Abstract: Line, or line, is a visual morphological element in real life or artistic works, because they often coexist with visual factors such as shape, body, color and light.
Keywords: artistic appreciation, artistic creation and practice
Line, or line, is a visual morphological element in real life or artistic works. Because they often coexist with visual factors such as shape, body, color and light, lines in modeling concepts are often associated with visual generalization and abstraction. However, the formation of these abilities must be trained through artistic appreciation and artistic creation practice. The color in painting is the vitality of the work. However, like other kinds of art, the concept of color art has been constantly changing in a long historical period through the efforts and exploration of artists of all ages. It is not the ultimate goal of color to reproduce the color of the object realistically and express the texture of the object in painting now. Color itself should be fully expressive and relatively independent.
1. Appreciate Chinese and foreign works of art with line modeling, and improve students' understanding of? Line? The aesthetic ability of this art form.
Line is the most basic modeling method of art, whether it is plane or three-dimensional works, it is the basic factor that constitutes the image of visual art; Whether realistic or decorative; Whether abstract or concrete, in the long-term process of artistic development. Line? As an artistic language for artists to create images and express their thoughts and feelings, it has always been in a very important position, showing more and more rich expressiveness and artistic beauty. The Landscape Painting by Wu Guanzhong, a famous Chinese painting master, is not much colored, but mainly outlined by brush lines, but the lines are smooth and free, and the light and heavy changes are arbitrary, with strong lyrical meaning and distinct sense of the times. The Notes on the Red Sofa (oil painting) by the late French fauvism master Vantis vividly and concisely depicts the image of a young girl with concise generalization, erotic and decorative lines.
Second, emphasize the role of the midline in China traditional art.
The lines of Chinese painting can be traced back to the colorful paintings in Yangshao era, the silk paintings in the late Zhou Dynasty, the lacquer paintings on Chu containers and the murals in Han and Tang Dynasties. Painted pottery patterns of Yangshao culture. This is China's earliest line work. Its lines are bright, vivid and straight, depicting spirals, chords, human faces, insects, fish, birds and animals, etc., which embodies the simple and innocent beauty of primitive art. Since the Tang and Song Dynasties, with the prosperity of figure painting, line drawing art has reached a climax. Wu Daozi was a master of line drawing in Tang Dynasty. People call Wu's lines? Wu Dai is the wind? The characters in his paintings are lifelike and unusual, and the sleeves are fluttering, which reflects the height? Sports sense? And then what? Rhythm Give full play to the effect of line drawing Kai Liang, a painter in the Southern Song Dynasty, drew bamboo pictures of ancestors in the Yuan Dynasty. Freehand brushwork? Line-drawing figure painting, in which the ancestor of the figure is Huineng, the sixth ancestor of Zen. The painter vividly described an old man at work with a few strokes. After a long period of artistic practice, China painters studied under? Literati painting academy painting? When it comes to folk painting, the use of lines has its own style (while expressing the object, it also conveys the emotion of discrepancy). The traditional eighteen strokes technique is a vivid drawing of various lines.
Third, the similarities and differences between eastern and western painting lines.
Due to the influence of different cultural backgrounds, the lines in eastern and western paintings are different in formal beauty: the lines in eastern paintings pay attention to expressing emotions and are full of rhythm and decorative beauty; Lines in western painting have strong rational characteristics, and they cannot be opposed. It should be pointed out that line modeling is interlinked in eastern and western works of art, and it also has rich expressive force and colorful artistic beauty. It is only because of the differences in appreciation habits and traditional concepts of painting modeling that different expression techniques and national styles have been formed. From the analysis of specific works, the performance characteristics of lines in eastern and western paintings are often intertwined, such as the works of Matisse in France at the beginning of the twentieth century. His works not only have the fine tradition of western painting, but also absorb the characteristics of oriental art, giving people new aesthetic enjoyment.
In China, with the continuous integration of Chinese and Western cultures, China's traditional fine arts have made new development and changes, especially in the past decade, which is more prominent. For example, Wu Shu's skillful use of mechanical instruments is innovative, and the sense of rhythm and rhythm of lines is very strong and distinct. We should seriously study and inherit the fine traditions of Chinese and foreign works of art. On the basis of learning Chinese painting well, we also need to understand western art. ..
? Does the West Serve China? Make our national painting art contemporary and cosmopolitan.
Fourth, color is colorful in painting.
In the first half of the fifteenth century, where was it? The Echo brothers began to form an artistic style of copying the inherent colors of human bodies and objects. Their works are expressed in vivid and delicate colors on the basis of three-dimensional modeling. The colors in the works mainly show the inherent colors of the objects, and these colors create convincing natural images through fuzzy and bright, bright and dark tones. In color painting, Piero Della Francesca emphasizes the vivid outline and expressive "big color block" to create, and its color has certain subjective factors; Da? Finch created an immortal artistic image with extremely simple and rich tones; Spanish painter greco used a unique color to create. His hue has gone beyond the color category of the image itself and reached an abstract summary of color. His use of color is more to meet the requirements of spiritual expression of the theme, and is not limited by image color. He recombines colors according to the needs of rhythm and melody on the screen, and his works are full of modern spirit. Rembrandt uses strong contrast between light and shade and pure and strong colors to highlight the theme. The characters shine in the dark and fuzzy environment, and the works are rich in depth.
19th century, due to the development of science, some discourses on color theory appeared in Europe, which laid a theoretical foundation for artists to further study color laws. Because impressionist painters have fully studied and described nature, they have reached a brand-new color world. Impressionist painters boldly abandoned the traditional concept of color and used bright colors to describe the sky and fields. Painters devote themselves to the study of environment and light in landscape painting, and Monet's church series fully embodies all this.
Artistic exploration is endless, and Kandinsky rebelled against tradition more boldly than impressionist painters. In impressionist painters, color is still attached to form, and color presents a concrete object. However, in Kandinsky's works, there is no specific object in traditional painting, and color is no longer attached to any specific image. He makes color independent from painting and has its value. Art lies in innovation, and every innovation needs the courage to break the rules and regulations, re-recognize and perceive the world from a brand-new perspective, and promote the development of art.
To sum up, it is not difficult to see that there is no fixed law in the development of color art, and we should have a broad and comprehensive understanding of color, rather than just focusing on a certain point. How to absorb various nutrients in color teaching and improve students' color sensitivity in an all-round way should become an important topic.