Matting is the basis of the later articles. Without it, the following article will seem very sudden;
The ambush pen is different. It can control the end of the article. Without it, the desired effect and ending will be very different, even very different. To a certain extent, an ambush pen is more important than bedding.
Paving the ground and setting the stage all illustrate the function of the structure of a sentence or a paragraph.
Maturity is often used at the end and in the middle to pave the way for the back.
Foregrounding is often used in the middle to pave the way for the following. They are generally interchangeable.
Maturity is generally used at the beginning of an article. Generally speaking, there is a connection between the front and the back, and the front theme is shallow and the back theme is deep. The foreshadowing is an event that has nothing to do with the following content, and a simple thing can simply tell the center of the article. If you are still young, you can treat the two as the same.
Bedding: The development of the story is gradual, gradual, evolutionary, hierarchical, causal and logical.
Foreshadowing: Not only the main line, but also the main line is only faintly visible. When unfolding, give the reader some hints in advance, so that the plot gradually looms, and the reader can find that there are all kinds of foil and contrast, but there is no direct connection on the surface.
The foil has been introduced. No matter what kind of foil it is, it emphasizes that two things make one of them stand out more by comparison. Stay in a "lining", with special emphasis on things that are similar or relative. For example, in Cui Hu's "South Village of the Capital" mentioned earlier, the poet compared two relative scenes, namely "Peach Blossom's face is red" and "Peach Blossom still smiles at the spring breeze when its face is unknown" to express his inner disappointment and loneliness. Through the comparison of these two things with the same quality, highlight the sadness of today this year with the joy of today last year.
I have also introduced contrast before, emphasizing the description or arrangement of a thing from the side to make its image more prominent. Landing is not necessarily something similar or relative, but emphasizes "baking" things horizontally. For example, Meng Haoran's "Early Cold Feeling" mentioned earlier, the first two couplets describe the scenery and render the artistic atmosphere; The last two couplets express their homesickness and gloomy future. Although artistic conception style and artistic conception have internal similarities, they are not similar or relative to "quality", and there is no relationship between highlighting one side through comparison, so they are not foil. The cold and sad artistic atmosphere is like an external decoration for the author's mood and emotion. This artistic atmosphere exudes the author's inner anxiety and confusion. Although it seems to be writing a scene, it is actually describing the author's emotions from the side and outside. Therefore, the description of scenery and the rendering of artistic conception are a foil to the author's emotional expression.
Both foil and contrast focus on "support", even if it is to highlight something, an image or an emotion. However, the means of the two are different, and the contrast is mainly accomplished by comparing things (or images or emotions) with similar or related things (or images or emotions); Contrast is mainly achieved by describing the external side of things (or images or emotions).
Setting off is a rhetorical device, which uses other things to set off and contrast, so as to make the characteristics of something more prominent. As far as the nature and relationship between lining and subject are concerned, foil can be divided into positive foil and negative foil.
Positive contrast is to set off and compare the format of the ontology from the front with the scenery or scenery consistent with the ontology.
For example, "the ancients are still acceptable" and "awl thorn stocks" study tirelessly. For the great ideal of productism, you will be absorbed, forget all about eating and sleeping, and study hard. (Guo Moruo, Spring of Science)
This example is driven by the ancients' "head hanging beam, awl stabbing stock" to set off the ideal YMCA's research spirit of "tackling difficulties" today. This is a "positive contrast".
Contrast is to set off the opposite or opposite views or things from the opposite side to set off the ontology.
For example, "when you get off the horse and sit on a rock and smoke, although the sun is shining outside the forest, the cigarette butts shine in the dense forest that covers the sky." (Bi Ye's Tianshan Scenery)
In this case, when the author rode into the Tianshan primeval forest, he could see cigarette butts flashing with red lights, highlighting the dense growth of the forest and the dark Woods, which was a kind of "contrast".
As the saying goes, "Although safflower is good, it needs green leaves to support it." This sentence can explain the truth of foil. The same is true of writing articles. The use of contrast will make the object of description more vivid and prominent. There are two main types of foil in its application.
Set off feelings with scenes, that is, set off and render the feelings or characters through concrete and vivid scene descriptions.
For example:
(1) It's the end of winter, and when we get home, it's cloudy again. The cold wind blew into the hut and purred. Looking out from the gap, there are several desolate villages in the yellow world, far and near, with no vitality. (Lu Xun's hometown)
This passage describes the desolate, cold and suffocating scene of my hometown, which sets off my sad mood. This place is set in the background of scenery.
