First, the superiority and self-confidence of a prosperous country, the poet's positive attitude towards life, and his lofty political ambitions.
In one hundred and forty years, the ability of the country was impressive.
The faint Five Peaks Pagoda, towering across the Three Rivers.
Governors are like stars and moons, and guests are like clouds.
The Golden Hall of Cockfighting, next to Cuju Yaotai.
-Li Bai's Fifty-nine Ancient Poems (Part 46)
Back in the heyday of Kaiyuan, there were thousands of families in the small town.
Rice is fat and white, and public and private warehouses are rich.
There are no wolves and tigers on the road in Kyushu, which is a good day to travel.
Wan Qi, Lu Mao, driver class, male plow female mulberry.
-Du Fu's Two Memories of the Past (I)
From the founding of the Tang Dynasty to the "An Shi Rebellion", the country has been on the rise, especially during the Kaiyuan and Tianbao years, when the four seas were peaceful and the country was rich and the people were safe, and the feudal society reached its peak. This unprecedented prosperity has greatly inspired Chinese people's national self-confidence and sense of superiority in the times. The poet couldn't help feeling excited, singing loudly, praising this era and determined to devote himself to it. "No jianghai, natural and unrestrained to send the sun. It is unbearable to be born with embarrassment. " -Du Fu praised Tang Xuanzong in "Five Hundred Words to Fengxian County", comparing it with the ancient sage Yao Shun, and then expressing his heart of serving the country. Fog in Yungu and Menggu trapped Yueyang City. "。 I want to cross it, but I can't find a boat. I'm lazier than you politicians. How ashamed I am. Meng Haoran used Dongting Lake as a metaphor in A Letter from Dongting Lake to Prime Minister Zhang, indicating that he was born in a prosperous time and must do something for the world, and he can't "die" idly. "Floating clouds jun, engaged in the army. ..... Wanli is willing to die, once successful. Draw a picture of Kirin Pavilion and enter Mingguang Palace. Laughing at the scribes is poor and white. The ancients were ignorant of this and often became old people. " -Gao Shi praised the victory of the frontier war in his next song, which shows that he is full of confidence in the country and the nation, hopes to make meritorious service in the army, and disdains to be a poor scholar. "Has frozen the savage emirates heart, you will no longer need a real battle! We are waiting for the news of victory in Xiguan! "-Cen Can enthusiastically eulogized the journey of the Western Expeditionary Army into Sichuan, and confidently predicted that the enemy was frightened by the wind and good news spread frequently. "Yellow sand wears golden armor in hundreds of battles, and it will not be returned without breaking Loulan." -Wang Changling in his "military career" (the fourth part) impassioned generation of soldiers issued a steel oath to break with the enemy. In this era of enriching the country and strengthening the people, Li Bai also wrote many frontier poems to express his generosity in serving the country and going to the frontier to kill the enemy. For example, one of the six poems ("Five In the snow in Tianshan Mountain, no flowers, only cold. I have heard of "folding willow" in the flute, but I have never seen it in spring. The soldiers fought the enemy in the golden drum during the day and slept in the saddle at night. I would like to put my sword under my waist and cut Loulan straight. " ), "join the army" ("the battlefield of the battlefield has been broken, and the south of the city has been surrounded. The sudden camp shot General Hu Yan and led the wounded soldiers to ride home alone. " ) and so on. However, Li Bai compared himself with the famous Great Sage in ancient times to show his ideal of making contributions. For example, I am pregnant with Zhang Zifang under the Pipa Bridge:
Young people in Sean can't become tigers, regardless of bankruptcy for assassins.
From the sea, he received a strong man who used a golden vertebra to attack the emperor in Bolangsha.
Although it didn't report to South Korea, the world shook.
It is unwise to dive and swim at the pier.
Another example is Yin:
Didn't you see that song is Tu Jingjin, eighty west fish Weibin!
