Changqing is famous for quenching thirst. After returning to Chengdu, he won the favor of Wen Jun, so he suffered from chronic diseases. She was a "belle", tried to stab herself, but she couldn't change it in the end, and she died of this disease. Wen Jun left it to the world.
Defining "beauty" as Zhuo Wenjun means "self-stabbing" because of suffering from "diabetes". Because Beauty Fu does not contain the history books of the Han Dynasty, and the Selected Works is not collected, Fu Fu foresees the books of the Tang Dynasty, Yiwen Lei Ju and Chuxueji, and collects the Ancient Wenyuan discovered in the Northern Song Dynasty, so the authenticity of the author is between the dragon and the snake. However, there are many theories about reality in academic circles. For example, Tsung-Wu Chien's Dialectics of Beauty Fu (included in the History of Han Fu) is proved to be the grammar of the Western Han Dynasty in phonology, which is an example. Of course, the essay does not agree with Xiang Ru's motivation in Miscellanies of Xijing, but the history books prove Xiang Ru's "illness".
There are five records in Historical Records and Biography of Sima Xiangru. First, "Liang Xiaowang came to Korea, and from the lobbyists Zou Yang, Huaiyin Meicheng, Wuzhuang and other jealous disciples, they felt at home and talked about it one after another, avoiding illness and wandering around"; Second, "make Miao respectful, and the day will be like the DPRK. I first saw it, and later called it a disease, which made my followers Hee Sa and Ji more cautious. " Third, "Changqing can't go because of illness, and Lin Qiong dare not taste food and welcome himself"; Fourth, "when I entered the official position, I never agreed to work with officials or officials, saying that I was sick and secluded, and I didn't admire the official position"; Fifth, "it is like living in Maoling without illness. Sima Xiangru is very ill, so you can learn his book later; Otherwise, it will be gone in the future. "I was loyal to it, but I died and there were no books at home." It can be seen that "illness", "no illness" and even "death", illness has become a common word to describe Xiangru's life, and the last sentence "Maoling at home" refers to Xiangru's experience after "worshipping the garden to be filial", so Xiangru's illness is also called "Wen Yuan's disease" by later generations. For example, "I am ashamed that I am sick like a literary garden" (Chen Yi's My Second Friend sees the post), "I am thirsty for a literary garden" (Bian Gong's Answer to Luo Yanzhou), "After I moved from a literary garden to a sick one, I made the mysterious grass come out of the world" (Xu Zhonghang's Crying for Liang Gongshi) and "I am bored with a literary garden" (given to me by Zhang and Wu Chuanlou).
Fu has been famous for a long time, such as Cao Menglan and Suzhou famous prostitute. For thirteen years, my sister and I lived in Shanghai. Hong, assistant minister of Wuxian County, won the grand prize in junior high school in June and returned it with a shirt. As soon as he saw it, he regarded it as a room with a lot of money, waiting for the Spring Festival. Qin Xiang began to tune, the Golden Room opened, and was taken to Beijing, where he was favored by the special room. Vintcent held a festival to make Britain, Wan Li Whale Festival, Yuanyang and Tuo ... and Wen Yuan died of thirst, and even died.
A favorite color, Hong Jun likes the color of colorful clouds. In addition, Qin Xiang Begins to Speak is also a story similar to Qin Tiao. The difference is that Xiang Ru left a copy, which is "Beauty Fu".
Whether this "Beauty Fu" with similar signature is related to "Wen Yuan's disease" depends on the text of this Fu. The existing prose can be roughly divided into two sections. The first section is from "Sima Xiangru is a beautiful city of idleness" to "I give up but don't allow it", which mainly explains the origin of Liang Wang's "lewdness" and "I look forward to my three years" and "I give up but don't allow it". From "Life drives the East and crosses Zheng Wei" to the end of the poem, through the protagonist's provocative and unrelenting description of "beauty" in "Entering the Palace for Leisure", the conclusion of "lewdness" is drawn. Only in this way, there are two points that are inconsistent with the description in Miscellanies of Xijing: first, there is an answer to the question because it is written in Fu, and the historical event of Qin Picking is after "death, but his family is poor, so there is nothing", and second, it is written in Fu as "lewdness" and "self-stabbing" with lewdness. Fu family, of course, can be disguised as a word, criss-crossing time and space, let Dai exclaimed "Changqing Changqing, as you see, Lunanzi is also. Is Zhuo evil before and after? Look at it from the front, walk without hiding, look at it from the back, walk without observing "(on the volume of Yiwenzhi), but this can be found in Fu, and it is appropriate to observe the most important description in Fu:
Road out of political power, road from mulberry, Qin in the morning, stay in Shangguan at dusk. ..... I arranged for his family and built his hall. Sweet and fragrant, and his account is high. There was a woman alone, lying quietly in bed. Wonderful and beautiful, beautiful and beautiful. Seeing the minister's delay, he said with a smile ... Hosta hangs the official crown, sleeves blow the official clothes ... The bedding is ready ... The woman loosens her clothes to show her sexuality, her body is exposed, her bones are weak and her muscles are rich, and she is as smooth as fat when she comes. My pulse is beating inside, my heart is in my arms, and I swear I will never come back, but I will hold it high and say goodbye to him.
