Oil painting is most like nature, pursuing similarity, Chinese painting is more like art, and beauty lies in similarity and difference. Chinese painting and oil painting originally belonged to two completely different cultures, East and West. In the cultural pattern since the May 4th Movement, China oil painters are the first to spread Western learning to the East. However, there seems to be an inevitable phenomenon. Many of them, such as Xu Beihong, Liu Haisu, Wu Guanzhong, Yang Taiyang and others, either improve, combine or return. While learning from the west, they all regard the broad spirit of national culture as their fundamental subject.

Guo Beiping is famous for his Chinese paintings and oil paintings. In his artistic creation, Chinese painting and oil painting are interspersed among them. For him, this is not only a way to rest, but also a practical exploration of the mutual promotion and development of the two arts. Guo Beiping's oil paintings, in the hearty realism, have profound charm, the tone of imitating nature and highly summarized brushwork. Thanks to his rich inheritance and study of Chinese painting. While inheriting the tradition, his traditional Chinese painting absorbs and draws lessons from the modeling of oil painting for innovation, and combines freehand brushwork with realism. The picture not only has a subtle and far-reaching artistic conception beyond imagination, but also has a real soul shock.

Oil painting is based on perspective, anatomy, color and other natural sciences, and the realistic representation of nature is the most important means and purpose, while Chinese painting is based on social sciences, emphasizing humanities and images, building teachers from the outside and gaining the heart. Painting is just a means to express feelings through words, express feelings, and express feelings through things. Guo Beiping started his career in traditional Chinese painting a long time ago. From Alpine Projection Team, Guns of Victory, Confident Words of Yichuan Cultural Center, Little Sisters in the Border Region and Chairman Mao's Inspection of Nanniwan in the Provincial Art Creation Group, he was selected for the provincial art exhibition, and then he went to An Special Art Factory to create Yan 'an New Year and Time, which was praised by the industry. Although he devoted himself to oil painting later, since 2000, Guo Beiping, who is at the peak of his creation, has produced a large number of freehand brushwork flower-and-bird paintings with high quality, which has attracted the attention of contemporary painting circles.

The highest state of Chinese painting is that meaning follows the text. Guo Beiping's flower-and-bird painting has been hovering between tradition and innovation. The charm of ink and wash blend makes his works smooth, attractive and touching visual impact, full of harmonious colors and the charm of the times, giving new meaning to tradition. Wisteria, Spring Blossoms, Birds and Flowers, Building a House in a Man's Kingdom, etc. The rough and novel composition, the free coloring of ink and wash, the contrast between reality and reality, and the lyrical and importunate thinking of seeing the big from the small not only conform to the artistic law that originated from life and is higher than life, but also coincide with the artistic creed created with heart in the ancient context of China. It seems to be a painting, but in fact it shows the richness of the author. Gorgeous but very harmonious, calm and quiet, with distinct colors, freehand brushwork of sketching objects, perfect grafting of western oil painting language and China traditional painting. Flower-and-bird painting, with its strong traditional consciousness and fashionable modern flavor, brings people a kind of beauty that naturally purifies the world's thoughts.

The painter's heart is also the calligrapher's love. The so-called painting and calligraphy are homologous. Poetry and painting bring out the best in each other, which is also a major feature of Chinese painting art. The calligraphy, stippling and cable arrangement of that poem are in perfect harmony with the picture and become an indispensable organic part. Inscription of poems not only has a strong influence on the sublimation of painting artistic conception, but also enhances its appeal and expressiveness. When he was young, he learned to copy the calligraphy posts of famous artists such as Ou Yangxun and Sun. His achievements in calligraphy are no small feat. He likes writing, and he can often see plaques inscribed for businessmen in the streets of Xi. Professor Li, his wife, created "Lianlang Group Paintings" for the Women's Pavilion of Furong Garden in Andang. In a large blank space, his long calligraphy inscriptions add profound charm to the group paintings. Although oil painting does not need inscriptions and notes, in the creation of flower-and-bird painting, his calligraphy art adds a lot of color to the whole work. In the artistic creation of freehand brushwork and free spirit, Guo Beiping quoted ancient poems or expressed his thoughts, presenting readers with not only exquisite works of art, but also wonderful artistic conception and words like his own pen and ink! Guo Beiping's flower-and-bird painting also has a * * * feature, which is the artistic feature of Chinese painting techniques combined with calligraphy lines. The branches of flowers and the legs and feet of birds are outlined with simple and wanton staggered lines. He created a series of free-and-easy, ethereal and colorful masterpieces by the innovative means of putting books into pictures, horizontally extracting and summarizing natural images and integrating emotion and artistic conception. In the constant exploration, Guo Beiping tried to bring China's artistic spirit and artistic characteristics into the only way of poetry self-awareness. This innovation made him gradually step into the difficult realm of Chinese painting, and thus established his backbone position in contemporary Chinese painting.

Guo Beiping is a master of oil painting and a prolific master of painting. Since the early 1980s, his major oil paintings have been under constant attack, covering almost all national exhibitions in the past 20 years. In the national art exhibition since 1999, one gold, two silvers and four bronzes have been won, and new works have emerged one after another, which is a bit evergreen in art.

Strictly speaking, Guo Beiping's oil paintings are particularly casual, and the spirit of freehand brushwork is amazing. The aesthetic feeling of his oil paintings is the beauty of the whole, harmony and structure, and at the same time, it has a smooth momentum in one go. From 65438 to 0983, Guo Beiping, a graduate student, returned to Xi Academy of Fine Arts and ushered in another spring of artistic creation in his native hometown. He has successively created works such as Plateau Millennium, Yaoshanju, Old Man in the Corner, Frozen Land, Master Hongyi and Stone Road, and participated in the 6th, 7th, 8th, 9th and 10th National Art Exhibition and the 1st, 2nd and 3rd China Oil Painting Exhibition, winning more than 20 awards. Guo Beiping moved from Xi 'an to the whole country. Since then, he has gained great fame and attracted much attention in painting circles.

Guo Beiping is a talented and powerful oil painter. He shuttled freely between Chinese and Western cultures, skillfully mastered the difficult language of western oil painting art, and delicately expressed the hearts of contemporary figures in China. The characters in Guo Beiping's works are vivid and full of spirit, which not only has the simple and bold beauty of China, but also has the tenderness and delicate humanistic care of the West. Guo Beiping got the essence of western oil painting-he used oil painting as a medium to express his feelings and opened his soul in his free creation. His extremely freehand portraits, human body, still life and scenery all consciously or unconsciously show China people's attitude towards nature and life, that is, the aesthetic taste of relaxing their arms, freely expressing their feelings, blending their feelings and forgetting themselves. From realism to freehand brushwork, the combination of modeling and freehand brushwork, and Guo Beiping's clever use of pen and color make his works have both dynamic charm and intriguing colors, which are both heavy and powerful and relaxed visual pleasure. Appreciating Guo Beiping's oil paintings leaves people with a kind and calm state of mind that transcends things and is far away from the secular world.