Would you rather be ashamed of your white hair or shine with the water? Be brave and think about the economy.
Fishing is wide and wide, and the wind is dark and close.
The Great Sage Tiger became stupid and unpredictable, and it was quite ordinary in those days.
Didn't you see that Levin drinkers are drafting, and they have already paid tribute to Shandong Dragon Zhun Gong?
Beginners don't worship eloquence, but two women give up washing and follow suit.
Seventy-two miles east, qi entered the city, and commanded Chu Han to rise.
Another example is "Reading ZhuGeWuHou Biography, giving the book to Uncle Cui Shaofu of Chang 'an to seal Kunji":
Red crouches for bad luck, and Wolong gains Kong Ming.
When he was in Nanyang, Long Mu bent down to cultivate his morality.
Fish, water and water are integrated, and clouds are everywhere.
The marquis of Wu established Shu Min, and his ambition was to swallow salty Beijing.
Another example is Dong's Eleven Songs (below):
But with Dongshan Xie Anshi, I smile at Jinghu sand for you.
Li Bai spoke highly of those who made outstanding achievements in ancient times. On the one hand, he expressed his desire to join the WTO, on the other hand, he also expressed his desire to make great achievements on the basis of joining the WTO. Sean is brave and chivalrous. Gaozu served South Korea before, begging strong men to attack Qin Shihuang in Bolangsha. Li Bai admires this alone. In 1980s, Jiang Taigong met with King Wen and helped King Wu to establish the Zhou Dynasty. Li is no more than Levin's drunkard, and with his golden tongue, he started the seventy-two cities in the east. Li Bai also greatly admired their genius and wisdom. Zhuge Liang lived in Longzhong and devoted himself to farming. After coming out of the mountain, he followed Liu Bei, the former master, to the north and made great achievements. Xie Anye, Lin and Dongshan returned and wiped out hundreds of thousands of enemy troops going south. They are all founders of the times or pioneers of the current situation. Li Bai is eager to be such a person and to establish such feats. Driven by this ideal, he sincerely began to worship these ancient heroes, and tried his best to eulogize them, in which he placed his great political ambitions. Li Bai's passionate pursuit of ideals is the continuation of his positive attitude towards life and the inspiration of the spirit of this era.
Li Bai's enthusiasm for serving the country is strong and deep, and his belief is firm. Under no circumstances will he give up. Angry at being blocked as an official, he wrote a poem: "Jade doesn't talk about peaches and plums, but fish eyes are ashamed of the river." There are too many blueflies in Chu, and even Bai Bi has been demoted. " ("Jugexing") "The phoenix tree nests, and the thorns inhabit the phoenix." (Fifty-nine Ancient Poems (No.39). But no matter how eloquent he is, how incompetent he is and how he can't serve the country, he is always full of confidence in his ability and the future and destiny of the country and society. For example, his three poems "It's hard to walk" (the first part):
The cost of pure wine, gold cup, a hip flask of 10 thousand copper, jade plate worth 10 thousand dollars.
I threw the food bar and cup aside. I couldn't eat or drink. I pulled out my dagger. I peeped in four directions in vain.
I want to cross the Yellow River, but ice will block the ferry and Taihang Mountain will be covered with snow.
I will sit on a fishing rod and lean lazily by the stream, but I suddenly dream of sailing a boat towards the sun.
It's hard to walk, it's hard to walk, a lot of roads, and today's safety.
One day, I will ride the wind and waves, raise the Yun Fan and cross the sea.
It is not difficult to see that although the poets here are full of grief and indignation at losing their way, they have never lost confidence in the future. In the poem, he only talks about "the ice jam in Sichuan" and "the snow all over the mountain", which seems desperate, but he immediately compares himself with Jiang Taigong and Yi Yin and thinks that the dawn is ahead. Just talking about "it's hard to walk, it's hard to walk, many different roads, and now it's safe", I feel like I'm struggling and I don't know where to go. Suddenly, I sang "One day, I will ride the wind and waves, and set my cloudy sail straight and bridge the deep, deep sea", indicating that I have the determination and confidence to break through all difficulties and realize my political ambitions. Another example is Yin:
I want to climb the dragon to meet the Lord, and the thunder Lord beats the drum and slams the pot to hit the emperor.
