1948 Adapted "The Argument between Mother-in-law and Daughter-in-law" and "Qiu Si" and began to compose pipa music. Many young students come for art, among which Ye, Liu Dehai and Li Guohun are the first students.
After arriving at the Central Conservatory of Music, Mr. Lin Shicheng was one of the only four folk music teachers and the only pipa teacher at that time. He has independently undertaken all the pipa teaching work in universities, secondary schools and affiliated primary schools, and compiled various teaching materials such as Common Sense of Gongchi Spectrum, Pipa Playing Method and Pipa Music Score. In order to enrich the pipa teaching materials, he studied hard the folk music from all over the world and adapted it into a pipa playing score. He collected and sorted out nearly 100 folk music works such as "Drip Lotus", "Fisherman's Music" and "Water Lotus", and was the first person to systematically sort out the teaching materials of Pipa teaching colleges in history. In the Pipa Playing Method published by 1958, Mr. Wang objectively introduced eight other unknown schools and 12 pipa scores with different styles for the first time from the perspective of pipa research, and named the performance group adapted from the biography as "Wang School" for the first time, which is still in use today and is the summary of the new China system.
Mr. Lin Shicheng arranged music scores, compiled new sounds, unified notation, and compiled Miyachi notation and notation into a staff. He is the first person in history to play the pipa with the staff. According to western music, he wrote 65,438+02 technical and basic etudes of signature modulation 65,438+050. At the same time, he tried western composing techniques, created pipa music scores such as "Clouds Chasing the Moon" and "Walking Light", and created modern pipa songs such as "Song of Haihe River", "Bold and unrestrained" and "Hide and Seek", which was the first time that New China promoted the integration of pipa art and western music.
Mr. Lin Shicheng devoted himself to improving the production level of pipa and establishing a unified production style and standard. He believes that the production of national musical instruments should be completed by both the performer and the instrument maker. In this respect, he has profound theoretical accomplishment and rich practical experience. Later, he wrote "Pipa Making" (in cooperation with Gao Zhanchun), which is the authority to identify pipa making skills in China.
During the Cultural Revolution, under extremely difficult conditions, Mr. Wang arranged and recorded the scores of traditional music such as Yang Pipa, Ju Shilin Pipa and Chen Pipa, and carried out irreplaceable rescue work. He has written the first draft of China Musical Form, Pipa Teaching Method and Pipa Etudes, and edited or transplanted Sanliu, Dance of Youth, Shepherd in Suwu, Flowers in Shandandan, ballet Red Female Soldier and White-haired Girl. He has also taught in Guangzhou Conservatory of Music, Sichuan Conservatory of Music and Shanghai Conservatory of Music. Until 1979 returned to Beijing Central Conservatory of Music to teach.
After returning to school to teach, Mr. Lin Shicheng also trained students at home and abroad, such as Lin Jiaqing, Zhou Lijuan, Hao Yifan, Qu Wenjun and Zhang Hongyan. He has compiled and published Thirty Lessons of Pipa, Pipa Teaching Method, Random Talk-A Record of Professor Lin Shicheng's Pipa, etc., published dozens of papers, and recorded dozens of records and audio-visual materials such as Chun Qing, Bamboo Sea in the South of the Yangtze River, Lin Shicheng, the Best Pipa in the World, Fingering with the Left Hand, and Eighteen Famous Pipa Songs Explained and Demonstration by Mr. Lin Shicheng. From 65438 to 0987, in the first Jiangnan Silk and Bamboo Competition at home and abroad, the Silk and Bamboo Group of the Central Conservatory of Music under his command won five championships.