Chinese name: Wang Zengqi
Alias: China
Place of birth: Gaoyou, Jiangsu, China
Date of birth: 1920
Date of death: 1997
Occupation: novelist, essayist
Graduate school: China Literature Department of Southwest Associated University.
Main achievements: novels are regarded as poetic novels.
"The Chronicle of Big Noisy" won the National Short Story Award.
Shajiabang is deeply loved by the audience.
magnum opus
Name: Wang Zengqi Gender: Male Date of Birth:1920 ——1997 Birthplace: Gaoyou, Jiangsu, China Wang Zengqi was influenced by the spirit of traditional culture since he was a child. 1939, he was admitted to the Literature Department of China, The National SouthWest Associated University, and studied writing under Shen Congwen and other famous artists. He is a writer who spans several eras and has made great achievements in novels, essays, drama literature, art research and so on. 1940 began to publish novels, poems and essays. The first collection of works was published in 1948, the second collection was published in 1963, the novel "The Biography of Cavalry" was published in 1978, and the novel "The Commandment" was published in 1980, which was well received, and then it got out of hand. He has published more than a dozen collections of works, such as Selected Short Stories of Wang Zengqi, Sending Flowers for Dinner, Selected Works of Wang Zengqi and Collected Works of Wang Zengqi. His novels are regarded as poetic novels, among which "Chronicle of Big Noisy" won the National Short Story Award. He also writes articles, reviews and plays. Shajiabang, co-edited and processed by him, is deeply loved by the audience. His essay "Duck Eggs in Dragon Boat Festival" was selected as the eighth grade Chinese textbook of People's Education Publishing House.
This passage edited by Wang Zengqi's famous epigram poem
From Shanghai Xinmin Evening News 1989 I am very interested in reading Wang Lao's Self-discipline of the Old. I quote the following for bloggers to read: I wrote for no reason: I was not good at math since I was a child. Studying literature, reading is very complicated. I write poems occasionally, but I'm glad to be published. Nothing can make a writer. I have been writing for half a century, and now I have money. There is nothing to boast about. what do you think? It is close to Confucianism. Humanism is its essence, and lyricism is its China. What style? Compatible and inclusive. Not ancient, elegant style. Be aloof from the world and have a good temperament. That's all. It's really nothing.
Edit this character's life.
Wang Zengqi is in the study.
Wang Zengqi, who received formal traditional education since childhood, 1939 was admitted to the Literature Department of China, National The National SouthWest Associated University. 1in the autumn of 939, Wang Zengqi entered the long-cherished literature department of China, The National SouthWest Associated University, and studied under Shen Congwen and other famous teachers. As we all know, teachers and students in this school can teach and learn freely. Wang Zengqi often reads books at night, sleeps during the day, or soaks in teahouses. However, the school system is relatively rigid and there is no room for accommodation. Wang Zengqi should have graduated from 1943, but he had to make up for it for one year because he failed in physical education and his English was not good. In this regard, the open-minded Wang Zengqi later said with emotion: "I think writers who can't speak foreign languages (mainly English) can only be considered as half writers at most. This is a painful and irreversible lesson for me. I'm 72 years old. It's too late to learn English from scratch. I sincerely advise young and middle-aged writers to learn English well. " After a year's study, I passed two courses. But this year graduates will go to Chennault's Flying Tigers to be English translators. He didn't sign up. According to the school regulations, he can only be considered as a dropout. So although he studied in this school for five years, he didn't get a diploma. Later, when filling out various forms, he only wrote that he was studying in the Chinese Department of The National SouthWest Associated University from 1939 to 1943. Although Wang Zengqi didn't get a diploma, his extensive reading at school was praised by later generations and influenced by famous teachers, which laid a rich spiritual foundation for him. His college life occupies an important position in his life. 1940 began to write novels, under the guidance of Shen Congwen, a professor of Chinese Department at that time. 1943 After graduation, he taught in middle schools in Kunming, Shanghai and other places, and published a collection of novels, Encounter. 