At three o'clock, I smiled and turned on the lightning, and suddenly it began to rain.
If you can't pass nine doors, you will be angry if you close the door with your forehead.
If the weather is not sincere with me, Qi has nothing to worry about.
You gnash your teeth and fight for human flesh.
Hand in hand to fight and carve tigers, the side feet are not bitter.
Wise men can make fools rich, and the world regards me as a feather.
It takes two peaches to force the three strong men in Nanshan to kill each other.
Wu Chu's strategy is futile, but so is Yafu Keer's strategy.
Fu Liang-Yin, sound sad, bow and sword, God and things sometimes blend together.
A sense of wind and cloud will lead to killing fish. Adults should be safe.
The poet first said that he "wanted to climb the dragon to meet the wise master", and he wanted to help the wise master build a great cause, and then wrote about his failures again and again. For example, "Nine Doors Are Blocked", "All-powerful Storm" and "No Light in the Day" make people feel that the poet is completely cornered, but suddenly he confidently said, "Bowing and two dragons and two swords, gods and things sometimes blend together. The sense of wind and cloud will start to kill fish, and adults should be safe. " He said that in the near future, he will be able to turn dragons into water like Jin Zhanghua's two Excalibur, get along with Wang Junchen like Jiang Taigong, display his talents and realize his ambitions.
Second, the poet's perfect and independent personality and flamboyant personality.
"Poets who summarize the weather in the prosperous Tang Dynasty are usually charming figures." [2] Among the poets in the prosperous Tang Dynasty, "Li Bai's charm is unparalleled, and he conquered the readers at that time with shocking power". [2] Li Bai's radiant charm first stems from his perfect and independent personality, pure quality and arrogant spirit. Li Bai actively joined the WTO and was keen on fame, in order to display his talents and realize the value of life; He is extremely contemptuous of this kind of behavior of insulting reputation and seeking official position. Li Bai lived in a temple in the corridor, but he didn't give in to the powerful people. He shouted, "Oh, how can I solemnly bow and scrape to those high officials who will never be shown their honest faces" (Dream of Climbing Mount Tianmu). This is the declaration of the poet's self-awareness, the eruption of the long-accumulated power calling for freedom, and the strong voice of literati demanding personality independence. It is flamboyant and contains infinite excitement and fearless resistance spirit. Li Bai swore angrily that "Geng Jie died in the grass at first, not under the golden cage" ("Setting up prostitutes to ward off evil spirits and advocating pheasant songs"), and the poet would rather die than surrender in order to maintain his independent personality. The spirit that Li Bai should be proud of lies not only in his unyielding and Geng Jie, but also in his spirit of breaking away from secular bondage and despising princes. Such as: "praise the nine masters, stir up waves, be young and ignorant." ("Yu Hu Yin") "I was drunk in Chang 'an yesterday, and the five kings and seven public drank a glass of wine. In the face of heroic spirit, the romantic spirit will fall behind others. "("Liu Yelang gave Xin Judge ")" Jin Baiyu bought a song and laughed, and the princes were drunk. "("Reminiscing about the past and seeing Yuan Congjun off ") Li Bai regards Wan Cheng as his present friend, drinks with the" five kings and seven princes ",is angry with the nobles, and is lightly drunk with the ministers. He has always maintained a natural and unrestrained manner in the hierarchical officialdom.
