Visiting teacher and doctor of China Academy of Fine Arts.

Director of Teaching Department, Art College, Hangzhou Buddhist College

Teacher of Zhejiang International Studies University Art College

Chinese name: Ji Feng

Mbth: Jifeng

Alias: Ji Feng

Nationality: China.

Ethnic group: Han nationality

Place of birth: Poyang, Jiangxi

Date of birth: 198 1 July.

Date of death:

Occupation: scholar, artist, teacher

Graduate school: China Academy of Fine Arts.

Belief: Confucianism, Buddhism

Main achievements: the rise of landscape painting and Neo-Confucianism in Song and Ming Dynasties, and the formation and evolution of China's view of truth.

Representative works: landscape painting Taihang map, mountain shadow, etc.

Landscape painting: Looking at Yunfei in Qian Shan

Personal profile

Formerly known as Feng, the painting name is Feng, the word Shuhua, andno. Return to Huashan, a landscape painter.

Born in 198 1, Ph.D., visiting teacher of China Academy of Fine Arts in Poyang, Jiangxi, full-time teacher of Hangzhou Buddhist College, deputy director of teaching and research section of Art College, and teacher of Art College of Zhejiang International Studies University.

academic degree

From 65438 to 0993, he entered the middle school of Youdun Street Middle School and graduated from high school in 2000, with a technical secondary school education.

In 2002, he entered the undergraduate stage of Chinese Painting Department of China Academy of Fine Arts, majoring in landscape painting, and graduated in 2006 with a bachelor's degree in literature. The topic of the thesis is the reason and significance of Su Shi's proposal of "Literati Painting", and his graduation creation is "Looking at Clouds and Flying from Qian Shan".

In 2007, he entered the graduate stage of Chinese Painting Department of China Academy of Fine Arts, studied under Professor Lin Haizhong and Professor Zhang Weiping, and his research direction was landscape painting theory and creative research. Graduated from 20 10/0, with a master's degree in literature. His dissertation is "Changes of Li Tang's Painting Style under a Specific Humanistic Opportunity", and his graduation creation is "Taihang Map".

20 1 1 studied at China Academy of Fine Arts, studied under Jin Guantao and Mao Jianbo, and his research direction was "China Thought and Painting". Graduated from 20 14, doctor of literature.

personal record

In 2002, Guitar Club of China Academy of Fine Arts was established and served as the president of Guitar Club.

On June, 2003, 65438+ 10 hosted the 75th Anniversary Music Festival of China Academy of Fine Arts.

I graduated from China Academy of Fine Arts in 2006 with a bachelor's degree in literature.

In 2006, Living in an Empty Valley was collected by the Chinese Painting Department of China Institute of Aesthetics.

In 2007, he was admitted to the Department of Traditional Chinese Painting of China Academy of Fine Arts to study for a master's degree, and studied under professors Lin Haizhong and Zhang Weiping.

In 2007, his works "Spring Garden in Han Palace" and "Water of Thousands of Rocks and Rivers" were selected for the 80th Anniversary Exhibition of China Academy of Fine Arts and the First Art Spring Graduate Group Exhibition of China Academy of Fine Arts.

In July, 2008, his works Peach Blossom Valley in Taihang Mountain and Grand Canyon in Taihang Mountain were published in China Children's MagazineNo. 1367.

In September, 2008, the works "Taihang Peach Valley" and "Taihang Canyon" were published in the total issue 166 of China Painting Oriental Art magazine.

In June, 2008, 165438+ 10, his works "Blue Dot in Yun Sheng", "Spring and Autumn in Leju Lake Mountain" and "Rare Taihang Mountain in misty rain" were published in the 7th issue of China Gallery Alliance Magazine.

In May 2008, he served as Professor Wu (Professor of Philosophy Group, New Asia Institute, Chinese University of Hong Kong) and a visiting professor at China Academy of Fine Arts. His course is "philosophy and aesthetic anthropology".

In June 2008, he served as the teaching assistant of Professor Zheng Juxin (Director of Design Art Department of China Academy of Fine Arts) "Cultural Heritage and China Folk Art"

20 10 works "The Wild Goose and Swallow Pictures Around Qingqu 1 2" participated in the second China Academy of Fine Arts Spring Graduate Exhibition.

2011/Taihang Map participated in the 7th Shenzhen International Ink and Wash Biennale.

On April 8, 201/kloc-0, the work "Flowers in the Moon" was published on page 22 of Zhejiang Daily Humanities Weekly-Humanities World.

20 1 1 In September, the work Taihang Map was published in the 7th Shenzhen Ink and Wash Biennale and People's Fine Arts Publishing House.

On 2011September 10, the work "Living by the River" was published in the 25th edition of Art Newspaper.

From 2011September 16 to September 25th, his works participated in the "National Excellent Doctor Master Exhibition of Chinese Painting" jointly sponsored by Zhejiang Artists Association and Tonglu County People's Government, and undertaken by Tonglu County Culture, Radio, Film and Television Press and Publication Bureau. On September 20 1 1, his works were selected into the Exhibition of Top Ten Excellent Doctors and Masters of Painting in China published by Xiling Publishing House.

On March 20 12, the article "Landscape Painting and the Rise of Neo-Confucianism in Song and Ming Dynasties" and some works "China Thought and Painting Teaching and Research Collection 1" were published by China Academy of Fine Arts Press.

