Hu Feng (1902 ~ 1985), formerly known as Zhang, was born in Qichun, Hubei Province under the pen names,,, Chen Qiao, Hu Feng and Gu Feng. Writers and literary theorists. Participated in new literature activities in his early years. /kloc-went to Japan to study in the autumn of 0/929, and participated in the Japan Anti-War Alliance, Japan * * * and the New Art Research Association for General Scientific Research. 1in the spring of 933, he was arrested for organizing a left-wing anti-Japanese cultural group among overseas students and was soon deported back to China. In Shanghai, he successively served as the propaganda minister and administrative secretary of the Left-wing Writers' Union. 1936 presided over Haiyan magazine and edited the work and study series. During the period of War of Resistance against Japanese Aggression, the Standing Committee of Ren Zhonghua National Anti-Japanese Federation of Literary and Art Circles and the Director of the Research Office founded the magazine July and Hope. After the founding of People's Republic of China (PRC), he was a member of the Ren Zhonghua National Federation of Literary and Art Circles, a member of the Standing Committee of the Chinese Writers Association, an editorial board member of People's Literature, a member of the Standing Committee of the China People's Political Consultative Conference, and a consultant of the China Academy of Art. His works include Essays on Literature and Art, Literature and Life, On National Forms, The Road to Realism, Poems, Wild Flowers and Arrows, Requiem, Ode to Joy, etc.

The main study numbers are: Four Study Rooms, Huaichuntang, Abandoned Earth House, etc.

Hu Feng, the fourth study, had a rough life, but he especially liked the name of Zhai. 1953 His family moved to Beijing and lived at No.20 Taiping Street, Di 'anmen. This is a quiet small courtyard with a single family. In order to make the living room more interesting, he went to the flower market and bought four kinds of flowers, pear, flat peach, clove and ginkgo, and planted them in the yard. Looking at the flowers swaying in the wind and overflowing with fragrance, he was in high spirits and named his study "Four Study Rooms". Shao Quanlin, his friend and literary theorist, couldn't help exclaiming, "What? Four study rooms? Hu Feng, do you still want to make enemies on all sides? "

It turned out that at the end of 1952, the All-China Federation of Literary and Art Circles held a seminar on Hu Feng's literary thoughts. At the meeting, someone criticized his literary thought. Now the name of "four study rooms" is recorded, but it is easy to cause misunderstanding under the current situation. Persuaded by his friends and wife, Hu Feng finally gave up this fasting.

In Huaichuntang 1954, Hu Feng wrote a report on literary and artistic practice in recent years (that is, opinions on literary and artistic issues) to the relevant departments. As a result, it was exaggerated as a political issue, and it was designated as "Hu Feng Counter-revolutionary Group", which launched a massive critical movement nationwide, and Hu Feng was unjustly imprisoned. In the extremely harsh prison environment, he still adhered to his faith, called his cell "Huaichuntang" and wrote "Huaichuntang Miscellaneous Poems". 1980 The spring he missed finally came, and his grievance was vindicated.