Li Bai's charm also comes from his detached spiritual realm. Li Bai is different from ordinary people, he just wants to enjoy wealth and splendor; He is on earth, but he does not touch the dust; I hope my achievements will cover the whole world, but I regard wealth as a cloud. Song: "What are bells and drums, delicacies and treasures? Let me get drunk forever and never be rational! "("Into the Wine ")" Life is about knowing each other, why gold and money? " (Three Gifts for Friends) Second, he abandons the noise of the world, does not take wealth, does not value wealth, and is willing to get what he wants. Li Bai is known as the "Poet Fairy", and there must be an immortal realm. He is natural and unrestrained, playing around mountains and rivers, detached from dust, not high, not holding foreign things. The so-called "only let me raise a white deer on my green slope and ride to you when I need you, the great mountain" ("Climbing Mount Tianmu in a Dream"), "finally settled down and went to the five lakes smoothly" ("To Minister Wei Zichun"), "Since the world can't meet our desire, I will loosen my hair and take a fishing boat tomorrow" The poem shows that Li Bai is not tired of things, is not bound by secular traps and is free from vulgarity. Li Bai's immortality lies in his happy life. "Oh, let a man with spirit take risks where he likes, and never point his golden cup at the moon empty! "The purpose of life transcends the sufferings of the world. For example, "when it comes to destiny, you can not worry, you can climb the stairs with wine." ("Song of Liangyuan") "The spring breeze suddenly passes through the east, and the golden urn and wine make a microwave, and the flowers fall a little more, and the beauty wants to get drunk." (There are two lines of wine in front of you, Part I) "Hu Ji looks like a flower when she smiles in the spring breeze. Laugh at the spring breeze and dance, and don't get drunk today. " ("There were two bottles of wine before") "They fell in love with each other and drank one glass after another. I am drunk and want to sleep, and the Ming Dynasty intends to hold the piano. " He forgets all insults, ignores poverty, and takes off foreign things at will, which is both ethereal and heroic.
Li Bai's charm also stems from his extremely flamboyant personality. Li Bai was brilliant, pleased with life and enmity, and dared to break through all rules and regulations, which can be summarized as chivalrous spirit. Li Bai's chivalrous spirit of daring to "use force to violate the ban", regardless of life and death, and respecting promises makes people feel that the British wind is stirring; Therefore, his poems gained irresistible strength and heroic spirit soaring into the sky; His charm is more radiant. In Li Bai's poems, he strongly praised those chivalrous men who beat the air with force. Such as: "Teenagers learn fencing, and they are quick to master white apes. The boy was wearing a brocade robe inlaid with precious stones, with a dagger and Wu Gou pinned to his waist. He is a man of ten thousand people, and now he has a sword in his waist. Entrust yourself to Ju Meng and get drunk in Xinfeng. Laugh a glass of wine and kill the whole city. " ("Jack's Youth Field Tour") "Bow out the Nanshan tiger, and hand meets the Taihang forest. After drinking, three cups of nod. Killing people is like mowing grass, and playing with Meng. " ("White Horse") "In the white blade, in the world of mortals." Li Bai deliberately pursues freedom and glory when describing swordsman. With the background of "laughing at a glass of wine" and "three cups of precious knives" and the exaggerated metaphor of "mowing the grass", the sword-wielding behavior is described as extremely chic and tiring. The chivalrous man in Li Bai's white horse and Cao Zhi's white horse ("March straight into the Huns, left humble." ..... died of national disaster and sudden death. " ) The images of chivalrous men in Li Bai's works are all different. The chivalrous men in Cao Zhi's works are more brave. Li Bai likes to use vivid words such as "witty", "Xiong Feng" and "personable" when portraying characters, and he deliberately highlights the glorious image of young chivalrous men. Li Bai appreciates the waywardness and courage of teenagers, regardless of the danger of his death at any time, but looks at the courage of "putting himself in the white blade" with approval. This is a compliment to the publicity of individuality and a tribute to the spirit of freedom and unrestrained.
Third, the vigorous momentum and high-spirited emotion in the uninhibited style.
