stay still at night, trouble never sleeps, and disability makes an arrow heavier").
There are countless troubles ("the geese cross the setting sun, the grass builds smoke, and now there are countless troubles").
Sorrow ("sorrow is woven, tears are secretly wiped, and drops are stolen").
Worrying but not sleeping ("really traveling all over the world, worrying but not sleeping, in a few wisps of tea and cigarettes").
Worry is like weaving ("in the vast sky, it is more than the wind, and it is like weaving"). There are countless sorrows and sorrows ("early white hair, countless sorrows and sorrows, and the shock floats away from the volume").
Sadness is greater than death in the heart ("the fog is thick and the clouds are sad forever, and the gods are refreshed and the golden beast disappears").
There is sorrow ("sorrow, unforgettable, deep in the bridal chamber").
I have a lot on my mind ("sentimental, idle and lonely, a year of kindness"). There is a deep sorrow ("the setting sun hangs deep in the tree, reflecting the sorrow lightly and overlooking the eyebrows").
Judging from the sad state, there is sadness in the dream ("a sad dream wakes up, the sunset shines deeply and it is raining").
There is loneliness ("it is dusk, windy and rainy").
There is sorrow ("I am eager to know me, leaning against the railing, I am punishing my sorrow").
There are worries about leisure ("be bored with the wind, be more affectionate, have two eyebrows, and no leisure").
There is a clear sorrow ("silence, chaos, enthusiasm, and clear sorrow"). From the subject of worry, some people worry ("spring is not old, people worry that spring is old, and worry is just that there is something in the world").
Something is on my mind ("the west wind well leaves worry first").
Judging from the manifestations of sadness, there is sadness on the face ("thinking about fame and fortune, haggard and lingering, thinking about the past, empty and miserable").
There is sorrow in the eyebrows ("tears are wet and dry, flowers are dew, and eyebrows gather").
There is sadness in my eyes ("I want to leave my eyes and the spring breeze, and I want to stay there for a while").
There is sorrow at the temples ("showing sorrow makes the room cold, turning over books and worrying about white hair at the temples").
Worry about sake ("if you want to say it, you will rest, if you want to be good, you will believe it, and if you don't choke for a long time, you will worry." ).
Worried about entering the west wind ("afraid that the dance clothes will fall off easily when they are cold, and worried about entering the west wind Nanpu").
There are many works about parting, lovesickness and sadness in Song Ci, among which there are many words with the word "sorrow" written directly. These "sad" words are either endless parting, bitter acacia, chaotic idleness, or faint sadness ... Their language is concise and profound, and their expressions are often abstracted into vivid artistic images and various rhetorical devices.
I asked you how much sorrow you can have, just like a river flowing eastward. -Li Yu's Young Beauty
Li Yu chose the endless river as a metaphor to express his endless grief as the king of national subjugation. The metaphor of "sorrow" is like "spring water", making it a famous sentence that has been passed down through the ages. Ask Chunshui, when will the shame of national subjugation be cleared?
I keep cutting, and the reason is still messy. It is sadness, especially a taste in my heart. -Li Yu's "Hui Huan"
Lonely autumn night, full of sadness. Sadness is inextricably linked, and there are countless things that have no beginning and no end. The reason is unclear and can't be brushed off. It highlights how messy and difficult it is to get rid of hatred, which is very expressive and infectious.
L the bright moon and tall buildings rest alone, and the wine turns into sorrow and tears. -Fan Zhongyan's Su Muzhe
This sentence shows the depth of homesickness: I dare not go upstairs and overlook it alone in the moonlight, but I want to drown my sorrows with wine, which will only increase my sadness and express my deep affection.
L sadness is getting farther and farther, and the distance is like spring water. -Ouyang Xiu's "Stepping on the Sand"
Faced with the early spring scenery of "plum blossom", "willow branches" and "grass fragrance in the wind", men on the journey can't restrain their strong melancholy more and more. The farther away he is from home, the more troubles he has. "Jumping" describes the distance, which has a long meaning in the word, and then compares spring water to sadness, describing her attachment to her wife.
L How much leisure time do you have? Yichuan tobacco, city wind, plum yellow rain. -He Zhu's "Spring Jade Case"
The "leisure worries" that words express dissatisfaction are numerous, chaotic and lingering. In the season when plums are ripe, it is misty and rainy, endless weeds are flying on the Yuan Ye and catkins are flying in the city. This is not only a description of the scenery, but also a metaphor of inner "leisure", which turns abstraction into concrete, vivid and vivid.
L Flowers from Shui Piao to water, one kind of acacia, two places of leisure. -Li Qingzhao's "A Piece of Plum"
Shortly after the author got married, her husband went away to study, and his words directly expressed the pain of lovesickness. Starting with "out of the water" is quite subtle: the situation of out of the water reminds people that beautiful youth is fading away; The image of running water reminds people that the years are constantly changing. Ask Liu Shui, when will her husband come home?
The fog is thick and the clouds are sad forever, and the brain sells golden beasts. -Li Qingzhao's "Drunken Flowers"
On the Double Ninth Festival, she missed her husband so much that she was worried all day. Long-term sentimentality has made her "as thin as a yellow flower". Sorrow has a length, and it is very long.
I'm afraid I can't move because I'm sailing on two streams, and I'm worried. -Li Qingzhao's Spring in Wuling
The ship can't express its own worries with its own worries, so that the abstract worries become something with weight. Reading between the lines, we can see that she didn't go canoeing. She couldn't get rid of her troubles and had to immerse herself in it all day. Sorrow has weight, and sorrow is as heavy as a mountain.
L teenagers don't worry about taste, but they love the floor. Fall in love with the floor, although worried about giving new words. Now that I know what it's like to worry, I want to talk about it. I want to say I'd better have a rest, but I said it's cold and autumn. -Xin Qiji's Ugly Slave. The word "sorrow" is written around the middle wall of Shuboshan Road. The author uses the method of foil to express his feelings: by reviewing his ignorance of sorrow when he was a teenager, he reflects his feelings of suffering and sorrow and expresses his anxiety and dissatisfaction with the ruling group.
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