Half of the senior high school entrance examination won't take the composition, but it's no problem if you cover it in advance. I suggest you read the rest of the Cultural Journey, which is a good article.

Here are some specific methods of writing prose, which I hope will be useful to you.

1) Good at conception.

Everything is based on meaning. The "meaning" of prose exists in the deep living soil and the vast ocean of life. To get it, we must rely on our in-depth observation, feeling and understanding of life. Therefore, as long as prose is conceived from the reality of life, with distinct feelings, keen observation ability, the pulse of people's contemporaries, deep feelings, rich imagination and profound thinking, we will feel that our life is full of poetry. This poem is something that touches our hearts, makes our eyes suddenly enlightened, makes our thoughts suddenly sublimated, and makes our feelings more pure. This is the inspiration of the poem. If we want to understand our article, we must understand it quickly. Because there is a tremor in the heart and a flash of thought. Liu said: "Even a faint flash is better than no flash. This is no ordinary photography. This is literature. "

For example, a writer went to see camellia, which has many varieties. The beautiful camellia made him think: "Camellia is beautiful. Everything good in life is created by labor. Who watered the flowers day and night with his own sweat, raised the seedlings like his own children, and finally cultivated such beautiful flowers? We should thank those who beautify our lives. " This is the brilliance of thought, and the writer cherishes it very much, so he writes this meaning down in time. Later, he heard a gardener introduce a kind of camellia, and said, "This is called boy's noodle. It blooms late, just blooms, and its color is deep red, but it is the best. " This didn't cause thinking, but he remembered the name of this camellia. After a while, it happened that a group of children also came to see Camellia, which attracted the writer's attention. He saw the children's bright red faces upturned, smiling sweetly and chattering nonstop. His heart suddenly trembled and he couldn't help but blurt out: "The boy's noodle tea is on." The gardener realized this and said, "Really, there is no more beautiful camellia than this boy's face." This made an idea pop into his mind. He said, "I have an idea for a painting. If you draw a big camellia with the thickest and brightest cinnabar and match it with a boy's face, isn't it a symbol of the face of the motherland? " Therefore, the writer wrote an essay "Camellia Fu" about the feelings and thoughts caused by seeing Camellia. This writer is Yang Shuo. Readers and critics can understand the author's intention of writing this article through reading: to praise the beautiful motherland and honor the working people of the motherland.

(B) good at conception

Conception is a process in which writers refine life materials from coarse to fine, from false to true, from one to two, from the outside to the inside. The writer should seek the perfect artistic form for the ideological content of prose in his conception, so as to achieve the harmonious unity of ideological content and artistry. Therefore, conception should solve the problems of conception, material selection, artistic conception creation, genre determination, basic techniques and layout. This paper focuses on three issues: determining genre, finding clues and creating artistic conception.

First, determine the genre. The genre of prose is flexible and diverse. We have a good meaning (thought) and have chosen the material to express this meaning (thought), so we have to consider: is it written in a letter or in a diary? Was it written as an essay or as an accidental feeling? Travel notes or memoirs? Should I write a preface or postscript, or a comment? The principle of determining specific genre is that content determines form, and form serves content. For example, after traveling to Suzhou, if you feel the need to report your travels and impressions to your parents, you can write a letter; When you meet some people or things that move you during your play, you can write essays and ramble; After visiting Tiger Hill, Lion Forest, Hanshan Temple, Xiyuan and Liuyuan, you find the bells of Hanshan Temple particularly attractive and arouse your reverie, so you can write a lyric article as poetic as Lyric on the Country Altar. If you are revisiting the old place, eating some local products of Suzhou and recalling the past, you can write a reminiscence essay similar to Remembering Xiaomi ... In short, the form of expressing a specific genre should be determined according to the content of the intention.

Second, look for clues. The material of prose should be scattered, each material is a pearl, but there are internal relations between these pearls. We writers want to find a thread, use a pen as a needle, and put these scattered pearls into a dazzling bead necklace. So, what can be a clue?

One is emotional clues. When our feelings change in life, such as from disgust to like, or from like to disgust, we can use this emotional clue to connect some seemingly unrelated materials. For example, when Yang Shuo wrote "Litchi Honey", he used emotional clues to put childhood memories, convalescence in Conghua, litchi grove, Su Shi's poems, love to taste honey, visit bee farms, praise bees, farmers' labor and dream bees at night.

The second is the clue of things. For example, Cao Jinghua felt in his daily life that today we still need to carry forward the spirit of hard struggle of "millet with guns" in Yan 'an period, so he collected the past events about millet in his memory and used millet to combine events that happened in different places, different times and different situations. Many essays that support the object and chant ambition are also based on the object, such as Mao Dun's Praise of Poplar.

