In the past, Jiezhi River in the sea, dressed in robes, braved the rain to catch the wind, traveled back and forth between abandoned villages and wild waters, gave money to grain without deducting a penny, and never asked for a penny from the official clothes. This must be the case before it can be done. Love idleness and hate labor, forget righteousness for profit, avoid resentment for fear, then things are not lifted, and water conservancy is not prosperous.
Selected from "deer park and snow" Qian Muzhai was originally a minister of the Ming Dynasty and an official of the Ministry of Rites. When the Qing soldiers went down to the south of the Yangtze River, they led Hong Guang court officials to surrender to Duoduo, and sent people to post notices everywhere, calling on the people not to resist, so as not to turn into dust, causing losses to Dajie and making the people despised. Just as Emperor Qianlong cursed Qian Muzhai for being "heartless" and banned his works, Jiangnan literati increasingly despised him as the first of the "Five Immortals in Jiangsu and Zhejiang", Qian Yong resolutely carved the four characters "Dong Jian Old Man's Tomb" for Qian Muzhai's long-abandoned tomb and stood in front of it, which attracted the audience to laugh. How brave to sail against the current!
Qian Muzhai's Collection of Beginners, Collection of Scholars, A Brief Introduction to Heroes at the Beginning of the Country, and Poems of Past Dynasties are still important works of historians in Ming and Qing Dynasties. Qian Yong's engraving of Qian Muzhai's tomb is a respect for Qian Muzhai as a scholar, not to kneel down and surrender to Qian Muzhai. One equals one and two equals two. Qian Yong was right. In the "blood robe" section of "Luyuan Conghua", Yang, who was martyred against the Qing Dynasty, showed more respect, and there was admiration between the lines. It is generally believed that women's foot-binding lasted for more than 700 years from the Song Dynasty to the Yuan, Ming and Qing Dynasties until the Republic of China. The so-called foot-binding is to wrap a woman's feet in cloth from childhood to make them small and sharp, which is called "three-inch golden lotus". Qian Yong was well versed in classics and history since childhood, and read widely, especially in historical research. In the "Foot-binding" section of "The Garden", he went to great lengths to trace the reasons for foot-binding. He found that the ancients respected women's foot binding because they liked to watch women dance in small and exquisite dancing shoes. They think the smaller the dancing shoes, the better. Naturally, they also want women's feet to be smaller than one. According to Qian Yong's textual research, foot binding "began in Li Houzhu in the Southern Tang Dynasty, and was wrapped or not wrapped in the Song Dynasty". So he wrote in the book: "The virtue of a woman takes softness as the first meaning and modesty as the second meaning. The size of her foot should not be underestimated." In the Qing Dynasty, when every woman had to foot-bind, Qian Yong called on people to get rid of this bad habit, making him as famous as Yuan Mei, Li Ruzhen, Yu, Gong Zizhen and others who also opposed foot-bind.
Meixi layman, Xiaohan tablet, tablet, landscape tablet, landscape tablet in ancient times, there were people who wrote tablets in Han Dynasty, Wei Bi used official script in Wei, Jin, Song and Six Dynasties, and the people who wrote tablets started from Taizong Ming in Jinci, followed by.
I like to learn Gu Shu when I am weak. Although I always learn to read them, I don't pay much attention to them. As soon as Mr. Lin Richard saw the swimming book, he said, "I'm on the wrong foot." Because he asked, "What would you do?" Mr. Wang said, "You must learn Weng's calligraphy, and then you can retreat." Later, Feng Dingyuan's "Valley Poetry" thought that once the disease of Chaya in Jiangxi was written, nine cows could not match, which was exactly what Mr. Wu said. From this perspective, the poems and books in the valley should not be polluted at all. I said that Wen Hengweng's old books were also infected with valley disease, which was worse than Shi Tian, the god of Weng. (Song Sijia) Only Mo Jun was the only one who learned from Duke Lu. Guy's calligraphy and painting are honest. Duan Fang's Wan 'an Bridge Monument handed down today is Duke Lu's Zhong Xing Fu and Xiang Zhou Zhou Tang Jin Ji, which are the home temple monuments of Duke Lu, and they are cursive only. Wang Daling does not belong to the school of seat contention.