Li Bai's poems are full of vigorous momentum and strong emotions. The imposing manner of "Shake the Five Mountains with a pen, and lead Cangzhou with a roaring poem" (Ode on the River) and the spirit of "The Yellow River falls into the East China Sea, and Wan Li writes it in his arms" (Give Pei Fourteen) are vivid manifestations of his bold spirit. Li Bai has many poems describing natural landscapes. What he writes is by no means a simple copy and photograph of objective things. He endowed his spirit to the object he described. We can feel the poet's feelings from the objects described by the poet. There is an irresistible passion in the poem, which means to embrace nature. Li Bai devoted himself completely to the magnificent mountains and rivers and praised them selflessly. For example, look at Lushan Waterfall:
The purple mist is illuminated by sunlight, and the waterfall hangs in front of the mountain.
On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.
For example, look at Tianmen Mountain:
The Yangtze River splits the Tianmen Peak like a giant axe, and the green river flows around the island.
The green hills on both sides are neck and neck, and a boat meets leisurely from the horizon.
Another example is "Early Hair Baidicheng":
Early in the morning, I bid farewell to Jiangling city, which is high into the sky, thousands of miles away, and the boat is only one day away.
The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills.
In Wanglushan Waterfall, "sunshine" and "purple smoke" provide a colorful background for the waterfall; The word "hanging" is used to describe the waterfall. The small print is big, turning the movement into silence, and setting off the grandeur and breadth of the waterfall; The "flying stream" freely depicts the height, width and light shape of the waterfall; "Hanging", "flying", "straight down" and "falling" make Lushan Waterfall full of vitality and youthful vitality; "Three thousands of feet" and "Falling for Nine Days" are arbitrarily exaggerated, with rich imagination and novel and true images, which can highlight the majestic momentum of the waterfall. Based on the cloud, the poet looking at Tianmen Mountain saw the confrontation between the two mountains. For example, a gate is set between heaven and earth, in which the river circulates, and the landscape is magnificent and vast; The broadmindedness and broadmindedness of poetry can be seen in the poet's broad-minded mind. The sentence "The canoe has passed Chung Shan Man" in "Send Baidicheng Early" is light and refreshing; The whole poem is bright and beautiful in color, full of gas field, tall and straight, full of vigor and passion, giving people a sense of boldness. Li Bai's landscape poems contain infinite enthusiasm, which is obviously different from Qi Liang's landscape poems. Even when they lived in the prosperous Tang Dynasty, they also had the idea of seclusion. Wang Wei and Li Bai had different styles.
Li Bai likes to praise bold and broad things. Li Bai's poems incorporate his personality, from which we can realize his unique aesthetic pursuit. For example:
Why do the sun and the moon shine? Only the north wind came up angrily. Yanshan snowflakes are as big as seats. Debris blew down the Xuanyuan terrace. (popular in the north)
The Yellow River comes to Kunlun in the west, and Wan Li touches Longmen. (Wu Gong Crossing the River)
Between the sky above and the sky below, the river is gone forever. (A song "Lu Jinshan wants to be a censor, Lu Xuzhou")
A gust of wind blew down the mountain for three days, and the white waves were higher than the crock pavilion. (one of six poems by Hengjiang)
What is August like in Zhejiang? Tao is like a mountain spraying snow. (the fourth of six poems by Hengjiang)
The shock wave moved three mountains altogether, and the public did not cross the river to return. (Six Poems of Hengjiang, Part 6)