The third is the character clue. If you write about a character's activities at different times and places, you can use this character as a clue, or you can use another character to connect things at different times, places, people and contents. This character can also be the writer himself-"I".

The fourth is the clue of thought. For example, in the face of something or a scene, I meditate and daydream, "I tend to travel in Wan Ren", "I look at the past and present in an instant, and I caress the whole world in an instant", "I cage heaven and earth in form and frustrate everything in writing". Through association and imagination, related materials can be organized together to express the original theme. Such as Qin Mu's Land, Yang Shuo's Haicheng and Jia Pingwa's Chou Shi.

The fifth is the landscape clue. All landscape words are sentimental words. Through the description of the scenery, the writer's thoughts and feelings are integrated into the scenery. For example, Tianshan scenery, West Lake scenery.

The sixth is the action clue. Travel notes, for example, take travel routes as clues. Liu wrote "Three-day Tour of the Yangtze River" with running as the main line. Of course, there is also a philosophical clue in the full text: "Fight-sail-through the night until dawn".

There are many clues in prose, and the above six clues are commonly used.

Third, create artistic conception. The artistic conception of prose is the blend of emotion and scenery, the unity of meaning and environment, and the unity of the author's subjective feelings, will, natural environment and social environment saturated with the spirit of the times. It means soul, and the environment is flesh and blood. High means deep environment, and low means shallow environment. This artistic conception of prose should be the artistic conception of poetry, that is, the so-called "poetry". It is intangible, tangible, material and vivid, but it is touching, soul-shaking, spiritual and spiritual. For example, Zhu Ziqing wrote Moonlight on the Lotus Pond. The whole article focuses on "light taste", and follows the clues that come along the road and stand in meditation. Through description, the path, lotus pond, flowers, moonlight, tree shadows, fog, lights and so on. Found and rotted, visible and perceptible, while leaves, frogs and cicadas can smell it. Multi-emotional expression and clever metaphor create an elegant, quiet and scene-blending artistic conception. This beautiful artistic conception is exactly what prose writers should strive for and deliberately create.

The conception method can learn from predecessors and needs its own innovation. In the past, a young author invented a "quick conception method of prose", which was valued by editors of Youth and Quarrying.

(3) The layout is ingenious. Prose is generally short in length and convenient in layout, but it is difficult to make a good layout because of its short length. This is like a mountain with a small pile of stones, which often does not destroy the grandeur of the mountain. But there is a pile of stones in the small garden, which easily destroys the beauty of the garden. Therefore, the layout structure of prose is very important. When you visit Suzhou gardens, you can get inspiration from their exquisite architectural layout, and you can also learn from their garden architectural layout to consider the layout of prose. Ye Shengtao wrote in Suzhou Gardens that the designers and craftsmen of Suzhou Gardens "pay attention to the layout of pavilions, the collocation of rockery ponds, the foil of flowers and trees, and the level of close-up vision. In short, everything must exist in order to form a perfect picture, and it cannot be detrimental to the failure of beauty. " As for prose writing, we should also pay attention to the layout, coordination, comparison and level of materials. Suzhou gardens don't pay attention to symmetry, but prose layout sometimes needs to pay attention to symmetry or contrast. Ye Shengtao added: "Suzhou gardens pay attention to the beauty of pictures from every angle." Then, the overall layout of prose should be artistic, and isn't its local layout equally artistic? There are many specific methods for layout, and the clue problem mentioned above is also related to layout. What can be emphasized here is that the layout of many compositions should be clever. The beginning often seems to talk about profound meaning, and the end should be in-depth, make the finishing point, and "express the meaning of the chapter", which echoes from beginning to end, is consistent and organically combined. Beginners of prose writing may wish to learn the method of this layout.

(4) clearer than intermittent. Prose should be "scattered", in addition to material selection, but also pay attention to the intermittent skills in narrative. Only by making clear the discontinuity can prose be written freely. Jia Pingwa said: "remember: the more you know, the less you want to write or can't write;" Blank, this is exactly where you want to write. " He believes that "pay attention to the treatment of' blank'. First, prose can be scattered, intermittent, intermittent, and words can fly, and the mystery will be obvious. Second, prose can be implicit. The ancients also said: heart first, so you have to follow your nature. It seems nonsense, but there are scores in the bones. "We should read more excellent prose works of the ancients, learn the intermittent skills of others, and practice makes perfect after being used many times in writing practice.