1948 went to Beiping and worked in the History Museum. Soon after, he joined the China People's Liberation Army (PLA) South Group in the Four Fields. He went to Wuhan and stayed to take over the cultural and educational units. /kloc-transferred back to Beijing in 0/950 to work in literary groups and literary publications. He is a writer who spans several eras and has made great achievements in novels, essays, drama literature, art research and so on. 1940 began to publish novels, poems and essays. The first collection of works was published in 1948, the second collection was published in 1963, the novel "The Biography of Cavalry" was published in 1978, and the novel "The Commandment" was published in 1980, which was well received, and then it got out of hand. At present, there are more than a dozen published works, such as Selected Short Stories of Wang Zengqi, Fanhua Collection, Selected Works of Wang Zengqi and Multi-volume Collection of Wang Zengqi's Works. His novels are regarded as poetic novels, among which "Chronicle of Big Noisy" won the National Short Story Award. He also writes articles, reviews and plays. Shajiabang, co-edited and processed by him, is deeply loved by the audience. 1956, Peking Opera script "Fan Jinzhong Drama" was published. 1958 was classified as the right wing and decentralized to Zhangjiakou Agricultural Research Institute. 1962 transferred to Beijing Peking Opera Troupe as a screenwriter. 1963 published a collection of children's novels, Night in the Sheep House. Participated in the finalization of Shajiabang, a model opera during the Cultural Revolution. 1979 to start writing again. After the 1980s, he wrote many novels describing the customs of the Republic of China, which were well received. He has published a collection of novels, Dinner Flowers, Selected Short Stories by Wang Zengqi, and a collection of essays, such as The Late Tan. The chronicle of the uproar won the 198 1 National Excellent Short Story Award. Other works that are more influential than this are The Commandment and Different Ice. Most of his novels are about childhood and hometown, as well as people and things in his memory, showing a simple, natural, light and euphemistic harmonious interest. He tried to be indifferent, get rid of the noise and interference from the outside world, and carefully constructed his own artistic world. Consciously absorbing traditional culture, it has a strong local flavor and shows the inheritance of Shen Congwen. In the aspect of novel prose culture, it is the first to open up the atmosphere. [1] What makes Wang Zengqi different is that he received a formal higher education in The National SouthWest Associated University and was born in an ordinary class. Although he also likes to study, unlike those great scholars, he is mostly addicted to "primary schools" such as textual research of speeches and chapters, and does subtle work. He loved Shi Shuo Xin Yu and the notes of Song Dynasty, inherited the prose traditions of Ming and Qing Dynasties and May 4th Movement, and fell in love with Zhang Dai, a prose master in the late Ming Dynasty, which was also closely related to the literary proposition that the public security school in the late Ming Dynasty "expressed its will without convention". Wang Zengqi, who is well versed in China's traditional culture, has worked as a screenwriter for Peking Opera, and is well versed in the ancient oriental motto "Gorgeous is simple" and the modern western Brecht's "estrangement effect" theory. Coupled with the vicissitudes of personal life, he does not pursue the strongest voice reflecting the spirit of the times, but strives to construct the profound cultural connotation and eternal aesthetic value of his works in a subtle, ethereal and distant style. He grew up in Jiangnan and settled in Beijing. Looking through his works, there are many beautiful scenery in the south of the Yangtze River, small bridges and flowing water, and a small courtyard house and hutong in the capital. Rarely do you see the spectacular scene of thunder roaring and huge momentum. With his unique insight and aesthetic discovery of things, Wang Zengqi cut in from a small perspective, wrote trivial things, remembered pastoral customs, talked about flowers, birds, insects and fish, tested allusions, told stories off the cuff, and inadvertently set a vivid and wonderful pen, which made the classics and peaks of contemporary essays. Wang Zengqi is knowledgeable, has a wide range of interests, likes painting and calligraphy, likes to talk about medical ethics, has in-depth research on drama and folk literature and art, and has experienced many vigorous events such as enlightenment to save the country, seizure of political power, anti-rightist struggle, "Cultural Revolution" and reform and opening up all his life. However, he deeply felt the noise and tension of modern social life, which made readers form a psychological set of yearning for tranquility, leisure and tranquility, and pursuing spiritual pleasure, purification and sublimation. People have this experience: the beauty of roaring waterfalls is respectable and awe-inspiring, but isn't it pleasant to watch fish and shrimp and listen to running water by the clear stream? Wang Zengqi defined his prose as a sketch of trivial matters, which was adapted to the adjustment of China readers' cultural mentality and expectation horizon.
Edit the character evaluation of this paragraph.
