1, Introduction

This is an essay, which consists of five phrases. The melody of the overture is tragic and restrained. Pay attention to the coordination of breath when playing. Be careful and dignified when playing skateboarding.

The first note 2 is a prelude to the dulcimer, and the last note fades away. Weak notes are very slow at first, so slowly add empty strings and knead them. After the middle bow, the bow speed is accelerated, and it is getting stronger with passion. When playing this sound, we should emphasize the sound of rolling the string and carrying the bow, and then the third and fourth sounds of the first phrase are slightly compact, which leads to the fifth sound.

2. Adagio:

The first 12 bar of Adagio is the theme sound of the whole song, which is affectionate and euphemistic, showing the reluctance and melancholy when parting from relatives, just like the villagers gathered at the head of the village, the touching scene when parting from Song Wu should be read with a deep voice and a little sadness.

Adagio should pay attention to the gradual emotional deepening and progression between sentences, and grasp the subtle tone and breath adjustment between breath and lyric sentences. And the correct use and grasp of style performance techniques. Be emotional and free. Especially in the performance of the last four bars, "affectionate" and "calm" are indispensable, and they should be played weakly and vaguely. Show infinite expectation and yearning.

3. Allegro:

Allegro is a slow-rising and fast-rising speed arrangement, which requires strength to show the characteristics of rigidity and directness. When playing, you should be bold, coherent and smooth, with angular and tense bow changing method and tight state, showing great meaningless spirit. Especially where sentences are repeated, it is necessary to show lively and free-spirited emotional color.

4, the end:

The end of the music is suddenly slow and the rhythm is relatively free. The musical character is still rough and crazy, and it feels very broad. The bow should be fuller, fuller. Don't hide the ending glide of 2 in 18 1, but imitate the effect of suona glide. Slide to the sound of a 4-liter and then hard-collect.

When the atmosphere has finished playing 182 and 183, you should pause to take a deep breath at the air port, and then "swing" the ending sound of the last three bars with a wide bow. The end note draws lessons from the performance characteristics of Jinghu in the performance technique, which shows that the head and tail are played with a small bow, and the sliding process of the left hand is a little slower and faster. For this reason, the rhythm can be regarded as slow and fast, and finally the song ends with a long sound.