The woman made a seat. Soon, a large piece was woven under her. She sat on a piece of snow and white clouds. She sometimes looks at the lake, which is also a silvery white world. There is a thin transparent fog on the water. When the wind blows, it smells fresh lotus leaves and lotus fragrance. (Lotus Lake in Sun Li)
By describing the scenery of reed mat woven by aquatic eldest sister-in-law, this example renders a fresh and quiet atmosphere and sets off the image of aquatic eldest sister-in-law who is hardworking, simple, docile and kind. Here, the scenery is refreshing.
Contrast and render a quiet natural environment or a quiet inner world by comparing static and dynamic, that is, by describing specific sounds or actions.
Riding through the forest, I only heard the sound of water splashing on the rocks, which added to the silence of the forest. (Bi Ye's Tianshan Scenery)
In this case, riding through the forest can hear the sound of horseshoes splashing to set off the Tianshan Mountains.
In the analysis of narrative works, we often encounter foreshadowing and foreshadowing. But how to distinguish between foreshadowing and foreshadowing in specific teaching? In my opinion, the so-called foreshadowing is a common expression in writing. It can be understood as an ambush clue from the previous article to the latter article, and it can also be understood as a hint from the top to the bottom. Its advantage is that the explanation is implicit, so that the structure of the article is tight and compact, and readers will not feel abrupt doubt when reading the following content.
Pay attention to the application of foreshadowing:
(1) Fu Bing, if you mentioned guns at the beginning, you should mention shooting in the second or third paragraph. No falling should not be a failure, only falling should not be a failure.
(2) The foreshadowing should be clever and not deliberately revealed. The foreshadowing is generally invisible to others, so it should be as popular as water and written naturally.
(3) attention should be paid to the bedding, and the front and back should not be too close. If the foreshadowing is too dense, it will make the article look dull and boring to read.
Cutout is a technique of expression, which focuses on description, rendering and contrast, creating conditions for the appearance of main characters or the occurrence of major events.
The characteristics of (1) foreshadowing: it is a process of accumulating and brewing the main plot.
(2) The role of foreshadowing: foreshadowing is the cornerstone of the main plot, which can increase the tension of the plot, create suspense and make the plot reasonable.
(3) The principle of bedding: it is natural and reasonable to introduce but not to send.
(4) Types of bedding: ① From the perspective of plot development, there are positive bedding and reverse bedding. Positive bedding means that the direction of bedding is exactly the same as the development direction of the plot, which is also called positive bedding. Reverse exposition is the opposite direction of plot development. Unexpectedly, it is also called reverse shop. (2) From the method of bedding, there are foreshadowing, suspense bedding (also called bedding) and bedding (rendering the atmosphere and creating momentum by paving things). Baoyu's beating is a foreshadowing, and the overture of A Dream of Red Mansions is a suspense.
The difference between foreshadowing and bedding is obvious. From the perspective of use and function, bedding is a foil. Although the author works hard on minor figures or events, his focus is on major figures or events. The foreshadowing is "to hint or prompt the characters or events that will appear in the work, so as to echo before and after". Often used with "care", that is, there is a foreshadowing before care.
From the morphological point of view, in order to achieve the purpose of foil, the part that plays the role of foil is often greatly exaggerated for fear that readers will not see it, so the foreshadowing can be said to be "dominant"; The foreshadowing, generally speaking, lies in the word "V", which is usually hidden. That's what the so-called foreshadowing means. So the foreshadowing is "hidden". Clever bedding, before seeing "care", seems to be "idle pen"
The pen and ink used in bedding are often more colorful (of course, the degree is not as good as the description of the main characters or events); The foreshadowing is usually just one or two strokes, so stop here, otherwise the meaning of "V" will be lost.
For example, there are two episodes being broadcast by Sichuan Satellite TV: "When Liang and Liang are reconciled, it is unnatural for our good friends to come outside the room where they have a heart-to-heart conversation", which lays the foundation for "Rong Rong and Liang Yashuang get better". Because, without this hint, the good looks of goose down and beam were suddenly and unexpectedly taken away. Similarly, in TV series, so is Liang. Crossing the land reclaimed by his father and entering the deserted land as a development zone, Liang was surprised to find a rice seedling here and took it home in a flowerpot, paving the way for "Liang tried to rent abandoned wasteland" and fully showing Liang's love for the land. Without the lens where he saw the rice seedlings standing high and cherished, the land rented in the back would be a little shaky.
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