In "Popular in the North", the poet galloped his imagination and boldly exaggerated, exaggerating snowflakes like a square-foot kang mat, covering the Xuanyuan terrace one by one and covering the human body. The oppressive feeling of huge snowflakes is frightening and pale. "Gongwudu Crossing the River" and "Lushan Ballad Sending a Virtual Boat to Lu Yu" focus on heights and set pen to paper in the distance, depicting magnificent river scenery. "Hengjiang Ci" exaggerates the viciousness of the waves with the metaphor of mountains. The most representative is The Difficult Road in Shu, in which the poet splashed ink and artistic techniques were used alternately, and the buildings in Shu Mountain were steep. Its sentence is like: "Hey, hey, high risk! Such a trip is harder than climbing the blue sky! " The opening modal particles are used together, exclaiming that the difficulty of Shu Dao is the first in the world, "it is difficult to go to the sky." Exaggerated metaphor creates a strange situation with irresistible shock. "On the high flag, six dragons drive the sun, while the river below lashes the winding river. The yellow crane can't cross such a high place, poor monkey, only claws can be used. " The poet described the steep mountain, exaggerated the height of Shu Mountain by using myths and legends, and couldn't even cross the sun, so he turned back here. Flying yellow cranes can't fly; Apes who are good at climbing dare not climb; Its precipitousness is unimaginable. "Every 100 steps, we have to make nine turns in its mound." Contrast and exaggerate with figures to show the twists and turns of the mountain road. "I can't hear anything except the cries of birds surrounded by ancient forests. The male bird rotates smoothly and follows the female bird. Jathyapple, and the empty mountain here, the melancholy voice of the cuckoo. " It is chilling to render the gloom of Shu Dao with the piercing cry of birds, and to set off the loneliness and desolation of Shu Dao with the cry of the moon. "The highest cliff is less than a foot from the sky, and the withered pine trees hang low on the front of the cliff." Grasp the close-up of a scene and exaggerate the precipice of Shu Mountain. Pine trees can't grow up but hang upside down, which sets off the precipitousness of the mountain. A series of exaggeration, metaphor, rendering, all of a sudden outlined a picture of steep mountains. Although the scenes described in the above poems are different, they are similar in characteristics, such as the magnificence of river waves, the danger of evil waves, the fierceness of wind, the magnificence of snowflakes and the Cui Wei in the mountains. Their beautiful characteristics are the same, they are magnificent and powerful. This is the poet's use of exaggeration and metaphor to show the magnificent side of nature and create a lofty and magnificent masculine beauty according to his own aesthetic trend.
Li Bai's poems often use metaphor, exaggeration, imagination and other means to create a powerful momentum and broad realm. His use of metaphor, exaggeration and imagination can often surprise and cause unexpected effects. For example, in "Into the Wine", I began to shout: "Did you see how the Yellow River water went out of heaven into the ocean and never came back? You can't see the lovely hair in the bright mirror of the high room. Although it is silky black in the morning, it has turned into snow at night. " The poet exaggerated the magic of the Yellow River from the mountains to the vast firmament with an unfathomable foothold and infinitely broad vision. The water of the Yellow River pours like the Tianhe River, roaring and roaring, falling straight into the world, shaking the earth, unstoppable, and rushing into the sea for thousands of miles. The momentum of the Yellow River is amazing. The poet first creates extraordinary momentum, and then repeats wonderful metaphors. He no longer compares life to the Yellow River, which will never return, and exaggerates the aging of life as a hair and white hair. The momentum of the Yellow River coming from afar and the rapid changes in the evening directly shocked people's hearts. Li Bai can turn a depressed mood into a powerful image. As its performance is sad:
White hair three thousands of feet, long sorrow ("Song of Autumn Pu")
Wu, Qiu, give them to that boy for good wine, and we'll get rid of it! ("Into the Wine")
But since the water is still flowing, even though we cut it with a sword, it is even more worrying to raise a glass to dispel our worries ("Xuanzhou Xielou Farewell to the School Book Uncle Yun")