On April 3rd, 20 12, 12 participated in the "Art and Theory-China Thought and Painting Postgraduate Exhibition" sponsored by the Graduate Office of China Academy of Fine Arts and the Chinese Painting Department of China Academy of Fine Arts, and co-organized by Pujiang Fang Zengxian Inscription College and Pujiang China Painting Academy. The exhibition venue is Fang Zengxian Inscription Research Institute in Pujiang.

20 12 organized and participated in the "20 12 Anman Exhibition of Teachers and Students' Works of Art College of Hangzhou Buddhist College" hosted by Hangzhou Buddhist College in May. Venue: Fayun Hotel, Oman, Hangzhou.

20 12 In May, the revised edition of the article "Landscape Painting and the Rise of Neo-Confucianism in Song and Ming Dynasties" and some works were published in Lake magazine and China Artists Publishing House (Hongkong).

On August 20 12, the work Mountain Shadow was published in the World Overseas Chinese Art Calligraphy Exhibition, China Overseas Chinese Publishing House, ISBN: 978-7-513-2891-5.

From September 2065438 to September 2002, the work Mountain Shadow participated in the first "Family China-World Overseas Chinese Art Calligraphy Exhibition" sponsored by China Federation of Returned Overseas Chinese, China Federation of Literary and Art Circles, China Artists Association and China Calligraphers Association.

20 12 12 the paper "the origin and evolution of landscape painting from the origin of sketch" was published in 2 1 century, No.34, ISSN 10 17-5725 (Hong Kong).

201212 On February 25th, he made a series of works, such as Fa Yun Xiang Yan and Liu Lang Wen Ying, and participated in the young artists' exhibition of "Dream of West Lake" in China Academy of Fine Arts, Fa Yun An Man Hotel.

On April 20 13, organized and participated in the "Guisi Exhibition of Teachers' and Students' Works of Art College of Hangzhou Buddhist College" at Fayun Oman Hotel in Hangzhou, China.

20 13 April, the thesis and some works were published in Famous Classrooms and Lin Haizhong and His Students, Zhejiang People's Fine Arts Publishing House, ISBN: 978-7-5340-34 19-0.

20 13 April, the paper was published in China Thought and Painting, Teaching and Research Collection II, China Academy of Fine Arts Press, ISBN: 978-7-5503-0452-9.

May 20 13 Attended and delivered a paper at the 5th World Buddhist Forum in Maha Chulalongkorn University, Thailand.

20 13 May, I was invited to participate in the 10th United Nations Vesak Festival held at the United Nations headquarters in Asia (Bangkok, Thailand). Organize and participate in the "China Traditional Art International Exchange Exhibition", the exhibition place: Royal Tian Square, Thailand (Bangkok, Thailand).

20 13 August, the ninth issue of landscape painting "Qingqu Wandering Around" and "Landscape Four Seasons" Shandong Fine Arts Publishing House Oriental Art Garden Lu 0 12 16.

20 13, 1 1 The landscape painting Snow in the Zen Forest was published on 1 1 in the 20th edition of Zhejiang Daily.

On October 26th, 2065438+2003165438+/KLOC-0, the paper participated in the "Gui Siqiu Chinese Painting Forum of China Academy of Fine Arts: Beyond Images-Sketch View of Chinese Painting and Its Expression" organized by the Graduate Office of China Academy of Fine Arts and Pan Tianshou Memorial Hall. Venue: Academic Lecture Hall of Nanshan Campus of China Academy of Fine Arts.

2013,2065438+On February 26th, 2003, the paper participated in the 11th wuyue Buddhist Seminar-the first Buddhist Art Forum organized by Hangzhou Buddhist Association, which was held in Hangzhou Buddhist College and Huajia Villa.

20 13 On February 26th, 13, organized and participated in the 11th wuyue Buddhist Seminar-the first China Buddhist Art Exhibition held by Hangzhou Buddhist Association and Hangzhou Buddhist College in Lingyin Temple.

20 13, 12—20 13, China Academy of Fine Arts won the first prize of Lin Fengmian Scholarship and Postgraduate Scholarship.

201April 16, the landscape painting "Dead Wood Fu" and others participated in the "Jing Chun-Contemporary Academic Young Ink Artists Joint Exhibition" hosted by Feng Dan Chaoyang Art Museum in Yidege, Beijing. The exhibition place was Feng Dan Chaoyang Art Museum in Yidege, Beijing.

From June, 2065438 to June, 2004, the paper was published in China Academy of Fine Arts Press, Collected Works of China's Painting and Thought Research.

On June 22, 20 14, the landscape painting "Dead Wood Fu" participated in the "Five Doctoral Exhibitions with the Most Academic Value in Contemporary China". The organizer is Feng Dan Chaoyang Art Museum in Yidege, Beijing, and the exhibition venue is Feng Dan Chaoyang Art Museum in Yidege, Beijing.

August 20 14 was invited to participate in the "First Shandong Fine Arts Biennale" jointly sponsored by Shandong Provincial People's Government, China Artists Association and Shandong Artists Association. The exhibition venue is Jinan Art Museum.

2011—— 2014 is the author of the book "Landscape Painting in Song and Ming Dynasties and the Rise of Neo-Confucianism, the Formation and Evolution of China's View of Truth —— A Study on the Concept History from Sincerity to Truth".

works appreciation

Landscape painting and the rise of Neo-Confucianism in Song and Ming Dynasties