This is the words of the pretender "Liang", which is not only an erotic network, but also a "lofty" and "long story". This kind of self-talk is neither in line with human nature nor logic. In fact, it is a copy and exaggeration of previous poetry creation.
If we trace back to the profound inheritance of this kind of fu, our predecessors often refer to the satirical fu of French Song Yu and the lascivious fu of the lothario, and their creations are closer to the latter. Selected works of song Yu's lewd fu. In Fu, not only the mode of writing Song Yu's "carefree body" and the mode of describing "the master's son" and "visiting the minister for three years" are completely taken from Beauty Fu, but also the description in Beauty Fu is quoted, and the writing thought and method are completely equivalent to the statement of "Dr. Zhang Hua" in slutty Fu:
I ... relax between Kevin·Z and Qin Yan. At the end of spring, facing the summer sunshine, Cang Gengzi, a group of women were born. This is the suburb. China colors include light, physical beauty and metallurgy, and cannot be decorated. I looked at its beauty ... so the virgin seems to have expected something, but she didn't come, but suddenly she didn't come. Her heart was dense and her attitude was different. She smiled and secretly looked. It's also called poetry ... I'm proud, I care about my righteousness, I celebrate my poetry, and it's not bad.
Although comparatively speaking, "Beauty Fu" is more exposed, the place where men and women meet and enter the palace comes from "I am in Sangzi, I want to enter the palace" in "Sang Zhongshi" and "Zhengzhi" in "Falling Flowers Fu". As for the titles of Sangzhong and Qinyan, the "stabbing" and "stabbing chaos" mentioned in the preface are all related to the love poems represented by Zheng Feng. Therefore, Song Yu's description of the "cloud dream" and the encounter between man and god in Gaotang and Goddess is just like the so-called "Yan has ancestors, Qi has a country, Song has mulberry trees, and Chu has cloud dreams" in Mozi's Ming Gui, which is a sacred place to worship the goddess of fertility.
There are three textual researches on this "Sanglin" literary tradition: First, in the Qing Dynasty, Hui's Spring and Autumn Annals, with eight quotations from Mozi, explained that "Gaiyan Zuqi Society, which is the same as the dream of Chu, Song and Sanglin, met four scholars and women in March. The theory of "targeting women" has far-reaching significance. Secondly, according to the "Daughter of Midspring" in The Book of Rites and Emperor Guan, I had to rush to the meeting, the "Moon of Midspring" in The Temple of Gaoqing and the "Pray for Rain" in Chen's Overview of the Ancestral Temple in Gaoqing Suburb. Thirdly, the article MuNv and Silkworm Mother written by Jie Yu, a French sinologist, combs the word Mulberry Room written by Zheng Wei, the ancient Yuefu poem LuoFuxing written by China, and many drafts since the Jin and Tang Dynasties, and draws the conclusion that the theme of Mulberry Garden literature has two forms: the love song spontaneously produced during the Spring Festival and the condemnation of moral judges, which can be said to be the two extremes of the development of this theme (MuNv and Silkworm Mother edited by Qian Linsen,
It is precisely because of the original desire of "fighting for women" and the ethical spirit of the moralists represented by Confucius who criticized "Zheng Sheng's fornication" that later works imitating the legacy of "Spring Festival travel rush" are inherently contradictory, forming some writing characteristics of wanting to stop talking or stopping abruptly. The modality of "woman" and the elevation of "minister" in "Beauty Fu" are absurd and funny, but they reasonably show the organic unity of "two extremes". Therefore, before this fu, there were "Gao Tang" and "Lustful" fu, and then, as listed in Volume 16 of Wang Xun Yeke Series, "Cai Yong intended to be Xie He Fu, Cao Zhi to be Jing Si Fu, Chen Lin to be Zhi Yu Fu, RoyceWong to be Fu, Zheng Qing Fu and Zhang Huawei. Because of this creative tradition, one year I was invited by the Chinese Department of the National University of Singapore to give an academic speech on "Poetry and Fu Creation and Music Education Tradition", and I planned to start with "Sangzhong" poetry. After receiving the title, the inviter thought it was too simple to attract the audience, so I changed the title to "Altar Love Song", with the same content, and approved it immediately. At an academic conference in another year, I added this speech as a thesis statement, opening with the change of the topic at that time, and interjected to Mr. Chen, the seat of Fudan University: It would be better if the topic was changed to Love in BC. The jokes of that year are still ringing in my ears. Imagine how distant love developed into a resistance to the original desire. As a part of Sangyuan's literary tradition (or a stage of development), Beauty Fu is a simulated article, not a new one. Although neither fish nor fowl, but really "sick"?
