⑵ Gou Jian defeated Wu: During the Spring and Autumn Period, Wu competed with Vietnam for hegemony. In 494 BC, Gou Jian, the king of Yue, was defeated by Fu Cha, the king of Wu, and returned to China to avenge his death. In 473 BC, he destroyed the State of Wu.
(3) Returning home: one is "returning home". Jinyi: Gorgeous clothes. "Historical Records of Xiang Yu": "Wealth does not return to the hometown, like clothes embroidered at night, who knows?" Later, it evolved into the phrase "returning home with clothes on".
(4) Spring Temple: Palace.
5]: Bird name. It looks like a hen with a quail head, white spots on its chest like pearls, and purple waves on its back hair. The cry was piercing, and the voice was like "I can't be a brother." This is a nostalgic work, and the historical event written is wuyue's hegemony in the Spring and Autumn Period.
Poetry is not a historical novel, and quatrains are also different from long poems, so poets can only choose the part of this historical event that they feel most deeply to write. He chose not a fragment in the long process of this struggle, but two scenes after the defeat of Wu State and the return of the King of Yue. The first sentence pointed out the meaning of the problem and explained the specific content of the historic site. In the history of the rise and fall of wuyue, the most famous event was the "ten-year reunion" of the King of Yue. However, the poem does not return to this popular theme, but takes "return" as a guide to the whole poem from a different angle to write about the return of the King of Yue and his soldiers to Korea after the death of Wu. The next sentence is a description of Shili's happy atmosphere. Only one thing is caught in the poem, that is, the soldiers return home in splendid clothes, but what people can imagine is a huge and lively scene: banners are like forests, gongs and drums are loud, Gou Jian is placed on the wine table, with a grand banquet and a face of pride and glory. Soldiers who have been rewarded, stripped of their armor and dressed in brocade can be seen everywhere in the city. After 20 years of humiliation, the joy of victory and the intoxication of victory are simultaneously revealed. A word "doing" means the future life of the King of Yue. Sure enough, the palace began to resound with songs and hymns accompanied by gentle dancing, and the beautiful women around the king of Yue were like clouds, colorful and endless.
Two or three sentences are two scenes that the poet deliberately absorbed into the historical picture of Yue State, which condensed the prosperity and prestige of Yue State after it dominated one party, among which it was more chewy. Once upon a time, after wuyue's defeat, the King of Yue took the doctor's literary advice and presented the women's stone of Zhuluoshan to the King of Wu. So the prince of Wu, who was obsessed with lewdness, indulged in it, singing and dancing all day long, indulging in pleasure, and no longer guarding against the feud of Yue, which made the Yue army take advantage of it and finally committed suicide. How much does the King of Yue know about the demise of Wu, but what kind of road is he taking now? In those days, the heroic qualities of enduring humiliation, eating no meat, wearing no clothes and making great efforts were lost with its beautiful scenery. So how long will this prosperity last? As for Yue's fate, the poet stopped writing, and all the truth was in silence. Instead, I took a sharp turn and wrote the scenery in front of me: a few partridges were flying around on the ruins of the overgrown old capital, so lonely and desolate. This sentence describes the change of personnel, the impermanence of ups and downs, which is amazing. Rulers of all ages hoped that their wealth and splendor would be the inheritance of future generations, but the poem truthfully pointed out the disillusionment of this hope, which is its positive significance.
Through specific scenery, the poem contrasts the prosperity of the past with the desolation of today, which makes readers feel particularly profound. Generally speaking, it is difficult to highlight an environment directly, but through comparison, the effect can often be greatly enhanced. Therefore, it is even more deplorable to describe desolation through lively scenes. The contrast between the past prosperity written in front of this poem and the present desolation written behind it is extremely strong. The harder you work in front, the more powerful you will be behind. In order to fully express the theme, the poet also made arrangements for the artistic structure of this poem that are different from the general seven wonders. Generally speaking, the turning point of the Seven Wonders is arranged in the third sentence, but the first three sentences are all in an angry state, and it is not until the fourth sentence suddenly turns to the opposite side that it is particularly powerful and energetic. This kind of writing is not a poet with rich brushwork, so it is difficult to write freely.
Li Bai also wrote a nostalgic poem "Tai Su's Visit to the Ancient Times", which can be compared to: "The old garden is deserted, and Yang Liuxin and Ling Ge's oratorios can't be sung in spring. Today, only Xijiangyue has taken care of people in Wugong. " Tai Su, or Gusutai, was a playground for Fu Cha, King of Wu in the Spring and Autumn Period, so it is located in Suzhou, Jiangsu today. As soon as this poem came up, it was written about the ruin of Wuyuan and the desolation of Suzhou and Taiwan, and the changes in personnel and the impermanence of prosperity and waste were all comfortable in it. Then the willow sprouted again in spring, and the willow was green, as old as ever, and new every year. The contrast between "new" and "old", the unchanging scenery and the ever-changing personnel have deepened the feelings of mourning for historical sites. In a word, compare two different things and write the ups and downs of ancient and modern times, which is simple and natural. The second sentence is followed by the present scenery. In addition to the green willows, there are some women singing soul songs, echoing the melody of singing in the infinite spring. The willows have changed their leaves, the boatswain is singing spiritual songs at leisure, the old garden is deserted, and there is still boundless spring scenery. The former palace and beautiful women are singing, but everything has vanished. Therefore, the last two sentences point out that only the bright moon hanging on the river flowing from the west is eternal; Only when she saw the prosperity of Wu Palace and figures like Fu Cha and Shi at that time could she become a witness of history.
