"Lingquan" describes the spring as extraordinary and spiritual. These beetles are even music lovers. When they flap their wings to make a sound, the most beautiful sound flows out like a spiritual spring. The author is full of praise for these musicians, not only deeply attracted by them, but also feels that their music is better than all the music in the world, and it is the sound of nature that only bugs can play. From this passage and the exclamation mark at the end, we can feel the author's admiration for small creatures in nature.

The smooth rhyme of singing is written as a spiritual spring, which is a metaphor for the beauty, exquisiteness, freshness and naturalness of insect singing. This sentence is well written, and the beauty of Lingquan rhymes with the beauty of nature. Because the whole article is expressing a kind of natural beauty, it can be improved by understanding. Like a beautiful tune, Lingquan is also a metaphor.

Extended data:

With a strange imagination, the author followed a crawling bug on a strange trip to the grasshopper village, which reflected the author's love for nature and insects and vividly wrote the life scenes of insects.

This is an essay with distinctive expression. The author gives full play to his rich imagination, uses personification, metaphor and other rhetorical devices, and vividly shows a world of Cao Meng to everyone. Details are as follows:

(1) Rich imagination, seeing the world from the perspective of bugs. The author saw a bug crawling alone in the grass and imagined it as a "ranger"; When I see colorful small roundworms, I imagine them as "southern girls".

See beetles flapping their wings and imagine them as "musicians"; Seeing beetles walking with food, imagine that they are "laborers" returning from far away ... The rich imagination endows the little beetle with the characteristics of courage, diligence and wisdom, which makes the beautiful little beetle deeply imprinted in the readers' hearts.

(2) Rhetoric of personification and metaphor. The village was originally a place where people lived together, but in the text, the author gave grasshoppers a way of life. In fact, the grass insect village is nothing more than a cave where grass insects live.

But in the author's eyes, it is no different from human life. There are streets and alleys, and all kinds of people. They not only have a rich emotional world, but also have elegant artistic pursuits. They will not only enjoy life, but also create it.

The purpose of writing this text is to let students feel the author's love for nature and small creatures through the study of the text; The second is to understand how the author observes and uses his rich imagination to express his unique feelings. This is also the focus of teaching this lesson.

The author, formerly known as Guo, is currently the president and editor-in-chief of Xindi Literature bimonthly. In high school, he published a long narrative poem "North" in Bao Dao Literature and Art, which attracted the attention of literary circles. From 1950, it became a fortnightly talk about literature and art, China literature and art, Ta Kung Pao, the youth of the times and the wild wind.

Starting from 1988, he worked day and night for the communication between Taiwan Province literature and Chinese mainland literature, and established the "Guo Feng Prize for Literature" in Peking University. Collection of published essays: Bouquets in Early Spring, Eyes in September, Trees in Hometown and Eternal Island. Poetry: Selected Poems of Guo Feng, First Faith, Song of the Sea; Prose: Hold high the banner of national literature, etc.

Guo Feng's famous works, such as cicada, looking for a lamp, a stranger, I walked through a long night, a tree in my home and a wisp of silk, reveal the rich cultural and historical roots of old scholars with strong historical consciousness and strong emotional color, and show the colorful life in northern rural areas and the strong character of northern farmers.