Secret books should not be too biochemical, and Cai books should not be too biochemical. Poor scholars will naturally not let go, only vulgar. Books from the Tang Dynasty have been handed down today. Ou, Yu, Chu and Xue have their own families, and Liu, Li and Xu do not follow each other. Poetry, for example, can be divided into four periods: early, prosperous, middle and late, but it can't be said that the monuments in the Tang Dynasty can give preference to boys. Before Dali lived in Europe, those who lived in Chu lived in Yan, and those who lived in Li lived in large and medium-sized cities. Between Xian Tong, they all studied, Su Lingzhi, and became the "holy religion". Going to Europe was the "courtyard", and Yu gradually drifted away. Scholars today should take Tang steles as their ancestors. How short, how long, how fat and how thin the Tang people are; The categories of Song people, such as Cai, Su, Huang and Mi, are all flawed. Scholars must know.
Recently, there are three writers in China: one is Gong, the other is Liang Shanzhou in Qiantang, and the other is Wang Menglou, a Dantu. Or clear books like meditation, give lectures like cloth, silk and millet, and satrap books like leaning against the door to sell. I think this theory is too harsh. Wen Qing's book began with Song Xue, but it was misrepresented in the post of Chunhua Pavilion, and then, like Shang Ding and Zhou Yi, it was out of date and inapplicable. In his early years, he lived in Zhao and Dong Wei, so powerful that he disdained to rely on the ancients. So his book is completely meaningless, just like the children in their hometown just keep warm for their lives. It's only when you're the most satrap that you're clear and wonderful, and when you learn to think, you get a little habit on the river. Liao, a middle-aged Zhang Liao, found the original copy, so he took a light path, with a posture as good as Qiu Nian's.
Si Weng alone convinced Mi Yuanzhang of Song Sijia that there had been no such thing as a monk praising a monk since the Tang Dynasty. Gaston's talent is extremely high, Zhao Wuxing has not yet been put in the eye, and he is eager to learn from others. His writing style is really above Su and Huang, and he only treats Weng as an enemy. However, what about the two men who can stand upright, big or small and can't drive? I mean, everyone thinks it's too talented, and it's easy to despise the ancients if they are too talented. Therefore, the books are as powerful as a horse, and all of them are brilliant.
Dong Siwen tasted the books and learned from Yan. I said otherwise, I learned it from the Tang Dynasty. I think Weng's words are wrong. For example, Dongpo learned from Li Beihai and participated in it. Valley study Liu Cheng's painting of orchid bamboo hanging directly; Bird's research on the Chu River has both a sudden trend and a vertical trend; You are the only one who learns from Duke Lu. ..... In short, Song Sijia is not studying, and he has a disease. Sue, Huang and Mi Zhu are even more ignorant and hopeless.
The previous Case-solving Book had more money than Hong Fei's Flowers on the Sea. I said, Bo Gong's talent is extremely high. It is not the calligrapher's intention to write some words casually to improve his body, but it is beyond his power. His "On Book Poetry" said: "Although I am not good at writing, I am like me. If I can understand what I mean, I will ask myself not to learn. " He said: "dignified, colorful, vigorous and graceful." Can really get the mystery of calligraphers. But his Gofa is extremely flat and doesn't need a center. For example, books such as "Expressing Loyalty and Keeping Monuments", "Zuiweng Pavilion" and "Liuzhou Luosi Temple Monument" are full of interest, but they are not monuments. ..... More than 50 years have passed, and I haven't been to China, and I can't get married. I'm going to write a plain book at last, but I haven't written it in three or four years, and it's full of flaws. As we all know, Pogong's books are not easy to learn.
