First, literature.

Ye Shengtao was the first fairy tale writer in the 1920s. His work Scarecrow is very popular with many teenagers. Representative works include fairy tale "Little White Boat", vernacular novel "Spring Banquet" and novel "Ni Huanzhi".

Ye Shengtao advocates the use of vernacular Chinese in the field of publishing. Most of his magazines and newspapers use vernacular Chinese, which greatly facilitates the reading of journalists and readers and promotes the development of journalism in China.

3. He enthusiastically advocated the standardization of modern Chinese, including the standardization of grammar, rhetoric, vocabulary, punctuation, simplified characters and the elimination of variant characters, the compilation and standardization of Chinese characters in publications, and the stipulation of Chinese pinyin scheme. His efforts have improved the quality and organizational structure of editing work.

Second, education.

Ye Shengtao's educational thought has made a unique and systematic contribution to the modern educational theory with China characteristics.

Ye Shengtao's educational thought takes China's educational reform practice as the logical starting point, forming China's educational reform theory of materialism and dialectics; In exploring and answering the practical problems of China's educational reform, he brilliantly and uniquely revealed the basic principles of modern education in China. In summing up and refining the practical experience of China's education reform, China's modern education and teaching theory has been developed and innovated.

Extended data

Ye Shengtao (1894- 1988), male, formerly known as Ye, was born in Suzhou, Jiangsu Province on June 28th, 1984. Modern writers, educators, literary publishers and social activists are known as "excellent language artists".

Ye Shengtao's working style:

Ye Shengtao's novel style lies in paying equal attention to sympathy and satire. With a pair of sharp eyes, he calmly examined the insulted and injured people huddled in a corner of old China. His heart was full of compassion, but when he put pen to paper, he hid it, cold and reserved. His meaning is often hidden outside the text, but his feelings are not revealed in the text.

He doesn't like their cowardice, emptiness, dereliction of duty and selfishness, so he wants to stab them and expect them to change; But he also knows their hardships, and sometimes they can't control their own destiny. Therefore, while mocking, he unambiguously pointed his pen at the dark realistic system behind him, thus making his critical realism reach a certain depth.