Wang Zengqi, a senior cultural celebrity. What makes Wang Zengqi different is that he has received a formal higher education in the National The National SouthWest Associated University and is a well-trained person. Although he also likes to study, unlike those great scholars, he is mostly addicted to "primary schools" such as textual research of speeches and chapters, and does subtle work. He loved Shi Shuo Xin Yu and the notes of Song Dynasty, inherited the prose traditions of Ming and Qing Dynasties and May 4th Movement, and fell in love with Zhang Dai, a prose master in the late Ming Dynasty, which was also closely related to the literary proposition that the public security school in the late Ming Dynasty "expressed its will without convention". Wang Zengqi, who is well versed in China's traditional culture, has worked as a screenwriter for Peking Opera, and is well versed in the ancient oriental motto "Gorgeous is simple" and the modern western Brecht's "estrangement effect" theory. Coupled with the vicissitudes of personal life, he does not pursue the strongest voice reflecting the spirit of the times, but strives to construct the profound cultural connotation and eternal aesthetic value of his works in a subtle, ethereal and distant style. He grew up in Jiangnan and settled in Beijing. Looking through his works, there are many beautiful scenery in the south of the Yangtze River, small bridges and flowing water, and a small courtyard house and hutong in the capital. Rarely do you see the spectacular scene of thunder roaring and huge momentum. With his unique insight and aesthetic discovery of things, Wang Zengqi cut in from a small perspective, wrote trivial things, remembered pastoral customs, talked about flowers, birds, insects and fish, tested allusions, told stories off the cuff, and inadvertently set a vivid and wonderful pen, which made the classics and peaks of contemporary essays. Wang Zengqi is knowledgeable, has a wide range of interests, likes painting and calligraphy, likes to talk about medical ethics, has in-depth research on drama and folk literature and art, and has experienced many vigorous events such as enlightenment to save the country, seizure of political power, anti-rightist struggle, "Cultural Revolution" and reform and opening up all his life. However, he deeply felt the noise and tension of modern social life, which made readers form a psychological set of yearning for tranquility, leisure and tranquility, and pursuing spiritual pleasure, purification and sublimation. People have this experience: the beauty of roaring waterfalls is respectable and awe-inspiring, but isn't it pleasant to watch fish and shrimp and listen to running water by the clear stream? Wang Zengqi defined his prose as a sketch of trivial matters, which was adapted to the adjustment of China readers' cultural mentality and expectation horizon. In today's society, the virtual illusion of "great culture", "great discourse" and "great narrative" caused by replication technology no longer has aesthetic characteristics that can be experienced because of its illusion and rigidity. What really has the characteristics of experiencing beauty is only the ever-present "small culture", "small discourse" and "small narrative" in the real individual existence. Wang Zengqi's contribution to China's contemporary literary world lies in his deconstruction of "great culture", "great discourse" and "great narrative", in his declaration and call for the true realm of individual existence, and in his help in discovering the beauty of "trivial matters" around him. Beauty is around, and beauty is in duty. The reason why the spiritual temperament and artistic charm of Wang Zengqi's prose have a strong charm for readers lies in his examination of "trivial matters", which can belittle his own smallness and see the big from the small, rather than being arrogant and flattering his own smallness. It must be pointed out that Wang Zengqi's essay Trivia contains his unique life experience, but its effect is not just to entertain himself. He emphasized that his works should complement the people of the world and be beneficial to social life, and never isolate individuals from society and oppose it. From time to time, his works reveal the carefree interest and self-sufficiency advocated by Taoism, but they are definitely different from the gossip and decadence of Wei and Jin literati. Essentially, his understanding and description of life is optimistic, and he believes that "there is hope for mankind and China will become better". Modern art, too exaggerated, too exciting, too uses sound and light. Wang Zengqi wants to establish an original "natural art" or "green art" from content to form, create a real realm, convey real feelings and lead people to the pure land of spiritual world. The pace of modern life is getting faster and faster, and the "trivial things" around us are left behind in memory before they can fully present their meaning. From this point of view, people seem to have no other fun in life except being wrapped and squeezed by "busy" packages. Wang Zengqi's prose appeals to people: walk slowly and appreciate yourself!
List of works
Collection of Short Stories: Wear a Ring, Make Notes, Famous Chickens and Famous Ducks, Anecdotes: Accidental Collection, Dinner Collection, Cornus officinalis Collection, First Visit to Fujian, Prose Collection: Lost Water, Joop Collection, Living in a Lonely Garden, Human Plants, and Living in a Lonely Garden.