Li Bai uses "white hair" as a metaphor for sorrow, and sorrow is also pride. There are "three thousands of feet with white hair", and white hair hangs like a waterfall between heaven and earth; The exaggeration, shock and shock of Three thousands of feet make people dare not imagine; Its sorrow is also long-standing, and it has always been an "eternal" sorrow, endless and has continued to this day; Its sorrow is also deep, such as the surging river, the knife cannot be broken, and the wine cannot be consumed. Li Bai's use of exaggeration and metaphor is even more superb when expressing objective objects. Needless to say, even small things are extremely vivid and breathtaking in Li Bai's works. For example, describing music: "When I touch the strings, it brings me the breath of thousands of pines." ("Listen to the piano") "The wind around Zhongshan, the valleys are dragons." (Jinling listens to Yu playing the flute) The poet gave up the description of the actual form of objects and only pursued the similarity in feeling. A piano piece, the poet felt the power like singing; Similarly, the sound of the flute has a shocking effect on poets. Exaggeration and metaphor vividly show the poet's strong reaction to music. For calligraphy, words like "vigorous" and "vigorous" are usually used to describe it, but Li Bai's cursive song ("Mo Chi flies out of the North to roast fish, and the pen tip kills all the Zhongshan rabbits ... The wind blows and the rain blows, and the snow falls, but the dragon and snake are never seen. The left plate and the right plate were dumbfounded, and they looked like attacking Chu and Han. ") depicting calligraphy, wandering around. He uses metaphors to express himself. His momentum is like Kun Peng spreading his wings, swaying like a storm, his strokes flying like dragons and snakes chasing away, his composition and layout are like Chu and Han contending, and his words are not seen. His form of god took away people's souls.
Fourth, the poet's rich romantic temperament and extraordinary imagination and creativity.
"The biggest feature of Li Bai's works is that they have a strong romantic spirit and a distinct romantic color in artistic methods." [3](P 147), his poems are full of magnificent romantic features, and he often wanders freely with emotion and spirit. The poet completely broke away from the shackles of reality, showed the scenery that could not be obtained in reality, and created a fairy realm that was both real and illusory. Such as "Song of Huai Xian" ("A crane flies east across the sea, don't worry. If the fairy Hogg wants me to come, I should climb Yushu and look forward to it. It is not surprising that Yao and Shun are arrogant. I don't want to take three mountains to the Great Ao, but I want to go to Penglai. ")," Yu Zhen Ren Xian Ci "("Yu Zhen Ren Xian, when going to Taihuafeng. In the morning, the sky drums rang and Ssangyong took off. If you don't stop generating electricity, there won't be a cloud. Into the junior room, the queen mother wants to see. "The poet showed a refined temperament and wanted to meet the gods. Another example is Antique Fifty-nine (19th):
The fairy shines like a star on the lotus peak in Huashan Mountain.
Holding a white hibiscus flower in both hands, curled up into a ball.
Dressed in colorful clothes, elegant clouds floated high into the sky.
I boarded the rainbow platform and bowed to Wei Shuqing.
Anxiously follow them and take Hongyan to Zixuan.
This is a poem about immortals. Li Bai galloped in his imagination and created a wonderful and clean space, completely unrestrained. The poet saw the jade girl flying in the air with a hibiscus flower in her hand, and her skirt was dragging a wide belt and fluttering in the wind. The Jade Girl invited the poet to visit Yuntai Mountain and met the immortal Wei Shuqing for a long time, and the two of them soared in the sky through the swan goose. Through imagination, the poet integrated Taoist legends into the magnificent artistic realm, which made the lyric hero have a strong dying fairy color. Poetry vividly shows the characteristics of romantic poetry.
