This paper describes the historical evolution and modeling changes of flying in Dunhuang, among which the flying statue in India was first involved. Later, it went through Western Wei Dynasty, Northern Zhou Dynasty, Sui Dynasty, Tang Dynasty, Five Dynasties Song Dynasty, Xixia Yuan Dynasty and other dynasties, covering the whole development history of Dunhuang.

Xie Chengshui, pen name-Xingshan, Han nationality, 1950, from Changting County, Fujian Province. 1976, graduated from Fujian Normal University, majoring in oil painting. 1982 went to the Oil Painting Department of China Academy of Fine Arts for further study. From 65438 to 0984, he went to Dunhuang Mogao Grottoes to study Dunhuang art at the invitation of the Institute of Fine Arts of Dunhuang Research Institute. 1987 65438+February, obtained the title of research librarian of Dunhuang Research Institute and served as assistant to the director of the Institute of Fine Arts of Dunhuang Research Institute. In September 2000, he was employed as the deputy director and researcher of Dunhuang Studies Center of Nanjing Normal University (up to now). 200 1 At the invitation of London University, I went to the British Museum to study the silk paintings of Dunhuang Tibetan Sutra Cave for one year. He is the author of Dunhuang Grottoes Art 290 Grottoes in Mogao Grottoes, Dunhuang Grottoes Appreciation Series and Xie Chengshui's Sketch Collection of Dunhuang Murals. He has published many papers and works of art at home and abroad. Participated in seven international academic seminars and read papers. He has held four solo exhibitions in China Art Museum and China Academy of Fine Arts. These paintings are in the collection of China Art Museum. Replicas of Dunhuang murals have been exhibited in Japan and India for many times with the exchange of national cultures.