Or ask Yu what books he can't learn? Yu said, "It's just scattered snow!" Song Xue's pen turns round and straight, and Wang Shi is second to none. Previous dynasties, such as Zhu Jingzhao and Wen Hengshan, all came from it, and current dynasties, such as Jiang and Wang Tuigu, all learn innocently. Only the tablet is not. The book of steles must learn from the furniture of the Tang Dynasty, such as Europe, Chu, Yan and Liu, in order to be authentic. Xiaoxue is not a genre of wordpad. Or: "But why not learn from the Tang Dynasty and learn from Song Xue? Yu Yue said, "If we want to learn calligraphy inscriptions, we should have both inscriptions. We should use fewer inscriptions and more books. We have to read 300 articles on national customs, elegance and vulgarity, and we can't ignore calligraphy.
Zhang Chou said: "Zi 'ang's calligraphy is moist and elegant, which is far from the right army. For the first time, Ziang's calligraphy is charming and delicate, lacking the spirit of grasping the big festival. An unorthodox theory. Chu Zhongling's book is better than Luo Qi's Mei Chan Juan, but his suggestion is that a famous minister in the Tang Dynasty. Is it necessary to judge their character only by pen and ink?
Siang's paintings and calligraphy are masterpieces, painted in Beiyuan, big and small, and meters long. Only calligraphy has no past, no present and no name, but it can stand out from the ancients. I saw a picture of Siang flooded by a pen, and there was a cloud: "Eighty years old and another. I also saw a book in the homes of Zhong, Wang, Yu, Chu, Yan, Liu, Su and Huang, entitled: "I spent my whole life imitating these posts to get rid of the habit of bondage." "Book eighty-one. My husband's talent and academic ability are still very good at writing and drawing, and he is old and enduring.
Mi Yuanzhang and Dong Siwen are both gifted and talented people. They never stop writing and think that ancient books don't have to be like the deceitful words of this wise man. It is normal that our academic ability is shallow, we know little, and we are resourceful. It seems that we can't look alike.
Qian Yong's calligraphy and epigraphy are highly recommended by the giant Weng Fanggang. Just look at Weng's Preface to Carving Stones. Recorded here for reference:
Qianmeixi stele
Stone collectors Ouyang, Zhao and Lou all recorded it, but there was no map. The miniature of stone carvings in the book has also continued from Hong's official residence to this day. However, this is just a number, not a figure. Recently, Niu Jia in Ziyang and Chu Jia in Heyang began to shrink their works. Therefore, people who like the past are glad that it is easy to check. However, the tablet system is accurate, measured, etched, and the secret of ancient paintings is unexpected. Although the paintings in the south of the world are impressive, the coverage of RoyceWong is unparalleled. Therefore, anyone holding a family photo of a cow and touching the latter will never forgive others. But if you want to work for Niu Tu today, it's hard to know the author's diligence. However, there is no need to expect the audience first. On stealing taste, textual research is related to Linchi and Gai. People who are engaged in calligraphy work must seek their extensive history to discuss and analyze, while people with simple knowledge must be responsible for their ability to be good at three truths and six grasses, but so what? However, things should be able to have both, be short of one and lose thousands of miles, so thumbnails have been. Zheng's theory of Confucian classics also said that Yue's policies in the Spring and Autumn Period were all four feet and four inches, with filial piety and modesty, while the eight-inch policy makers in The Analects were all separated and modest. Ben's ambition is also artistic, saying that wine should be simplified and the name should be simplified. Those who simplify 25 words will be stripped of 25 words and those who simplify 22 words will be stripped of 22 words. The ancients were not afraid to analyze this point in the form of abridged version, but they didn't know that people who wrote the styles of Fu Kedou and Gu Li had little knowledge of Taoism and art. Today, I will go downstream and trace back to the source, because I finally know the source, and the Han and Tang Dynasties have mixed the truth, and then I will correct it first. Although the handwriting is slightly different, I can also measure the scenery of Guier County and Yujin City. Can you do enough for those who have not struggled for decades but are eager to move? Money is better than essence in the golden chamber. Any trace of auspicious gold and precious stones is compiled by a towel box and photographed with a lamp, which is unpleasant. In the way of combining the two, it should be timely and effortless. Those who list the difficulties of each family, once they have it in peace, give them a reason to observe their success with the help of a gentleman who likes the ancient and praises the strong. What about those who are better than others? On the day when scholars are fully prepared for ancient books, those who are late-born, elegant and trustworthy need not brag about crossing the map of Niujia.