Li Bai's Dream of Climbing Mount Tianmu gives full play to the poet's extraordinary imagination. The poet switches back and forth between dream and reality, but the illusion is not completely divorced from reality. When he expresses his feelings, he is unconstrained and unconstrained, and transcends reality at will. Such as: "Haike Yingzhou, the water mist can't cover it. However, the more people talk about Tianmu Mountain, the deeper the clouds are. " The poet set out from the fairyland, from the illusory Yingzhou in the legend, to Tianmu Mountain, where the reality shines. The Mount Tianmu here is not the poet's real existence, but depicts the towering and steep Mount Tianmu through exaggerated imagination. The poet turned from the mountain of imagination into a dream and described a wonderful dreamland. Write: "My heart and dream are in Wu and the moon, flying over Jinghu and the bright moon overnight. The moon lit up my shadow and I came to Yanhe. Xie 'an is still there, with a loud voice and rippling blue waves. "I wore Xie's earliest spiked boots and boarded the Biyun ladder." After the poet flew down the mountain stream, he saw where Xie Lingyun lived. He put on Xie Lingyun's special clogs, climbed the Qingyun stone ladder that Xie Lingyun had climbed, and officially entered the mountain. It is not surprising that "the sun is halfway to the ocean, and the holy cock crows in space". There are even more peculiar sights, "A thousand stones turn all the way, flowers lure me, and stones slow me down. The day suddenly ended. Bears, dragons and storms on mountains and rivers disturb forests and shake mountains. Clouds are darkened by the darkness of rain, and streams are pale by the pallor of fog. " The poet described a strange scene. The rocks are rugged, the flowers fail, the sound of mountain streams and springs is like "Xiong Long's songs", the clouds are light and the wind is light, and the water mist is diffuse. The magical and magnificent landscape imagined by the poet is surprising enough, but Li Bai's romance is not only a fairyland, but also an encounter with the gods. "God of thunder and lightning, the hills collapsed. The stone gate is broken and ventilated in the deep pit of heaven. An impenetrable shadow, but now the sun and the moon light up the gold and silver terrace. Wearing rainbow clothes and riding the wind, all the queens of the clouds came and came down one by one. With the tiger as the harp and the phoenix as the dancer, row after row, like hemp, is arranged with the image of a fairy. " With the huge thunder, strange fairy dwellings appeared, and immortals with gorgeous clothes and strange chariots and horses came in droves. Colorful neon lights, cool breezes, magical tigers and fairy bears are displayed on a bright gold and silver platform against the sun and the moon, and Yue Xian echoed them. The scenery is colorful, dazzling and dazzling. When the fairyland of integrity was in bliss, the poet fell out of the fairyland and landed on the cold pillow on earth. The poet sighed disappointedly: "My pillow and mat are the lost clouds in which I once lived." The poet's emotions are full of twists and turns, with joy and sorrow. At this time, he publicly put forward that "the joy of human beings and all things will always flow to the East like water. So I'm leaving you. I don't know how long it will take. But let me raise a white deer on my green hillside and ride to you when I need you, Dashan. " The poet suggested eating, drinking, riding white deer, visiting famous mountains and pursuing the freedom of immortals. This poem is very spacious. From Yingzhou to Tianmu, Tiantai, Wuyue and Tunxi, the time was extended to Xie Lingyun after several geographical changes, and the poet also had Xie Lingyun's escape spirit. The poet roams back and forth in fiction and fact, galloping freely, and his mood is changeable. The images expressed in poetry are extremely rich. There are clouds before the dream, Yingzhou Tiantai; After falling asleep, there are the bright moon in the mirror lake, the red sun in the sea, the clear ape pheasant, the flower diameter in the fairy mountain, the fairy in the cave, the gold and silver cave, the fairy in Yunjun County, the breeze as a horse, the fairy driving, the neon as a dress, and the drums of the gods and tigers; When I woke up, there was a white deer on the cliff. The combination of image truth and reality makes it difficult to distinguish between reality and illusion, but when mixed together, they set off each other, which is bizarre and magical. The use of exaggeration, exaggeration and metaphor fully demonstrates the characteristics of romanticism.
Li Bai is a representative of poets in the prosperous Tang Dynasty. His spiritual realm and ideological height are beyond the reach of others. He pursued his ideals and yearned for freedom all his life, and was famous for his poetry and wine. His exquisite romantic spirit, unlimited imagination and creativity are the pinnacle of China's classical poetry.