Collection of Wang Zengqi's literary criticism; Literature and painting; Late tan; Beijing Opera: Shajiabang (one of the main directors); Beijing Opera: Fan Jin reunited; Selected works of Wang Zengqi (1987); Wang Zengqi's collected works (* * * four volumes, novel volume, prose volume, literary theory volume, drama script volume 1993, Jiangsu Literature and Art Publishing House); Complete works of Wang Zengqi (* * * eight volumes, novels, essays, dramas and other volumes 1998, Beijing Normal University Press); Wang Zengqi (* * * five volumes, storytelling, five flavors, talking about teachers and friends, literature and painting, human vegetation, Shandong Pictorial Publishing House) Wang Zengqi's Collection of Books,1April 949, Cultural Life Publishing House. Night in the Sheep House, 1963, China Children's Publishing House. Selected Short Stories by Wang Zengqi, August 1982, Beijing Publishing House. Dinner Flower Collection, 1985 March, People's Literature Publishing House. Loneliness and warmth, 1987 September, Taiwan Province Xindi Publishing House. Selected Works of Wang Zengqi, 1987, 10, Lijiang Publishing House. Late Tan,1March, 988, published by Zhejiang Literature and Art Publishing House. Collection of Cornus officinalis, 1988 September, Taiwan Province Joint Publishing House. Be ordained (French version), 1989, China Literature Publishing House. Chopp's Works, 1989 March, Writers Publishing House. Stories after supper (English version), 1990, China Literature Publishing House. Collection of Tourism Cuisine, 1992 April, Guangdong Tourism Publishing House. Wang Zengqi's Prose Collection, 1992, 10, Renmin University of China Press. Wang Zengqi, Selected Works of Contemporary Writers in China, 1992, 12, People's Literature Publishing House. Wang Zengqi's Collected Works, June 1993, Shenyang Publishing House. Deep in pus, June 1993, Zhejiang Literature and Art Publishing House. Miscellaneous Notes of Yushu Village, 1993 September, China Overseas Chinese Publishing House. Cao Hua Ji, 1993 September, Chengdu Publishing House. Collected works of Wang Zengqi (4 volumes and 5 volumes),1September, 993, Jiangsu Literature and Art Publishing House. Essay on the Tower, 1993, 1 1, People's Publishing House. Leisure Learning, 1993 1 1, Shaanxi People's Publishing House. Different Ice —— Selected Life Novels of Wang Zengqi,1September, 1994, Gansu Literature and Art Publishing House. Wu, 1996 65438+ 10, Taiwan Province young lion culture company. Short essays,1March, 996, Changjiang Literature and Art Publishing House. Lost Water,1March, 996, China Youth Publishing House. Selected Prose of Wang Zengqi, 1996, Baihua Literature and Art Publishing House. Sitting alone with essays, 1996 1 1, Ningxia People's Publishing House. Last year was Ma, 1997, Beijing Yanshan Publishing House. Wang Zengqi, Contemporary Talents in China, 1997, Changjiang Literature and Art Publishing House.
