First of all, the first movie of Ci mainly talks about the quiet environment, which means burning incense to cool off the heat, calming down naturally, or suggesting taking a pair of coolants in a busy field. The two sentences about the quiet environment are also quiet. Then, through the images of birds calling for sunshine and peeping on the eaves, the noise in silence is written, and the sentence "on the leaves" is fresh and beautiful. Finally, the dynamic scenery of clear water, clear wind and rising lotus shows the charm of the lotus pond. This way of scenery description, using the method of combining reality with reality, skillfully integrates environment with meaning, movement and reality, creating a quiet and beautiful picture.
In the next film, I express my thoughts directly and express my homesickness in combination with reality. "My hometown is far away, when will I go" means "I live in Wumen and have been visiting Chang 'an for a long time". Then, I don't think about my friends in my hometown, but write whether Yu Lang misses himself, which is a more profound way of writing from the opposite side. Finally, with a fictional dream, rowing a boat into the lotus pond shows the poet's yearning for his hometown. This combination of reality and fiction not only enriches the connotation of ci, but also makes the poet's feelings more profound and sincere.
Generally speaking, Zhou Bangyan's The Su Mu combines emotion and meaning, movement and quietness, reality and emptiness, creating beautiful and quiet pictures and sincere and deep emotions, which fully shows the poet's superb writing skills and ideological realm. This technique is also reflected in other works, which deserves our in-depth taste and appreciation.