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What is the narrative perspective of Zhao Shuli's novels in the 1940s?
Li Shu is a master as famous as Ba Jin, Ding Ling and Lao She after the founders of new literature such as Lu Xun, Guo Moruo and Mao Dun. "Yam Yaodan Literature School" has become a well-known "local literature brand" in the history of modern literature. The "peasant literature paradigm" and colloquial "language style of workers and peasants" have injected fresh vitality into literary language: The Marriage of Little Black, Li Youcai Banhua, The Changes of Li Jiazhuang and Sanliwan have epoch-making significance in the history of China literature with their unique narrative art forms and aesthetic values; The unique rural novels of nationalization, popularization, popularization, China and China style filled the blank in the history of China literature development.

In order to fulfill the promise of writing about the countryside and farmers, Zhao Shuli sticks to the simple nature of a "local literature stall" writer and never pretends to be a great writer. He said: "I don't want to go to the literary world, and I don't want to be a literary writer. I just want to go to the' literature booth' and write some notebooks at the stall selling small songbooks to catch up with the temple fair. Two or three coppers can buy one. Step by step to seize the position of feudal small songbooks. " He also said: "China's literary world is too high for ordinary people to climb. I hope it's best to take it down and spread it out into a small stall. Because of those Europeanized long sentences, dry and abstruse narratives, all kinds of strange expressions, and works without life content, there is no market among rural farmers at all. "

Li Youcai's "Banhua" is another masterpiece after "Little Black Married". In Li Youcai's "Banhua", Zhao Shuli boldly turned the "poetic talk" in the traditional novel into a popular "banhua". The poet is called "Half Man", a classic with strong local flavor and rich life interest, which is dedicated to readers with novel expression techniques.

Li Youcai Banhua describes the construction of grass-roots political power in the anti-Japanese base areas. Mao Zedong's "Strategies in the Anti-Japanese United Front" pointed out: "During the anti-Japanese period, the political power we established was the political power of the national United front, the political power of all people who were in favor of anti-Japanese and democracy, and the democratic dictatorship in which several revolutionary classes United against traitors and reactionaries and prevented landlords and gentry from holding power." This work describes Yan Jiashan, a village in Taihang Mountain. Yan Hengyuan School in Yanjiashan Village belongs to the object of democratic dictatorship. They controlled the Yan Jiashan regime for many years. Yan Hengyuan, the village head, stepped off the stage and retired behind the scenes. Yan Xifu, the nephew, continued to be the village head and made public appearances. They run amok in the countryside and do all kinds of evil. He also defrauded the honor of "model village" by various means. The "older generation" and "younger generation" under the old tree have been oppressed by the "Yan Hengyuan School" in the West from generation to generation. For this work, various research experts and literary masters have praised it. Mr. Dong Dazhong said: Zhao Shuli is an innovator of art form, and Li Youcai Banhua is his great contribution to the nationalization of literature. Guo Moruo, Mao Dun and other masters have pertinent comments.

Zhao Shuli is a people's writer with outstanding creative achievements after the publication of Chairman Mao's Speech at Yan 'an Forum on Literature and Art, combining with the new era and the new masses. He left a large number of monumental literary works with epoch-making significance for China's literary treasure house, and his creative thinking and personality charm influenced many writers and literary lovers in China. He is a flag of China writers. No matter in the ideological sense or in the artistic form, it has left us valuable resources. Today, we can be pioneers and modern, but we must be nationalized and China. We must seek a kind of literature with China style and China style, and Zhao Shuli has provided us with valuable experience. It should be said that Zhao Shuli represents a trend of thought that profoundly influenced China's literary creation in the 20th century. "

Zhao Shuli gave us a lot of inspiration. He sticks to the loneliness of "literary world" writers and never climbs "literary world". He can practice and be versatile. He can sing party songs and play several musical instruments at the same time. He has created many excellent works that are "loved by the masses" and "useful in the times". All these deeply reflect the lofty literary spirit and the pursuit of literary originality of this people's artist. In this century, we miss Zhao Shuli. Like Zhao Shuli, we really care about human nature, people's livelihood, the normality in real life, the most important and urgent social and ideological issues of the times, the national destiny, life and culture, and give full play to the role of literature and art in cultural construction.