Characteristics of Wang Zengqi's Prose
Wang Zengqi's prose does not care about the structure, nor does it pursue the profound theme, plain and simple, as homely as words. Wang Zengqi once said: "I think sentimentalism is the enemy of prose." Quite a big man, say something like a girl ... I hope to write my prose in a plain, natural and simple way. "So, reading Wang Zengqi's prose is like listening to a kind and knowledgeable old man talking. Words are ordinary, but interesting. Such as "Grape Moon Order". collect
Wang Zengqi's prose writes about customs, talks about culture, recalls old news, tells stories, sends homesickness, flowers, birds, fish, insects, melons and fruits. In Insects in Summer, he introduced the species, habits and children's catching of insects to readers. For example, he said, "Scorpions (commonly known as grasshoppers) are edible. It must have three tails and a big belly. Throw it into the fire of dead branches and it will be cooked soon. It tastes like shrimp. " It is said that children in Beijing will paint glue on bamboo poles to catch cicadas. The author used spider webs to catch cicadas when he was a child. He chose a strong long reed, one end of which was rolled into a triangle and tied with a thread. He saw an Okumo net and twisted it. The triangle was covered with cobwebs and it was very sticky. "Take a good look at the cicada, cover it gently and your wings will get stuck." When I read this, I couldn't help laughing, as if talking about my childhood. As a man, Wang Zengqi's prose is plain and unpretentious, which is because of his indifference and detachment from the world. Even in adversity, his mood is relieved. In the days when he was sent to work for the Rightists, he was ordered to draw a map of potatoes. He thinks that drawing pictures at the potato research station is "the life of a fairy". After painting a whole potato, you have to cut it to draw the outline. After the painting, "the potato pieces were useless, so I buried them in the cow dung fire and baked them." I dare say that no two people in the country have eaten so many varieties of potatoes like me. " Wang Zengqi's prose does not pay attention to indoctrination, but it is thought-provoking. For example, The Literature of Eating and Is Bitter Melon a Melon talked about the history of bitter gourd, people's likes and dislikes about bitter gourd, and Beijingers never accepted bitter gourd, and finally talked about the problem of literary creation: "Don't easily deny or exclude works that you are not used to." "A work can be regarded as realism or modernism, as long as it is really a work. A work is a work. Just like bitter gourd, it can be said that it is a melon or a gourd, as long as it can be eaten. "
Characteristics of Wang Zengqi's Novels
Wang Zengqi's novels are full of "Chinese flavor". He said, "I come from China" and "China people will inevitably be influenced by China's traditional ideology and culture". Confucianism, Buddhism and Taoism, "Comparatively speaking, I still accept Confucianism more"; However, "I accept Confucianism not in reason, but in emotion." It is precisely because of his love for traditional culture that he pursues returning to realism and national tradition in his creation. In terms of language, it emphasizes the use of China-style language. This is the direction of his artistic pursuit and the soul of his novels. The overflowing beauty in Ceng Qi's novels lies in discovering the soul and spirit of our nation, and expressing the traditional virtues of our nation with a near-pious attitude. He said, "I wrote about beautiful and healthy human nature." Good and healthy human nature, no matter how old the national tradition is, will always be fresh as dew. To this end, he wrote the famous "Being ordained" and "The Chronicle of the Big Fight". The innocent and hazy love sprouted between a pair of lively and lovely children in "Being ordained" contains the love of life and life, and is full of songs of humanity and human feelings. This inner joy is the same as that of ancient Yuefu and folk love songs. The love story in "The Chronicle of the Big Bang" is slightly tortuous. Lovely clouds and the pure and sincere love of the young and romantic blacksmith eleven sons have been brutally ravaged, but the extremely loyal love can make the living die and the dead live. This is the beauty that makes writers "yearn" and "surprise". It is deeply hidden among the people and in the tradition of our nation. However, while it shows beautiful and healthy human nature, it often sighs deeply about the ugliness of human nature. The Fisherman's Child reflects that money turns people into demons, The Pearl Lamp reveals the scattered concept of feudal chastity, Career describes how difficult childhood and the world are without childhood, and Chen reveals the cruelty of feudalism and patriarchal autocracy. Of course, the author has no intention to hide the weakness of our national psychology and character. "Different Ice" also satirizes the wretched psychology of ordinary people who follow a rigid and rigid life and turn to "different ice" for help because life is hopeless: in "Eight Thousand Years", the psychological self-adjustment of the rice shop owner is quite similar to that of Ah Q, and the author criticizes the psychological state of inferiority, mediocrity and numbness, but after all, sympathy and pity outweigh criticism. Because in the author's view, writing the past today requires repeated precipitation to get rid of anger, especially sentimentality. Therefore, even if the death of Lao She is written in The Sun in August, there is only a cavity of resentment hidden in the sad and cold silence. Getting rid of anger and sadness and being calm and indifferent can be said to be the main style of Wang Zengqi's novels, and it is also his own distinctive "psychological basis of lyric realism." However, as Lin Jinlan said, "Eliminating internal heat can also eliminate blood gas. In addition to clearing' sentimentality', it may also clear' trauma'. "
Edit the related events in this paragraph.
