Growing up in such an elegant family environment, Lin Daiyu naturally has an innate poetic temperament, elegant and refined. In addition, Lin Ruhai also invited a tutor who was a scholar to enlighten Daiyu. After coming to Jiafu, Lin Daiyu and her sisters often read, write papers and write poems together. Finally, she finally achieved extraordinary poetic talent.
In A Dream of Red Mansions, Lin Daiyu wrote poems entirely out of nature. She is very disdainful of hard work. As long as the gate of the soul is opened, her poems will naturally flow out, which will inevitably remind people of the poetic feelings of celebrities in Wei, Jin and Tang Dynasties. As a poetess, Lin Daiyu has pure poetic quality and extraordinary poetic talent, and she is born with poetic beauty.
However, such a talented poet was not highly praised by Jia Fu, calling her "lewd" and "mean-spoken". In fact, where did they know that Lin Daiyu just confused poetry with real life. In real life, she has not lost the nature of a poet, but is persistently immersed in the artistic conception of poetry and stubbornly interprets her unique soul.
In Xiaoxiang Pavilion, the thousands of bamboos and the curtain hanging all day long are actually an external materialization of her quiet and extraordinary soul. In her, there is a personality in which a celebrity's heart is bigger than her body. This expression of personality made Lin Daiyu turn her life into a poem. It can be said that Lin Daiyu is like the soul of poetry, the embodiment of poetry and a born poet.
In Jiafu, a secular purgatory full of desire and intrigue, it seems to be her unshirkable responsibility for Lin Daiyu to lead a picturesque life. If A Dream of Red Mansions is a symphony, then Lin Daiyu's poetic life is no less than her theme music. Among all Lin Daiyu's poems, the famous Funeral Poem is the main theme of A Dream of Red Mansions, while in Autumn Window, the bleak and lonely music conveyed by Autumn Rain, Autumn Night, Autumn Lantern and Autumn Feeling is the background music of A Dream of Red Mansions.
Lin Daiyu's elegant and noble poet temperament is created by the dual lineage of scholarly family and noble family. It is the girl's bounden duty to pursue a poetic life. Her sensitive and subtle artistic endowment always makes her keenly feel the poetry of life, and at the same time, she also feels too much coldness and sadness of that era.
Lin Daiyu's life is a beautiful and touching symphony poem. With the approaching of all kinds of dangers foreseen in the flower burial and the deepening of the original sad experience, her life symphonic poems have different emotional changes at different stages: when reciting "Flower Burial", she is introverted and uneven, and when reciting "Rainy Night in Autumn Window", she is sad and desolate.
Among them, Autumn Window Storm is a sad life song sung by the poet from the autumn window. Before this, Xue Baochai had all-round humanistic care from spirit to material, and Daiyu's aloof and extremely self-respecting poetic heart was finally affected, and Chai and Dai made up their differences. In addition, the heart-to-heart communication with Baoyu, such as "telling the truth" and "giving poems with handkerchiefs", has also come to an end.
Therefore, Daiyu's mood is relaxed and cheerful, and even reveals her humorous talent of teasing Liu Laowa as "mother locust" with the spring and autumn brushwork. Although the tragedy of life from the big background is gradually approaching, at the moment, she seems calm and calm. At that time, the anger of "Where is Xiangshan?" has turned into meditation and tolerance to relieve depression.
In this case, out of being too sensitive to seasonal phenology, Daiyu relapsed and was ill in bed. This year, she 15 years old. The dusk in this autumn rain is cold and gloomy, and the desk is just filled with Yuefu miscellaneous manuscripts such as Autumn is always in my heart and Parting Complaints. Sentimental Lin Daiyu will naturally have a feeling of regretting time, and then imitate the style of "Moonlit Night on a Spring River" and sing this song "Rainy Night on an Autumn Window".
The whole poem tastes the sadness of life from the autumn time series through the window;
"Window" is the eye of this poem. The whole poem savors the sadness of life from the autumn time series through the window. Outside the window, autumn flowers, autumn grass, autumn rain and autumn wind cut in from the pane: flowers and plants withered, rain and wind were tight, bamboo shoots were about to drip, and cold smoke was gloomy. The window is cold and transparent, the autumn screen is condensed, and the tears and candles are swaying, which makes people feel sad and hate. On that day, the flowers died, and the autumn window is even worse today!
As a result, the scenery enters from the window, the sorrow complains to the window, and the poem is sent from the window. The poet had no choice but to chew the melancholy of the bean lamp in the window, the shadow hanging alone, bear the cold of Luoshe, the consternation and loss of Qiu Meng outside the window, and quietly taste the monotony of residual leakage's frequent urging of autumn rain.