Publisher: Ouyang Xiuye. Zhao Mingcheng. Lou Zhe, Lou Ji. Stone red, stone red. The earthquake luck of cattle. Chu Shi Jun.
A piece of Luyuan Conghua
Young people always say: I won't do it. "This is very wrong. No matter what you do, you can always learn something as long as you do it; How can you learn without doing it? Also, every time I do something, I always say, "Wait till tomorrow. "This is also very wrong. Whatever you do, you should do it (you should hurry). If you put it off any longer, it will delay your life. The Song of Tomorrow written by Mr. Hetan in Home is very good. The appendix is here: "Tomorrow follows tomorrow, and there are so many tomorrows. I live until tomorrow, and everything is wasted (empty)! The world is tired (bound) by tomorrow and will go to Qiu Lai as a veteran in the spring. Morning (morning)
Watch the water flowing east and the sunset setting in the west. What will tomorrow be like in a hundred years (a person's life)? Please listen to my song tomorrow. "the discovery process
In 2005, Peng Ling discovered it in Nanjing Chaotian Palace.
In 2006, Xin Deyong, a professor of history in Peking University, was regarded as Qian Yong's handwriting.
In June 2008, the supplement of Hong Kong Wen Wei Po published the lost article of Six Chapters of a Floating Life and its preliminary research.
At the end of June, 5438+in October, 2009, experts and scholars of Taiwan Province Baoyu Association reminded Peng Ling of the Ryukyu information in the literature and found evidence that Diaoyu Island belongs to China.
On February 3rd, 2009, 65438, Hong Kong Wen Wei Po reported that "the lost articles of Qing Dynasty were published 76 years earlier than Japanese documents, which proved that Diaoyu Island belonged to China".
On September 20 10, experts from the Pacific Society examined and identified it, and determined that it was Qian Yong's handwriting.
20 10, 10, literature was auctioned in Beijing for13.25 million yuan.
Lost codex becomes evidence of Diaoyu Island ownership.
In 2005, Peng Ling, a bookseller from Shaanxi Province, came across a manuscript named Notes Beads in Nanjing, which was later identified by many scholars as a miscellaneous manuscript by Qian Yong, a calligrapher in the middle of Qing Dynasty. Because some entries come from Six Chapters of a Floating Life, it is considered as the fifth lost book of Guo Hai Ji. In this part of the text, some descriptions about the Diaoyu Islands have become another new proof of China's sovereignty over the Diaoyu Islands.
According to Peng Ling's introduction before, the page of "The Atlas of the Sea" recorded "Worship the black ditch from a distance, and then worship the Tianhou Palace. Suddenly I saw Bai Yan as big as a gull, flying around Qiang, and the wind changed in the morning. On the morning of the 14th, I vaguely saw Aunt Mi Zhu enter the Ryukyu boundary. " This passage confirms that Heishuigou is the dividing line between China (Qing court) and Ryukyu Kingdom, and that Diaoyutai Island is obviously within the territory of China and does not belong to Ryukyu, which is in line with historical facts.
According to media reports, the original Qian Yong was copied in Daoguang for three years (AD 1823), and its preservation time was 6 1 year earlier than the so-called discovery of the Senkaku Islands in Japan.