These two poems are both about visiting the ancient times, with the same theme and similar themes, but the one in the middle of the poem focuses on describing the prosperity of the past, trying to use three-quarters of the space to render it, and using a conclusion to write today's desolation, so as to erase it and reverse Gan Kun. Tai Su's poems focus on today's desolation, implying the prosperity of the past, setting off the fickle personnel with the natural scenery that is always new in the past and present, and seeing the ups and downs of the past and present, so their expressions are different. From here, we can also see the poet's various artistic skills. You Gu Hua:
Duke Dougong of Tang wrote a poem entitled "Journey to the South with Excitement": "I am sad to ask what happened at that time, but I can't see the river coming back. At sunset, the east wind and spring grass are green, and the partridge flies to Yuewangtai. " Li Taibai's "Visiting the Ancient" poem is written on the cover.
Selected quatrains of Tang poetry;
Hanging ancient works is as big as the wind. ..... In the poem "Visit to the Ancient Vietnam", the first three sentences are endowed with the luxury of the past, while the last sentence is about the desolation of today. Generally speaking, the works of the Tang Dynasty that miss the past are mostly based on the ups and downs of the past and the present, but they are different vertically and horizontally, depending on the genre.
Selected Tang poems:
This kind of life has become a collection of topics such as nostalgia (the last sentence).
Interpretation of Tang poetry;
Ao Zifa said: This poem, together with Han Tui's Visit to Qujiang to Send White Sherman and Wei Yuan's Liu Ruan Tiantai, is a combination of falling sentences, with cadence and orderly opening and closing. This situation is also rare in Tang poetry.
Tang Yin Shen Ti:
It's strange that three sentences go straight and the rest come out.
Interpretation of ancient Tang poetry;
The word "only today" is used in one sentence, each with its own merits.
Tang poetry;
Three sentences say "prosperity" and one says "decline", original.
Poetry in Tang and Song Dynasties:
Before Su Tai's Visit to the Ancient Times, it was said that the beginning was sad, but the end was full of words; This poem begins in its heyday, but the last sentence turns desolate, which makes a difference.
Notes on Tang poetry:
Visiting the ancient times in Tai Su ... goes back to the ancient times from today. This song begins with the destruction of Wu by the King of Yue. Great achievements, full of sound and light, chasing out the ending of the sentence "partridge" is to mourn the past and hurt the present. Physical condition is different. The ancient law refining bureau can be seen.
A brief record of the changes in poetic methods;
The first three sentences are extremely prosperous, and the last sentence begins with a pen to write about its decline, which is strange and correct.
Selected comments on ten thousand quatrains in Tang dynasty;
Try to shake off a sentence, sigh homesickness and turn to aftertaste.
Poetic style:
The first sentence is risky, the second sentence is inherited, and the third sentence is a turning point. It is said that it is the king of kings. Three beautiful women, Man Chun Hall. After that, there is nothing to see, only partridge flying, the so-called opening and closing. The word "only today" is very different from the previous one. The former is used for openness and the latter for cooperation. Tragedy (product)
Essay:
Du Gong's "Penglai Palace Que to Nanshan" has six sentences, and two sentences are combined; Taibai's "One sentence breaks Wu Gui", three sentences are open and one sentence is closed, all of which create a tone.
A brief introduction to poetry;
It is different from those who tell stories directly, so it is really old; At the end of the sentence, the word "only" is used, and the whole article is full of strength and the poem is particularly high. The first three sentences said that after Ping Wu returned, the king of Yue was 3,000, and the palace flower Man Chun; The soldiers also successfully disarmed and went home with honor. Once upon a time, arrogance was gone, leaving only three or two partridges flying in vilen, echoing the sunset.
Li Taibai Shi Chun:
Pan said: the last three sentences are noisy and the next one is sad, but using the word "only today" is really a painting of clouds and light wind.
The essence of quatrains in Tang Dynasty;
Both poems (referring to this poem and Tai Su Lanzhan) are ancient works. Starting from this month, the first one talked about the ancient imperial secretary, and the second one talked about the present partridge from the ancient imperial secretary, which was different from seeing the ups and downs of the past and the present, making people deeply moved, and the ring of impermanence and glory was included.