Outside the window, autumn scenery, autumn flowers are bleak and autumn grass is yellow, which is the materialization of the poet's depressed and sad mood in the window. Confusion, sadness, loneliness, sadness and other lost feelings are combined with the bitter rain in the autumn window. The scenery inside and outside the window is emotion, which has long been confused. What's more, the biting rain outside the window destroyed the wind, which seems to be the harsh realistic environment that stifled the realistic reproduction of the wood-stone alliance.
On weekdays, I am deeply worried about my tragic fate. The prophecy of "I don't know when the flowers will fall" is confirmed in the cool autumn air floating from the autumn window at this moment, and my depressed mood is even more depressed ... I really don't know how Sister Lin's soul struggled to survive in the tears shed on the window screen on this cold and dark autumn night.
Judging from the plot of the text, the cultural character of the "window" of Xiaoxiang Pavilion has been described several times before. First, the window scenery and window sentiment in Baoyu's red bean poems are almost the default of the window of Xiaoxiang Pavilion tonight. "I can't sleep well, but I can't forget the new worries and old feelings after the storm and dusk ... I can't open my eyebrows, and I can't catch them ..." The gloomy tone and delicate depression seem to be the early expression of Daiyu's sadness at this moment.
Zhi Yanzhai has repeatedly commented that Jia Baoyu is "an unknown person in ancient and modern times" and "only an eyebrow is right". Bao and Dai are "born", "imagined" and "flesh and blood", which others can never touch. Therefore, "Red Bean Ci" and "Autumn Window Stormy Evening" are actually exquisite feelings of Bao and Dai. So these two words can be interpreted with each other.
Secondly, Grandmother Jia took Granny Liu to Xiaoxiang Pavilion, saying that the green yarn was in conflict with the bamboo color outside the window, and the color was gloomy. She asked Xifeng to paste the window with silver-red "soft smoke" to let Daiyu change the gloomy color of Xiaoxiang Pavilion. However, by the time Lin Daiyu suffocated the word "wind and rain", she had not turned into a silver-red "soft smoke". Therefore, this "window" of Xiaoxiang Pavilion has always maintained a gloomy color and a bleak mood.
Mr. Qian Zhongshu once said in the book "Writing on the Edge of Life": "Doors are the entrances and exits of people, and windows are the entrances and exits of heaven". It means that the door allows people to enter and exit to meet the needs of physical movement; The window penetrates into the nature of the sun, and the audio and video of the world comes from the frame for the spirit to come in and out, stretch out and invite you to swim. The door is realistic and the window is poetic; The door is practical and the window is beautiful; Doors are necessities, windows are luxuries.
So Mr. Qian concluded that "the window represents a higher stage of human evolution than the door". From this point of view, Daiyu, a boudoir daughter with spiritual cleanliness and accustomed to being immersed in artistic conception, is more like a celebrity who lives in seclusion in the bamboo forest. When she was sick in the boudoir, looking at the autumn window, she was sensitive to phenology, the reversal of the light and shade of heaven and earth, the change of time series and seasons, and those pent-up emotions rushed out at once, turning into sadness about the bleak world and the upcoming tragedy of the autumn window.
In this poem, all these sentimentality come through that window. This window naturally became the only way for the poet's spirit to emerge. Her inner stubborn disease of "being a wise man, not a layman" and her life perception that a genius is always abandoned coldly by the times can only be communicated and expressed through this "window". This "window" even knows Lin Daiyu better than Jia Baoyu!
For "window", poets from ancient times to the present are particularly fond of it. Li Shangyin, a poet in the Tang Dynasty, said "How to cut the candle at the western window and talk about the rain at night", and Li Qingzhao, a poet in the Song Dynasty, said "How can you live alone by guarding the window" is also the best example of evolving the connotation of the higher evolution stage represented by "window" to the extreme.
In Lin Daiyu's Autumn Window on a Rainy Night, the flowers and plants outside the window wither, the wind drives away cold smoke, and raindrops scatter bamboo, which is the essence of autumn scenery. This "window" has become a framed landscape painting saturated with Lin Daiyu's subjective perception. Outside the window is the view of autumn scenery, and the flowers, grass, bamboo and smoke under the wind and rain are more poetic because of the view. In this way, the "window" of Xiaoxiang Pavilion can really be called "the import and export of heaven"!
As a spiritual aristocrat, Lin Daiyu took the "window" as the entrance and exit, expressing a sad and poetic feeling heartily, leaving us with magnificent feelings and the sanctity of poetic beauty. It can be said that the "window" in this poem represents the evolutionary realm that the poet's soul is above others, that is, it perfects the poet and is moved and sublimated by the poet. Fortunately, Lin Daiyu's Autumn Window left a tragic and beautiful sonata for readers of A Dream of Red Mansions.