Wang Zengqi and Food
There are also many literati, who have delicious food from ancient times to the present. Zhang Dai and Yuan Mei in the late Ming Dynasty; Lu today. A man who likes food and is good at hands-on, sir, too. Mr. Wang Zengqi is not only famous for his writing, but also a good cook. He really can do anything. Mr. Wang, who is proud of his major, mentioned in many articles: "Taiwan Province Province came to Beijing, and I cooked several dishes for her, one of which was burning radish. The radish I cooked is really delicious because it is cooked with scallops. " The main ingredient of this dish is not uncommon ― just radish. Radish is radish, but the radish that Mr. Wang wants is rare. "Radish in Beijing tastes best only a few days a year. A few days ago. Radish doesn't grow well, with less water, bitter, spicy and not sweet; After these days, it has grown taller again, Bran. " Nie Hualing, a Chinese-American writer, has also eaten Mr. Wang's delicious food: dried silk "had a good time, and finally the soup was served." The eggplant is still the eggplant, and the radish is still the radish, but the eggplant that entered the Grand View Garden and the radish that arrived at Mr. Wang's house are not the eggplant and radish.
Calm and indifferent Wang Zengqi
Wang Zengqi's wife is Ms. Shi Shi was born in high flyers, National Southwest Associated University. She is now studying in the physics department, in the same class as Yang Zhenning, and later transferred to the English department for physical reasons. When Shi Fenghua was in his prime, someone asked her why she chose Wang Zengqi, who was not outstanding in appearance and background at that time. She said that she took a fancy to Wang Zengqi's talent. During the Cultural Revolution, Wang Lao was persecuted and his family was placed in a remote quadrangle in Beijing. I don't know if someone deliberately screwed him at that time. Wang Lao lived next door to a famous local ruffian in Beijing at that time. Someone kindly told Wang Lao to be careful. Later, after moving in, Wang Lao's wife wanted to paint, so Wang Lao planted some beans in an abandoned water tank at the window. Over time, vines gradually covered the next window, blocking all the light. It's a local ruffian who lives there. Wang Lao felt embarrassed and later gave a bag of beans to the local ruffians. Surprisingly, the local ruffian with a scar on his face was very modest and asked if Wang could send him a painting. It can be seen that the appeal of Wang Lao's personality charm in life. When Wang was old, the family still lived in a small house. Wang Lao's study is on a small balcony. A foreign writer read Wang Lao's works and made a special trip to visit him. He was very moved to see Wang Lao's humble abode. Later, under the persuasion of his family, Wang Lao was asked to apply to the government for a house, but the generation who had written many books all their lives were worried about how to write the application (in fact, they hated complicated procedures ~ ~) and finally gave up. Later, I got a house according to my son's position. Wang Lao is indifferent to life, regardless of fame and fortune. Personality charm is admirable.
Personality self-report
"I am not pursuing profundity, but harmony." "I wrote about beautiful and healthy human nature. Beauty is needed at all times. " "I like light style, but I don't like complicated and heavy style, both in painting and literature." "I once joked that I was a' lyrical humanitarian in China', and that was roughly the case." "I attach great importance to language. Maybe I pushed the importance of language to the extreme. I think language is not only a form, but also a kind of content. " "We have all kinds of trauma, but we should be happy today." -Wang Zengqi [2] Wang Zengqi's "Why I Write", the whole poem is as follows: I wrote for no reason: I was poor at math since I was a child. I was admitted to the university and made tea all day. Reading Chinese departments and books is very complicated. I write poems occasionally, but I'm glad to be published. Nothing can make a writer. I have been writing for half a century, and now I have money. There is nothing to boast about. What do you think? It is close to Confucianism. Humanism is reasonable and lyrical. What style? Compatible and inclusive. Not ancient, elegant style. No quarrel with others, good temperament. That's all. It's really nothing.
Edit this paragraph "Be consecrated"
A beautiful metaphor
Wang Zengqi created a beautiful Wang Zengqi with his own ideals, a free-growing and unconstrained person.
Metaphor. The world forgotten by the fragrance of reeds, the shadow of a young monk named Qiu Zi in a quiet temple, and the spontaneous innocence raised by a peasant girl named Xiaoying in a water town, the precepts are so natural and fresh that a piece of dust can't breathe. It exposes the beauty of simple people who have been walking, living, crying, laughing and talking in it, leaving no room for evil and making readers in vain. It arouses the regret of that completely different beauty, so deep that it hurts people's self-confidence. As civilized people in a narrow space, we rarely have a nature beyond reason. Those are called impulsiveness and mistakes, or they are covered with unreal colors. Therefore, when we suddenly stop to face a dreamlike allusion about beauty, we find that a talent has long been abandoned. This is a sign from the ordained.
