On the Oriental Aesthetic Value of Jingdezhen Blue and White Porcelain
abstract:
Porcelain is the fifth great invention of China in ancient times and China's great contribution to world culture. In the history of human cultural development, China is the first country in the world to fire primitive porcelain, and has successively invented blue glazed porcelain and white glazed porcelain. It is also a country that has created colorful glazed porcelain. Blue and white porcelain can be regarded as the representative works of China porcelain. The aesthetic character of the oriental culture it represents also has a high position in the history of world art.
Porcelain is the fifth great invention of ancient China people and another contribution to human civilization. China is the first country in the world to produce blue-and-white porcelain and glazed porcelain, among which blue-and-white porcelain is the most recognized for its elegance and oriental taste. It is a symbol of China art and a diamond in the crown of art.
Blue-and-white porcelain belongs to ceramic underglaze decoration, which is made of cobalt-containing mineral raw materials as colorant and fired at high temperature. Archaeological data show that blue and white porcelain was fired in China as early as the Tang and Song Dynasties, but it was not until Jingdezhen in the Yuan Dynasty that mature blue and white porcelain appeared. Blue-and-white porcelain and its derivative varieties have been the mainstream of China porcelain production and export in China for more than 800 years since the Yuan Dynasty, and they are the varieties that can best reflect the artistic achievements of China ancient ceramic industry.
Blue-and-white porcelain belongs to underglaze decoration, and its colorant is made from a cobalt mineral and then sintered at high temperature. Archaeological evidence shows that a few blue and white porcelains appeared as early as the Tang and Song Dynasties. But it was not until the Yuan Dynasty that it was displayed in Jingdezhen with a mature craft. The derivatives of blue and white porcelain are the main part of production and export since Yuan Dynasty, which can best represent the ancient varieties and artistic achievements of China.
This paper mainly combs the development trend of blue and white porcelain, which can best represent the essence of Jingdezhen ceramic culture, and discusses the aesthetic value of its oriental culture. The full-text argument is divided into three chapters.
The opening is an introduction. Based on the background of the research, this paper puts forward the purpose, significance and methods of the research.
This paper combs the development of blue and white porcelain, which can best represent the essence of Jingdezhen ceramic culture, and then discusses the oriental taste. The full text is divided into three chapters. The introduction is the beginning of this paper. Starting from the background of the topic selection, it puts forward the purpose, significance and methods of this topic selection.
Chapter 1: Discusses the origin and development of blue and white porcelain in Yuan Dynasty. It is divided into two parts: Yuan Qinghua's successful launch and its great significance; Decorative art of blue and white porcelain in yuan dynasty.
Chapter 1: The origin and development of blue and white porcelain in Yuan Dynasty. It is divided into two parts: the first chapter is the achievements and significance of blue and white porcelain in Yuan Dynasty, and the second chapter is the decorative art of blue and white porcelain. ..
Chapter 2: Through the development of blue-and-white porcelain in Ming and Qing Dynasties, this paper discusses the causes of blue-and-white porcelain firing in Jingdezhen in Ming and Qing Dynasties and the important inheritance and development of official kiln and folk kiln in blue-and-white porcelain firing in Ming and Qing Dynasties.
Chapter II: Elaborated the achievements of Jingdezhen in the Ming and Qing Dynasties and the inheritance and development of folk kiln and official kiln porcelain.
Chapter III: Starting with the exploration of the blue-and-white art style in Ming and Qing Dynasties, through the analysis and interpretation of the blue-and-white art in folk kilns and official kilns, the aesthetic character of oriental culture represented by Jingdezhen blue-and-white porcelain is displayed.
Finally, the conclusion. It is summarized and affirmed that Jingdezhen blue-and-white porcelain is an irreplaceable symbol and component of oriental culture. As the carrier of China's cultural aesthetic realm, it shows the mystery and beauty of oriental culture to the world.
This paper has certain exploration significance for the research of blue and white porcelain.
Chapter III: Explore the artistic style of Ming and Qing Dynasties, and prove the oriental aesthetic value through the analysis and interpretation of folk kilns and official kilns.
Finally, the conclusion. Jingdezhen blue and white porcelain is a symbol of oriental culture and an irreplaceable part. As the carrier of oriental culture, blue and white porcelain shows its profundity and beauty.
This topic is an exploration of blue and white porcelain research.