Returning to the theory of "self-stabbing" in Xijing Miscellanies, the narrator thinks that the phase is like stabbing, so he dies, so Wen Jun is a ghost. The study of Wen Jun's Collection of Sima Xiangru was first seen in the Collection of Wild Girls in Hejian compiled by Amin Mei Dingzuo. The author found it unbelievable, and wrote in the obituary, "It's good to recall the past, natural and graceful;" Compassion only encourages virtue, and the piano amuses itself; Always be a princess, not ashamed to be a stove; Life is shallow and life is difficult to help. " This sentence is taken from Historical Records, Biography of Qin Songs and Yutai New Poetry. The sentences of "graceful and restrained Confucius" and "sorrowful and virtuous" may reflect the "garden disease" in Beauty Woman. There are mainly two kinds of "diseases" described in the biography of Historical Records, which are related to life behavior and emotions. The case of "I am free from illness, and I am on the beam" stems from my dissatisfaction with my work at that time, that is, the so-called "filial piety is the emperor, constant martial arts, not good." Emperor Hui Jing is not good at ci fu, which is a lifelong heart disease, or the feeling of "not meeting a scholar", and also a common fault of ancient literati. If it is reflected in "Beauty Fu", it is like the lyrics sung in "Daughter Song": "I am lonely in my room, I miss beauty and feel sad. Why is there no beauty? When the sun sets, I dare to be selfish. "This kind of heart disease is particularly obvious when Xiang Ruren is a filial piety. His Adult Fu and Changmen Fu all contain the writing and metaphor of this mentality. Secondly, he said that he was ill and lived in seclusion, and he didn't admire the official position. His illness is due to the feeling that a conscientious scholar can't follow the crowd, and he is indifferent and sad. This is the "Ning Anger as Thousand Li", "Ning and Yoke" and "Ning and Peace" in the Ci to Qu Yuan written by Han Fu.
If you talk about beauty when reading Fu, it is related to lewdness. As Wu said, "Song Yu's satirical Fu ... is roughly similar to Shuo Wen Jie Zi Fu, but the second one covers the words that satirize the king of Chu. Sima Xiangru intends to satirize Fu as a belle Fu, saying that if the minister is not lewd, then people will know his false accusation (My Talk in Jingxi Forest, Volume 3). If it is not limited to lewdness or not, the critics attribute this fu to the theme of Song Yu's satirical fu, which is another example, but has another meaning. Jin Xiangxiang, a close friend, thinks: "It is the reason why Fu Shouyan is not a lecherous and longed for Yidong;" "In Chinese, it uses Song Yu to satirize Fu's meaning to caress the songs of Youlan and Snow White, and it is obscene to imitate the jade bed; At the end of the speech, "I was persuaded by the air ..." In harmony performance, it was very elegant. ..... Tai Shigong's "Xiang Ru Chuan Zan" said:' Although Xiang Ru is all empty words, it should be attributed to thrift, which is different from the wind admonition in the Book of Songs!' The purpose is to say. "(The Development of Ci and Fu in the Han Dynasty, Chapter 9, Types of Ci and Fu in the Han Dynasty, Lyric Class) Such comments may give a positive solution. Just "irony" in Fu. Why do you want to compare men and women? Maybe people say that "all evil comes first" ("Augmented Sage")? Or Confucius said, "I have never heard of virtue like lewdness" (The Analects of Zi Han). Of course, imitating the traditional strength formed by the model of "Sanglin" literature and prose is also considered as a kind of "disease" in the field of fu, but the author has many new meanings in the arms between * * * and music education for us to find and think about.
(Author: College of Literature, Nanjing University)