Deception master
Wang Zengqi is a master of demagoguery. He asked readers to slowly draw silk from cocoons to adapt to distant stories. The author not only strives for the essence of inner beauty, but also organizes this meaning into a harmonious, vivid and relaxed whole, which not only conquers people's thoughts, but also conquers people's feelings. He chose authentic local customs and fresh and lively language effects. With regard to Gaoyou water town, the author obviously devoted his most cordial memories and deepest understanding to describe everything. What we see are fresh people and people, but there is no intrigue, no desire to pursue fame and gain, no trivial philistinism, and what is the most transparent. This brand-new artistic conception is fascinating enough, and both male and female protagonists have condensed the essence of this "simplicity". They are simple and free, but they respect nature more. We might as well look at the precepts in this way: although it is a flower in full bloom in the fog, it announces another way of blooming. Even if it is unattainable, it is a comfort to look at the flowers in the fog. The author creates a relaxed, lively and cheerful emotional tone in the full text, which is inseparable from his humorous and beautiful language style. He is used to describing things that are contrary to common sense with some disapproving styles, giving people a brand-new psychological and visual conflict, and making this converted text full of attractive temperament from head to toe. It is rare and not completely divorced from reality, just like the wind in the field without dust. We can regard it as such an inappropriate air, which tells us that life can still be like this.
Publicize the revived humanity.
In human nature, there are the most primitive desires and demands, but at the same time there are also the simplest pay and pay. Why should we use invisible things, the so-called ethics? In interpersonal communication and human existence, if there is no free participation of people, then the free material world can not fill the emptiness of this spiritual world. Man's face is always a mask, and he can't see the real expression below: man's life is like a beast in a cage, even if he is given the freshest and most beautiful meat, it can't compare with the supreme happiness given by freedom. Maybe it's Wang Zengqi's world
There are many things in the world that can be bound, but human nature can never be bound. It will try its best to break through all obstacles and find the home of the soul. This is its unshirkable responsibility, and it is its unremitting pursuit and goal after hardships. Sometimes, emotion will overcome reason. Maybe it's time for human nature to wake up. People's initial kindness and bravery are truly healthy human nature, and the pursuit under this human nature is the beautiful pursuit; This victory under human nature is the victory of justice. The goodness of human nature is the essence of life in the world; The goodness of human nature is the pillar of social soul. It promotes the revival of human nature and leads the revival of human nature, which is the greatness of Cixi.
I was educated by Shen Congwen.
Wang Zengqi was educated by Shen Congwen when he was studying in the National The National SouthWest Associated University, and his writing was greatly influenced by Shen Congwen. The short story "Fire" is somewhat similar to Shen Congwen's "Border Town", both of which consciously express a life attitude and ideal realm. When "Fire" was first published, it received a lot of praise and caused a lot of controversy, because its writing was really different from the novel writing that people were used to in the 1950s and 1970s. Not only does it have no centralized storyline, but its narrative seems to be unrestrained. Reflected in the novel text, the narrator has a lot of insertion elements, which may be considered as digression if the principle of "plot" concentration in traditional novels is followed. For example, the title of the novel is "Fire", but the scene of "Fire" does not appear until the end of the novel, and it is outlined through Xiaoying's eyes. The author does not regard it as the center or hub of the plot. Elements are constantly inserted at the beginning of the novel, describing the local custom of becoming a monk, the lifestyle in Little buddhist nun in Minghai, the Eiko family and their lives, the relationship between Minghai and the Eiko family, and so on. Moreover, there are other insertions in the novel, such as a passage about the life style of monks in buddhist nun and the characteristics of several monks in buddhist nun. When introducing the cleverness of the third master, we will also talk about his "flying cymbals" stunt, his popularity when shooting flames, the custom of local monks eloping with women, the folk songs of the third master and so on. Although there are so many details, the narrative of the novel is natural, like the flow of water, quiet, lively and flowing. Wang Zengqi himself said: "Although there is not much water in the commandment, it is full of the feeling of water." "Water not only unconsciously became the background of some of my novels, but also influenced the style of my novels. The water is sometimes surging, but the water level there is always soft, peaceful and quietly flowing. "